Recorded concert movie chronicling many of the works of P.D.Q. Bach
Can a work of art remain relevant 200 years after its creation? Ludwig van Beethoven’s last completed symphony proves it’s possible.
This short documentary (the second of two parts) follows Glenn Gould to New York City. There, we see the renowned Canadian concert pianist kidding the cab driver, bantering with sound engineers at Columbia Records, and then, alone with the piano, fastidiously recording Bach's Italian Concerto.
The Queen of the Night enlists a handsome prince named Tamino to rescue her beautiful kidnapped daughter, Princess Pamina. Aided by the lovelorn bird hunter Papageno and a magical flute that holds the power to change the hearts of men, young Tamino embarks on a quest for true love, leading to the evil Sarastro's temple where Pamina is held captive. The Pierre Audi production of Mozart's Die Zauberflöte was recorded live at the 2006 Salzburger Festpiele.
The Peter Sellars production of Handel's "Theodora", recorded live at the Glyndebourne Festival in May 1996. Dawn Upshaw stars as Theodora, with David Daniels as Didymus, Lorraine Hunt Lieberson as Irene, Richard Croft as Septimius, and Frode Olsen as Valens. William Christie conducts the Orchestra of the Age of Enlightenment.
Legendary "devil violinist" Niccolo Paganini sets all of 19th century Europe into frenzy.
Mariss Jansons conducts the Berliner Philharmoniker in the 2001 edition of the Europakonzert, filmed live at the Hagia Eirene in Istanbul on 1 May 2001. The program features Haydn’s Symphony No. 24 in G Major “Surprise” Mozart’s Concerto No. 2 in D Major for Flute and Orchestra, Emmanuel Pahud soloist Berlioz’s Symphonie fantastique, Op. 14.
Premiered in 1926, Leoš Janáček’s absorbing masterpiece Veˇc Makropulos reflects all the dominant musical styles of the early 20th century, from Bohemian tunefulness to big Straussian phrases, Berg-like jaggedness and primeval rhythms. With the “breathtakingly grandiose” (Salzburger Nachrichten) Angela Denoke in the lead role, this emotionallypowerful opera was given superior treatment at the hands of the Wiener Philharmoniker under Esa-Pekka Salonen. Recorded live at the Salzburger Festspiele on 8 & 30 August 2011. Angela Denoke stars as Emilia Marty, with Raymond Very as Albert Gregor, Peter Hoare as Vitek, Jurgita Adamonyté as Krista, and Johan Reuter as Jaroslav Prus. Esa-Pekka Salonen conducts the Wiener Philharmoniker.
This installment in the "Karajan Legacy" series captures the acclaimed conductor leading the Vienna Philharmonic Orchestra with the Vienna State Opera Chorus and the Sofia National Opera in a masterful performance of Verdi's "Requiem." Filmed in 1984, the concert features an array of renowned soloists, including tenor José Carreras, soprano Anna Tomowa-Sintow, bass-baritone José van Dam, bass Kurt Moll and mezzo-soprano Agnes Baltsa.
Classical performer André Rieu treats his fans to 23 festive tracks with this Christmas release. Rieu celebrates the holiday season with songs including "Jingle Bells," "Slumber my Darling," and "Winter Wonderland."
André Rieu returns with an all-new blockbuster show from New York's iconic landmark theater Radio City Music Hall for his first-ever U.S. taped special. Features performances by the world-renowned Harlem Gospel Choir.
Performing some of Strauss's most popular waltzes, André Rieu's stunning orchestra travel to a huge array of European locations in this PBS produced extravaganza.
Go behind the scenes with one of London's most important musical institutions.
From the euphoric first to the solemn sixth, the Brandenburg Concertos features some of Bach's finest and most popular orchestral music. Münchener Bach-Orchester ; Karl Richter, conductor and harpsichord. Recorded Apr. 1-10, 1970, Schloss Schleissheim No. 1 in F major, BWV 1046 -- No. 2 in F major, BWV 1047 -- No. 3 in G major, BWV 1048 -- No. 4 in G major, BWV 1049 -- No. 5 in D major, BWV 1050 -- No. 6 in B flat major, BWV 1051. Apr. 1-10, 1970. Orchestra: Münchener Bach-Orchester - Conductor: Karl Richter - Violin: Otto Büchner - Trumpet: Pierre Thibaud - Recorder: Hans-Martin Linde - Recorder: Günter Höller - Oboe: Manfred Clement - Flute: Paul Meisen - Viola: Herbert Blendinger - Viola: Ingo Sinnhoffer - Viola Da Gamba: Hans Dieter Kruse - Viola Da Gamba: Oswald Uhl - Cello: Peter Steiner - Double Bass: Franz Ortner
The Vrijthof concerts have been going for ten years and this anniversary was all the excuse André Rieu needed to make things extra festive and put on a fantastic, unforgettable anniversary concert with his new DVD, ‘Love In Venice’ – a selection of favourites from the concert. For this tenth concert series he had the Vrijthof square specially decorated in Venetian style, complete with a Doge’s Palace, Rialto Bridge, a fabulous Italian fountain and a colourful Venetian masquerade and it was a party from start to end. Love In Venice is an evening full of wonderful Italian music, world hits like Funiculi funicula, Tiritomba and Vieni sul mar and fabulous operatic arias. For the occasion of this anniversary, the Italian singer Rocco Granata came to sing his world hit Marina. Thanks to the perfect sound and image recordings on this DVD you can enjoy it at home just as though you were there yourself.
Slovenská filharmónia v Dubaji
The phenomenal German trumpeter Reinhold Friedrich and the Janáček Philharmonic Orchestra Ostrava conducted by H. M. Förster. Renowned German trumpeter Reinhold Friedrich, honorary professor at London's Royal Academy of Music, who has collaborated with the Bamberg Symphony Orchestra and the Orchestre Philharmonique de la Radio France, among others, has now joined forces with the Janáček Philharmonic Orchestra Ostrava, conducted by its chief conductor H. M. Förster, for his solo project. Their performance in Ostrava included Ernest Bloch's Proclamation for Trumpet and Orchestra and Tomasi's Concerto for Trumpet and Orchestra. Performers: Reinhold Friedrich, Janáček Philharmonic Orchestra Ostrava.
W.A. Mozart – Koncert pre klavír a orchester č. 20 d mol
The documentary follows Chilly Gonzales from his native Canada to late '90s underground Berlin, and via Paris to the world's great philharmonic halls. Diving deep into the dichotomy of Gonzales' stage persona, where self-doubt and megalomania are just two sides of the same coin.
What happens when an earth-splitting disaster destroys the home world of a lone living skeleton? As long as he has his most valuable treasure, he doesn't worry about anything else. But can he hold onto his treasure in such a cataclysm?