The Little Mermaid

Two women are far out in the woods. They are not wearing any clothes. And they have no plans to put clothes back on. Ever.

This unusual and intriguing interpretation of the ballet Cinderella with choreography and staging by the renowned choreographer, Maguy Marin, is set in a doll’s house with costumes to suit. This avant-garde, breakthrough version of the tale of Cinderella, described as a brilliant theatrical triumph, has toured the world since its premiere in 1985 and is acclaimed for its amazing manipulation of mood, its intriguing narrative and innovative staging. The production is regarded by some critics as a stepping stone from classical ballet to something radically new.

The wicked fairy Carabosse is furious she wasn’t invited to Princess Aurora’s christening. She gives the baby a spindle, saying that one day the Princess will prick her finger on it and die. The Lilac Fairy makes her own christening gift a softening of Carabosse’s curse: Aurora will not die, but will fall into a deep sleep, which only a prince’s kiss will break. The masterful 19th-century choreography of Marius Petipa is combined with sections created for The Royal Ballet by Frederick Ashton, Anthony Dowell and Christopher Wheeldon. Recorded live as part of the Royal Opera House Live Cinema Season 2019/20 with encore screenings broadcast online during the #OurHousetoYourHouse programme.

Pohádka o Honzovi

The Sleeping Beauty holds a special place in The Royal Ballet’s repertory. It was the ballet with which the Company reopened the Royal Opera House in 1946 after World War II, its first production at its new home in Covent Garden. Margot Fonteyn danced the role of the beautiful Princess Aurora in the first performance, with Robert Helpmann as Prince Florimund. Sixty years later, in 2006, the original 1946 staging was revived by then Director of The Royal Ballet Monica Mason and Christopher Newton, returning Oliver Messel’s wonderful designs and glittering costumes to the stage.

The classic Mariinsky (Kirov) production of the greatest of all ballets. Filmed in the imperial splendor of the Mariinsky Theatre, St Petersburg. Starring Ulyana Lopatkina, Danila Korsuntsev and the breathtaking Mariinsky corps de ballet. Conducted by the great Russian maestro Valery Gergiev.

The Nutcracker is Mikhail Baryshnikov's breathtaking and critically acclaimed Emmy-nominated production. This spectacular performance is danced by the magnificent team of Baryshnikov, one of the greatest classical dancers of the century, and Gelsey Kirkland, both showcased at the peak of their careers, with members of the American Ballet Theatre.

A child is born. We see underwater swimmers representing this. He is young, in a jungle setting, with two fanciful "instincts" guiding him as swooping bird-like acrobats initially menace, then delight. As an adolescent, he enters a desert, where a man spins a large cube of metal tubing. He leaves his instinct-guides behind, and enters a garden where two statues dance in a pond. As he watches their sensual acrobatics of love, he becomes a man. He is offered wealth (represented by a golden hat) by a devil figure. In a richly decorated room, a scruffy troupe of a dozen acrobats and a little girl reawaken the old man's youthful nature and love.

A man looks into a mirror and sees a reflection version of himself dancing, carefree, and rebellious -- only for the reflection to be shattered by a mystery man with a box over his head.

At the Factory, laughter is produced, canned and shipped into the world in precisely measured, temperate doses. It lacks something, though: freedom and authenticity. One woman is unable to laugh according to the norms. She accidentally releases a reckless laughter breaking all the Factory rules. Soon realizes she is leading a revolution for freedom and joy, against pomposity.

When everyone in town falls under the spell of charismatic cosmetic surgeon Doctor Coppelius, feisty Swan must act to save her sweetheart Franz, before his heart is used to spark life into Coppelia – the ‘perfect’ robot-woman the Doctor has created.

During an interview, Tadashi, a young Spanish-Japanese actor who plays female characters in a theatrical practice similar to kabuki, will return to the past to relive his most intimate memories.

The Royal Ballet's 1980 production of Tchaikovsky's classic ballet.

Cinderella is helped to the ball by her fairy godmother in The Royal Ballet's version of the classic fairy tale, using Sergei Prokofiev's music and Frederick Ashton's choreography in a comic ballet.

A young Caribbean immigrant mother struggling to make ends meet at her dye factory job finds a release through her abandoned dream of dance.

The childless royal couple expected a child for many years. They have got a real monster after the birth of their daughter. The young princess made life in the castle unbearable. The bullying of the governess, who turned out to be an evil sorceress, turned into a curse for the whole family. Fortunately, the kind fairy turned the curse into a test of strength and gave the young princess a groom and eternal love.

Sergei Prokofiev's eighth and last ballet, written between 1948 and 1953. It is based on the Russian Ural folk tale The Stone Flower by Pavel Bazhov and is also the last of the trilogy of ballets Prokofiev wrote in the Russian ballet tradition. It was premiered posthumously in 1954, conducted by Yuri Fayer.

A Ballerina steps out of her box for one more dance

Boisterous nightclub entertainer Buzzy Bellew was the witness to a murder committed by gangster Ten Grand Jackson. One night, two of Jackson's thugs kill Buzzy and dump his body in the lake at Prospect Park in Brooklyn. Buzzy comes back as a ghost and summons his bookworm twin, Edwin Dingle, to Prospect Park so that he can help the police nail Jackson.

Olympic gold medalist Peggy Fleming and six-time U.S. national champion Todd Eldredge star in this performance of the Tchaikovsky Christmas classic.