Registration of the fourth solo program by the Dutch comedian Hans Sibbel, in which the comedian takes a look at the evolution.
The first show by the Dutch comedian Kasper van der Laan.
Rayen Panday: Drie keer Rayen
Registration of the first theatre show by the Dutch comedian Sanne Wallis de Vries.
Sanne Wallis de Vries: Stuk
Tineke Schouten: Spiksplinternieuw
A nice boy. That is-ie. Emilio Guzman. He will not fight. Does not seek conflict. He just wants it to go well with everyone. Everyone does what he can not leave. But unfortunately the world is not like that. Underdevelopment prevails. Tension. Anxiety and aggression determine Doing our affairs. Even late Emilio conduct regular surprise. While he was still a nice guy. And smart. He wants to understand what is going on. And why that's happening. And how it could run out. That hand so Ever chose Leiden Cabaret Festival Audience him the winner of one of the strongest ever finals. Now he takes the side of his audience. Not to say what they want to hear. But because he wants to be understood. And that can not leave. Let? We say do it!
Paul de Leeuw: Vette Pech
Stage registration of the thirteenth show by the Flemish cabaret duo Kommil Foo. About man and his everyday tragedy. And that that man is a wolf to his fellow man...
Stage registration of the fifteenth show 'Breken' by the Flemish musical comedy duo Kommil Foo. The performance opens with the question 'How do you get a grown man into a matchbox?'
Xander De Rycke targets the Flemish media and entertainment world in a special edition of his popular HHVB show. And yes, Streamz is also getting beaten.
Roué Verveer: Typisch Surinaams
Urbanus: Het een oog in, het andere oor uit
Bert Kruismans: Ratrace
Since 2016, Xander De Rycke has been touring annually with 'Houdt het voor bekeken' (#HHVB), a comedy special about the past year in television and film in Flanders. Previous editions of HHVB focused on the future of Flemish media. Where are we headed? How far ahead are we compared to the rest, and where do we stand head and shoulders above the rest? HHVB 2018·2019 takes a different direction. Increasingly, film and television are treating us to that 'remember when?' feeling. Franchises are being rebooted, old celebrities are being brought back, and we also have to keep an eye on VTM's 30th anniversary. Was everything better in the past? Is there still room for originality? Or do Flemish people prefer to be wrapped in a blanket of nostalgia? We will discover this together and, above all, have a lot of fun in the fourth season of 'Xander De Rycke houdt het voor bekeken' (Xander De Rycke calls it quits)..
Comedian Patrick Laureij grew up in Rotterdam-Zuid and uses his life experience to talk about underage drinking, kickboxing, and playgroups.
Stage registration of the first comedy special by the Dutch comedian Martijn kardol. Kardol tells about his fears, caused by terrorist attacks, and about being a control freak.
Jochem's decor consists of Trivial Pursuit pieces, each of which represents a dream. He talks about his school trip, his girlfriends, and family members, each of whom he gives an absurd characteristic. A recurring theme throughout his story is his cheerfulness and positivity. He calls this the Yee-Haa! feeling.
In September 2013, it was exactly 12½ years ago that Bas Hoeflaak and Peter van de Witte launched their first full-length theater show 'Teer' under the name Droog Brood. The very best from six theater programs will be collected and forged into a magnificent and classic theater evening. Includes intermission and show trap. It will be fun. For the gentlemen of Droog Brood – who have finally found a reason to perform precious scenes one more time (there is talk of itchy fingers) – but of course also for the audience, who will be presented with an evening of hilarious highlights and will be able to enjoy themselves immerse yourself in a warm atmosphere of sweet melancholy. In short: the ladyfingers have been bought, the Smurfs have been called and Soekeloekie has pulled his proverbial nose out of the grease to frequently put it around the corner.
Daniël Arends: De Zachte Heelmeester