The Shoe Shiner's Journey

Tibet: The Survival of the Spirit

Yuguo, from Mongolia, lost his father when he was very young. His mother Liuxia was not able to raise him as a heavy drinker. With social support, she sent Yuguo to Wuxi for free education. Liuxia is depressed all day long, and she finds sustenance of missing Yuguo in reindeer and wine. One winter holiday after many years, Yuguo returns to his hometown, the Evenki settlement deep in the Greater Khingan mountains. At that time, he is no longer the boy who just left home, but a thirteen-year-old teenager. Facing alcoholic mother, poetic uncle, pure people from the tribe, familiar yet strange forest, Yuguo, who grew up in the city, doesn’t know what to do. In the snow-laden mountains of Aoluguya, northeast of Inner Mongolia, the film chronicles their brief time together. Yuguo and His Mother is the second documentary of Gu Tao’s Evenki trilogy.

The film explores the pursuit of the “Chinese Dream.” Driven by mesmerizing—and sometimes humorous—imagery, this observational documentary presents a contemporary vision of China that prioritizes productivity and innovation above all.

Mao Tse Tung: China's Peasant Emperor

The old man who has no dreams, forgets the dream of the dream, said that the dream of being educated, the child who is chasing dreams in the streets, can we really have a dream? In front of the new crisis that has aroused the new crown virus, I came to Yunnan with a camera, I hope I can reactivate my movie and a few musician friends who have already realized it is facing new challenges. In Kunming City, a child of a roadside stall, every day, like a beast is usually playing in the road of the car, only six years old, he has not started to go to school, and his parents did not take care of him. . And when they said their dreams, the dream of teaching with strong people, and it is incorporated with this. The dream of spiritual medicine may not exist at all, but it is really a tragedy, and the tragedy is staged daily.

I came to the "90 km-long traffic jam, road transport of coal (news)," the Shenmu and Fugu, Coal makes this town less than one million people among the Chinese economy in the forefront. And arrived here three days later, Pass me a tramp pointing to the front for me, "in front of you can find a dream." I gave up being shocked shoot spectacular traffic jam events. I start shooting those who rub shoulders with Seoul before, Children, adolescents, youth, middle-aged, elderly. We talked about the harsh reality of the real Titanic, We are also talking about the illusory ideals, My ideal also quietly began to grow from here.

A Muslim living in a non-Muslim region of China. It attempts to explore the relationship between ethnic, cultural background and survive.

Examines the early 1980s Hong Kong filmmaking community. Tony Rayns interviews some of the new generation of filmmakers and figures from the wider film culture.

These are conversations I had with four football partners respectively on the way to the football field，on the way back from the football field，on the way to class，on the way to the bar. The content revolves around freedom，love, meanings of life and so on, which is mainly about their views on the life situation of themselves.

Following the mother of martyrs Pro-Ukraine, Qingwen who missed her lost son Guo Zhenggao and accuse the brutal of the war that takes up so many life.

This film cross-cut the "Odessa Steps" chapter from the famous war movie "Battleship Potemkin" (1925) and the actual footage of the Russo-Ukrainian conflict in 2022. It uses a 21st-century "Montage d'Attraction" to explore The circle of history, the contradictions of civilization, and the crisis of life.

The documentary "The Garden" focuses on the "old city renovation" project of BaDaHu Residential area in Qingdao. After the film was released online, the renovation project of this residential area became the only illegal demolition activity that was stopped in China in 2010. A special report by China Central Television revealed that this project was demolished and built without government approval by impostor, fictitious official letter.

In the Chinese New Year of 2017, Solar and I went together to visit David Zhang who was practicing kung fu on Wudang Mountain. As the three of us interacted, we observed and looked after each other. We also filmed each other to document and reconstruct this experience of listening to each other and growing up.

A silent film by Vietnamese director Truong Minh Quy in collaboration with Belgian director Nicolas Graux, was shot on the set of a film by Graux. We Sit in Silence at the Memorial Table is inspired by Educational Objectives, a poem written by Aleksey Garipov and translated to English by Nicolas Graux.

Crocodile in the Yangtze follows China's first Internet entrepreneur and former English teacher, Jack Ma, as he battles US giant eBay on the way to building China's first global Internet company, Alibaba Group. An independent memoir written, directed and produced by an American who worked in Ma's company for eight years, Crocodile in the Yangtze captures the emotional ups and downs of life in a Chinese Internet startup at a time when the Internet brought China face-to-face with the West. Crocodile in the Yangtze draws on 200 hours of archival footage filmed by over 35 sources between 1995 and 2009. The film presents a strikingly candid portrait of Ma and his company, told from the point of view of an “American fly on a Chinese wall” who witnessed the successes and the mistakes Alibaba encountered as it grew from a small apartment into a global company employing 16,000 staff.

Historias de las montañas de la bruma

‘Body’ is an object we are all familiar with. For British sculptor Anthony Gormley, it is a medium for expressing thoughts about space, while for young female artist Wang Ying, it is a potential vehicle for expressing emotions. This documentary uses a split-screen method to create a three-dimensional space like a "body". It not only explores the artistic concept and development of Wang Ying, a female artist born in the 1990s who studied in the UK but also completed it on this basis. The documentary creator (me) thinks about her and her body, from'meeting','seeing' to'existence'

In the dream I had one early morning in 2014, I was sitting in the backseat of a car. The driver suddenly turned to look at me and said: Why aren’t you filming? It was my second elder sister who had already passed away. After her death, I began to keep a diary and take pictures. When I got a video camera, I began to film the daily life of my family. I filmed out of the fear of death and loss. The idea was to capture everything on film before it disappeared. 2015 was the 20th anniversary of my sister’s death. That dream seemed to tell me to face her death. Death did not stop the passing of time, and the family members I was filming continued to avoid their grief which hadn’t subsided with time. Birth and death continue to alternate in our lives, and we are always getting ready for the day when we must say goodbye.

I just watch the news of war in a distant country on my mobile. My fingers go back day by day to the day the war broke out and pose to see comments posted on the Facebook News Feed that I follow. Outside, I have friends who participated in anti-war rallies.

In this talk, Li Hongqi reviewed his transition from fine art to cinema, and his aesthetic and philosophical exploration from his early 'So Much Rice' to recent 'The The'. Dir. Li Hongqi also shared his strong anxiety of his existence(born with melancholia), his thought on cinema art (actually, I don't think there's any movie worth making), his epistemology, his religious view, his consideration on contemporary cinema, and what he learned about living in seclusion.