Juste pour rire 2016 - Dominic et Martin vs Les Denis Drolet

Juste Pour Rire 2017 - Gala Juste Sketchs

Juste pour rire 2016 - Philippe Bond vs Michel Barrette

Juste pour rire 2016 - Guillaume Wagner vs Guy Nantel

Juste pour rire 2016 - Rachid Badouri VS Éric Antoine

Juste Pour Rire 2017 - Gala Juste Stand-Up

Juste Pour Rire 2017 - Gala Juste Absurde

Juste pour rire 2016 - Laurent Paquin vs Cathy Gauthier

Juste pour rire 2016 - Maxim Martin vs Dominic Paquet

Juste Pour Rire 2017 - Gala Juste Raconteurs

Juste pour rire 2017 - L'Événement JMP 10e anniversaire!

Juste Pour Rire 2017 - Gala Juste Personnages

Juste pour rire 2016 - Hommage à Michel Barrette

Cabaret à Laurent Paquin 2019

The film is set in the fictional town of Balrampur where Vedvyas Tripathi better known as Bhajan Kumar lives with his family headed by his father Pandit Siyaram Tripathi. Bhajan Kumar’s life with his family was going well till a question on his identity arises that throws the city in a flurry of rumour and apprehension. Will he survive or fall prey to this onslaught?

After a whirlwind marriage with social media influencer Akhil Chadha that ends in divorce, chef Saloni Bagga meets hotelier Gurbir Pannu. One night with Gurbir – and then also with Akhil – leads to Saloni getting pregnant. But who's the father? By a one-in-a-billion twist of fate, Saloni is carrying twins – and not just any twins, each child has a different father!

Real estate company employee Komachi and steelworks heir Kodama are both train aficionados. Their hobby proves useful for their burgeoning careers, but their romantic fortunes do not go as smoothly. Will the awkward Kodama and the indecisive Komachi find the loves of their lives?

This three-part ballad, which often uses music to stand in for dialogue, remains the most perfect embodiment of Nemec’s vision of a film world independent of reality. Mounting a defense of timid, inhibited, clumsy, and unsuccessful individuals, the three protagonists are a complete antithesis of the industrious heroes of socialist aesthetics. Martyrs of Love cemented Nemec’s reputation as the kind of unrestrained nonconformist the Communist establishment considered the most dangerous to their ideology.