This documentary let us to relive the challenge of the men behind the 1967 Universal Exposition in Montréal, Canada. By searching trough 80,000 archival documents at the national Archives, they managed to bring light on one of the biggest logistical and political challenges that were faced by organizers during the "Révolution Tranquille" in the Québec sixties. Includes the accounts of the Chief of Advertising Yves Jasmin, and businessman Philippe de Gaspé Beaubien.
Canadian Pacific I is made up of a series of slowly dissolved shots done from the same framing over several months. The camera frames a window with a railway yard in the foreground, a bay in the space behind it, and misty mountains in the extreme distance. Trains occasionally pass by in the foreground. Huge ships move across the bay. Blue mists hover over the mountain heads.
Canadian Pacific II is designed as a companion piece to Canadian Pacific I. Shot from a window two storeys higher and in the building adjacent to the artists’s studio of the previous year, one enters into a dream state… an involvement with a vocabulary of seeing and feeling by subtle transitions of the passage of time
Documentary about filmmaker Bonnie Ammaaq's memories of life on Baffin Island, where her family moved for eleven years during her childhood from the hamlet of Igloolik to return to the traditional Inuit way of life.
Following the success of Dude, Where's My Bus? (2024), Gio Petti's new documentary The Train to Nowhere shifts focus from buses to rail, centring on the Line 2 expansion of Ottawa’s Light Rail Transit (LRT), a project that many commuters hoped would mark a turning point for transit in the city. The documentary follows Petti as he documents the circumstances surrounding the expansion, the project's transition to a hot-button political issue, and the broader impact on riders who depend on the various systems every day. It also explores themes of retaining optimism and taking charge for change in the transit system in the face of cynicism.
Fredy
Wild Canada
Since the late 18th century American legal decision that the business corporation organizational model is legally a person, it has become a dominant economic, political and social force around the globe. This film takes an in-depth psychological examination of the organization model through various case studies. What the study illustrates is that in the its behaviour, this type of "person" typically acts like a dangerously destructive psychopath without conscience. Furthermore, we see the profound threat this psychopath has for our world and our future, but also how the people with courage, intelligence and determination can do to stop it.
One Saturday morning, filmmaker Madison Thomas has a revelation: she’s just like her mother. As she thinks about a friend going through tough times, she feels the sudden urge to clean. Through the scrubbing and wiping and rinsing, Madison's thoughts drift to her mother — and her obsessive need to tidy. Madison’s mother survived a traumatic childhood: her own mother never reconciled what she went through at residential school. Cleaning offers moments of control that she didn’t have as a child. She’s fought hard, against all odds, to become a strong woman. They say trauma is in the genes, that it’s passed from one generation to the next. But strength is inherited too. Through rituals as simple as spending time together and smudging, Madison and her mother are beginning to mend the cycle of pain in their family. Declutter is an intimate look into a private moment between mother and daughter and the strength that carries them both.
NiiSoTeWak means “walking the path together.” Tapwewin and Pawaken are 10-year-old brothers trying to make sense of the world, their family and each other. They’re already grappling with some heady questions about identity. What does it mean to be a twin? What does it mean to be Cree? How do you define yourself when you’re forever linked to someone else? The twins discuss these questions with their two elder brothers — 22-year-old actor Asivak and 20-year-old basketball player Mahiigan — and their parents, Jules and Jake.
Yagorihwanirats, a Mohawk child from Kahnawake Mohawk Territory in Quebec, attends a unique and special school: Karihwanoron. It is a Mohawk immersion program that teaches Mohawk language, culture and philosophy. Yagorihwanirats is so excited to go to school that she never wants to miss a day – even if she is sick.
Here in Toronto, four young Somali refugees are finishing high school. What did they bring with them? What did they find in Canada? Their testimonies, about us and about themselves, interspersed with newsreel footage and sequences of a theatrical creation in which they put all their soul, make them immediately endearing and overturn many prejudices held against refugees. A film that makes you want to get to know them better.
From grueling rehearsals to the world premiere, Romeos & Juliets offers an unprecedented behind-the-curtain look at the National Ballet of Canada as ten dancers vie to perform the lead roles on the coveted opening night of "Romeo and Juliet," as envisioned by acclaimed choreographer Alexei Ratmansky in celebration of the company's 60th anniversary.
Toronto psychiatrist Gordon Warme M.D. claims to be a participant in a vital cultural ritual, “one of countless rituals that give relief to humans...the most culture-bound of creatures.”
This documentary examines some of the important events in Canada during the Depression years: the Moose River mine disaster, the great drought on the prairies and the introduction of a transatlantic air service between Canada and Europe. The film also looks at the major world events that influenced Canada: the abdication of the king of England; civil war in Spain; Hitler's rise to power and Canada's declaration of war on Germany. Part of the Between Two Wars series.
The Taj Mahal and shots of Jalandhar nestle between footage from Canada and Africa.
Gordon Buchanan heads to the Rocky Mountains in search of wild horses. Finding two stallions battling over a herd, he immerses himself in their world, hoping to win their trust.
Profile of a Chinese immigrant to Canada narrated by her son.
A cartoon film about the whole heterogeneous mixture of Canada and Canadians, and the way the invisible adhesive called federalism makes it all cling together. That the dissenting voices are many is made amply evident, in English and French. But this animated message also shows that Canadians can laugh at themselves and work out their problems objectively.
BREAKING POINT brings viewers back to those tense, critical moments when Canada's future as a country was at stake.