Squid Sisters - Live Concert at Chokaigi 2016

Off the Hook performed during the Japanese Splatoon Koshien 2018 tournament at Tokaigi. Check out the show!

This footage is from the live music performance at Nintendo Live 2022, a gaming event in Japan. It includes Deep Cut (Shiver, Frye, and Big Man) and some special guests!

This footage is from Callie and Marie’s first live performance at Niconico Tokaigi, a gaming event in Japan.

This footage is from Pearl and Marina’s live performance at Tokaigi 2019, a gaming event in Japan. Check out the show!

Check out the fresh new performance from Shiver, Frye, and Big Man, and keep an eye out for a couple of unexpected guests! This performance was pre-recorded in Tokyo, Japan, and was originally planned as part of Nintendo Live 2024 TOKYO.

The Squid Sisters performed at Japan Expo in Paris on Friday. Check out the show!

This footage is from Callie and Marie’s first live performance at Niconico Tokaigi, a gaming event in Japan.

Muse performed for Reading and Leeds Festivals 2011 as headliners.

A horror film disguised as a music video for American band 16, 'Sadlands' tells a story of two kids held captive by their mother's substance abuse.

Deep in the poorest neighbourhood of Havana, you will find Rumba Morena; a band of nine drummers and singers performing with astounding passion and fervour. Whilst it is not unusual to hear Rumba drifting from back alleys in Havana, Rumba Morena is different - they are all women. Cuban Rumba is traditionally played by men only, and Rumba Morena breaks the mould. Uproar explores the complex intersection of religion, music and gender dynamics of Rumba Morena – and the roots influencing the male resistance to it.The film aims to peer under the skin of the complex intersection of religion, music and gender dynamics affecting the circumstances around Rumba Morena and explore the roots influencing the male resistance to Rumba Morena’s music.

Tom is a grossly engineered man who is getting a bit old now. Despite his age, he wants to learn to play the piano. However, his music teacher Tina is search desperate for his talent. And so Tom has to find his own language and access to music.

DG presents John Williams in Vienna, the live recordings of the Hollywood legend's Vienna Philharmonic 2020 debut. Saying it's "one of the greatest honors of my life," he received a standing ovation before a single note was played. Sharing the stage with the famous orchestra and violinist Anne-Sophie Mutter, he performs iconic themes from Star Wars, Harry Potter, Indiana Jones, Jurassic Park and other cinematic landmarks that have earned countless awards: 5 Oscars, 5 Emmys, 25 Grammys & more.

ECDL - Las ventas

A short film created for Spanish TV touching on the subject of Catalonia's struggle for independence, interspersed with symbolic images.

Mecano - Mecano en Concierto

Mecano - Tour 91-92

Russian musical performers, and with them familiar movie characters, began to speak and sing in a romantic language in the style of the French pop of the 60s and 70s.

Luiz Gonzaga - Danado de Bom

When record store owner and compulsive list-compiler Rob Gordon gets dumped by his long-time girlfriend, Laura, because he hasn't changed since they met, he revisits his top five breakups of all time in order to figure out what went wrong. As he examines his failed attempts at romance and happiness, the process finds him being dragged, kicking and screaming, into adulthood.

Live at the Royal Albert Hall finds Culture Club celebrating their 20th anniversary with an infectious and expansive grandeur, all while basking in the love of adoring fans. The show actually starts with a great joke on the audience: Boy George, looking not a day over 20, glides onstage in his once-trademark derby and beaded hair extensions, delivering a warm and welcome vocal on "Do You Really Want to Hurt Me?" The startled crowd soon realises he's an impersonator. The real, fortysomething George O'Dowd, looking a lot less androgynous and a tad thicker than in his New Romantic days, smiles self-deprecatingly and launches into a pleasing set of white soul ("Cold Shoulder", "Miss Me Blind"), stark gospel ("That's the Way"), stirring raga-rock ("Bow Down Mister") and even a classic (a lovely cover of Bowie's "Starman", complete with audience participation and muscular guitar by Roy Hay). It's a fine show all around.