Filmed in a village of the indigenous Mandaya people, located in a mountainous area of southeastern Mindanao, the country's second largest island, the documentary portrays the struggle of the Communist Party of the Philippines and its armed wing, the New People's Army, for the rights of indigenous Filipino peoples and the environment, which are constantly under threat from landowners, large logging companies and agribusiness.
A musical docudrama about the brave and outstanding Women of Malolos to whom Jose Rizal addressed his famous letter in Feb 22, 1898.
"Iiyak ang Langit" is an excruciating documentary that exposes the untold pain of the families struggling to survive after the extrajudicial killings in the Philippines. Melinda is at the heart of this story—she lost her son to state violence and now makes a living by producing candles. Her story, together with the candlemakers—unified not only by wax and wick but by grief and survival—turned out to be a reflection of how labor-fueled both mourning and resistance. As they maneuver their hands to turn darkness into light, even the sky seemed to weep with them.
YAYA is a story about a filmmaker who explores the complex relationship between his family and the domestic worker who spent decades away from her family in the Philippines to raise his. This documentary is a tribute to all the domestic workers in Hong Kong, who has served as the backbone of Hong Kong's economy by unleashing a substantial female workforce into the economy and taken care of so many lives with love and care. You are all heroes in the hearts of the Hong Kong people. - Justin Cheung, the director
The Philippines is visited by an average of 20~28 strong typhoons and storms every year. It is the most storm-battered country in the world. Last year, Typhoon Haiyan, considered the strongest storm in history, struck the Philipines, leaving in its path apocalyptic devastation.
TV movie about dance rites in the Philippines
"Bagong Buhay" is a short experimental film that dispels the common belief that packing up and moving to a new place will magically improve one's quality of life. The film challenges this presumption by portraying two contrasting ways of life through objects and locations, encouraging viewers to think critically about the complexities of what makes a better life. In the Philippines, it's believed that relocating to a new area will bring about positive changes in one's existence. True satisfaction is a complex and multifaceted notion, and "Bagong Buhay" encourages us to ponder that relocating to a new place is not a surefire way to attain it.
The Jeepney is a common affordable transportation in the Philippines. Made from abandoned American Jeeps during World War II, the Jeepney remains a symbolic figure of the Philippine identity.
Two Filipina victims of sexual abuse search the truth behind the finding of a renowned anthropologist: that merely a few generations ago, the Bontok Igorot lived in what seems an unthinkable utopia—a rape-less society.
At the height of the COVID-19 pandemic in the Philippines, amidst the rising number of cases, two families remember their loved ones as more than a statistic.
Le dernier tamaraw
JEEPNEY visualizes the richly diverse cultural and social climate of the Philippines through its most popular form of mass transportation: vividly decorated ex-WWII military jeeps. The film follows jeepney artists, drivers, and passengers, whose stories take place amidst nationwide protest against oil price hikes that pressure drivers to work overseas to earn a living, far from their homes for years at a time. Lavishly shot and cut to the rhythm of the streets, JEEPNEY provides an enticing vehicle through which the rippling effects of globalization can be felt.
Before 2NE1 achieved global success, Sandara was already a superstar in the Philippines.
The story explores the life of three Badjao brothers, Diether, Rakmel, and Agi, who beg on jeepneys. This documentary captures the difficult realities the siblings face every day in the bustling streets of Manila, where they are often unnoticed and ignored by society. By speaking out and supporting initiatives to alleviate inequity, Angpao, diskarteng Badjao encourages viewers to acknowledge these problems and take action.
When the last Filipino community center in Ketchikan, Alaska, becomes a memory, a 50-year-old Filipina who spent her life resisting her heritage travels to the Philippines to rediscover her roots, preserving her community’s disappearing culture, and teaching indigenous Filipino dances.
In the Philippines, the reefs, coasts and islets of the island of Palawan, the Straits of Balabak and the Sula Sea are amongst the richest in biodiversity on Earth. Some scientists claim that the entire submarine wildlife of the Pacific originated from this area. The coral is magnificent and the protected sites offer an incomparable vision of marine life to scuba divers from all over the world. However, since the end of the Second World War, Philippine fishermen have been fishing with dynamite all over the coral reefs of this marine Wild West. Today, far from diminishing, this form of fishing has taken on industrial dimensions and 50% of the coral has been destroyed, turning this underwater Eden into arid desert…
A study in the ecology and conservation of whale sharks, the largest fish in the world and a vegetarian one at that.
Kain Tayo follows Rica Piquan, the owner of Pamilihan Pinoy Asian Groceries, one of only two Filipino markets in Tucson, Arizona. Born and raised in the Phillipines, Rica’s lifelong passion for cooking inspired her next dream, opening a Filipino restaurant. She plans to share her culture and passion by the end of the year. While managing her grocery store seven days a week and building her restaurant from the ground up, she still finds time to cook for her family every day. Seen through Rica’s journey and her daughter's eyes, the film explores the resilience of an immigrant story and the rich traditions of Filipino food and culture.
The documentary serves as a tribute to National Artist for Cinema Gerardo de Leon in celebration of his Centennial Year. “Salamat sa Alaala.” is inspired by the music composed by the late film director when he was a teenager playing background music for silent movies in Manila theatres. The video opens up with a capsulated history of the birth of the Filipino movies followed by a series of shots of veteran actresses, the academe and the young generation of filmmakers affirming his unique qualities as a world-class film figure. Then we unravel his private life as a family man. The documentary is one way of thanking him for his lasting legacy in the art form he left behind.
Ed Gerlock, Romeo Mariano, and DJ De Guzman shares their experience in documenting a range of events in the decades of media censorship.