Aspettiamo!

At age 25, Olivier Rousteing was named the creative director of the French luxury fashion house, Balmain. At the time, Rousteing was a relatively unknown designer, but in the decade since, he’s proven his business prowess and artistic instinct by leading Balmain to new heights. Wonderboy gives the viewer the rare opportunity to experience the inner sanctum of the fashion world, as we stand shoulder-to-shoulder with this extraordinary individual while he works.

Ruben and Gio have been recently adopted by Evelyn and Memo. The four of them try to create a home where the past, the bad and good stories, and the dreams in common for the future blend all together.

My Flesh and Blood is a 2003 documentary film by Jonathan Karsh chronicling a year in the life of the Tom family. The Tom family is notable as the mother, Susan, adopted eleven children, most of whom had serious disabilities or diseases. The film itself is notable for handling the sensitive subject matter in an unsentimental way that is more uplifting than one might expect.

Through divorce, adoption and second marriages, none of the children in the Van Wijk family have the same biological parents.

What's it like to "make a family" when you're not part of the traditional hetero couple? Can two best buddies living on the same floor become a family? Océan and his best friend Sophie-Marie Larrouy will question their friendship, their desire for children and their ability to commit to each other, going to meet people who have made families "differently" to draw inspiration from them and invent their own model.

Jackie Miller adopted her son, Scott, in the early 1970s. In 2008, Scott brought his mom to StoryCorps to ask her about that decision.

Bébés placés, la vie devant eux

Behind the Smoke Screen

The free, almost naive view from the perspective of a child puts the "68ers" in a new, illuminating light in the anniversary year 2008. The film is a provocative reckoning with the ideological upbringing that seemed so progressive and yet was suffocated by the children's desire to finally grow up. With an ironic eye and a feuilletonistic style, author Richard David Precht and Cologne documentary film director André Schäfer trace a childhood in the West German provinces - and place the major events of those years in completely different, smaller and very private contexts.

Traces the new Cold War between Russia and the West from the ban on American citizens adopting Russian children to the Kremlin’s anti-LGBTQ campaign, which positions the international marriage equality movement as a national threat.

Denese Joy Becker, a manicurist living in Iowa, discovers she is indeed Dominga Sic Ruiz, a survivor from a 1982 Guatemalan massacre, when more than 200 people were killed in the small village of Rio Negro, after opposing the construction of a dam, sponsored by World Bank. She then tries to unveil the truth.

After 48 years of emotional longing, a mother meets her son who she relinquished at birth. In the months after the reunion, Dorothy and Joe must overcome nearly five decades of separation in order to reconnect.

During the pandemic, living under an extreme right-wing government, filmmakers Bel Bechara and Sandro Serpa receive the news that would change their lives: there was a baby to be adopted.

This feature documentary tells the complex and touching story of Winnipeg city councilor Glen Murray and his 17-year-old adopted son Mike, whose struggles with addiction and behavioural problems cyclically repeat. Glen, now an Ontario Member of Provincial Parliament, was one of the first openly gay elected politicians in Canada. He adopted Mike during an era when homophobic stereotypes often prevented gay men and women from adopting children. Glen and Mike's relationship is always tenuous and always turbulent as they struggle to define themselves together and alone.

An astounding exposé that gives voice to the unwitting subjects of an infamous American scientific experiment: the 1960s Neubauer-Bernard study of separated twins. Told from the perspective of the Jewish identical twins and triplets who were secretly split up in infancy and adopted through Louise Wise Services, a Jewish adoption agency, the documentary examines the traumatic, long-term effects of the separations — and continuing deception — on the children and their adoptive families.

At age 31, after experiencing her second miscarriage, Tahyna MacManus was devastated, lost, angry and, despite those around her, felt terribly alone. She picked up a camera and started to record her story and in doing so found her tribe. Resilient, courageous women speaking of their sadness, their shame and their guilt while still holding onto hope. Tahyna discovers that 1 in 4 Australian women experience miscarriage so why aren’t we talking about it? In this highly intimate journey, Tahyna is on a mission to lift the lid on all that shame, provide some answers and make sure that women no longer walk this path alone. But first, she has to face her own fears.

In 1966, Deann Borshay Liem was adopted by an American family and sent from Korea to her new home in California. There, the memory of her birth family was nearly obliterated, until recurring dreams led her to investigate her own past, and she discovered that her Korean mother was very much alive. Bravely uniting her biological and adoptive families, Borshay Liem embarks on a heartfelt journey in this acclaimed film that first premiered on POV in 2000. First Person Plural is a poignant essay on family, loss and the reconciling of two identities.

In this funny and moving documentary, acclaimed film-maker Daisy Asquith tells the very personal story of her mother's conception after a dance in the 1940s on the remote west coast of Ireland. By exploring the repercussions of this act, Daisy and her mother embark on a fascinating and emotional adventure in social and sexual morality. Her grandmother, compelled to run away to have her baby in secret, handed the child over to 'the nuns'. Daisy's mum was eventually adopted by English Catholics from Stoke-on-Trent. Her grandmother returned to Ireland and told no-one. The father remained a mystery for another 60 years, until Daisy and her mum decided it was time to find out who he was. Their attempts to find the truth make raw the fear and shame that Catholicism has wrought on the Irish psyche for centuries. It leads Daisy and her mum to connect with a brand new family living an extraordinarily different life.

In an effort to understand where she came from, Fabiola asked a question that became the central phrase of the film: what would my life have been like if I'd stayed in Haiti? Taking as her starting point her biological mother's precarious economic situation, she had no choice but to entrust her daughter to her care. Fabiola could have ended up restavek, or in a loving foster family, or on the streets abandoned to her fate, or adopted abroad.

Adopted from South Korea, raised on different continents & connected through social media, Samantha & Anaïs believe that they are twin sisters separated at birth.