Berlin remains Berlin

When World War II broke out, John Ford, in his forties, commissioned in the Naval Reserve, was put in charge of the Field Photographic Unit by Bill Donavan, director of the soon-to-be-OSS. During the war, Field Photo made at least 87 documentaries, many with Ford's signature attention to heroism and loss, and many from the point of view of the fighting soldier and sailor. Talking heads discuss Ford's life and personality, the ways that the war gave him fulfillment, and the ways that his war films embodied the same values and conflicts that his Hollywood films did. Among the films profiled are "Battle of Midway," "Torpedo Squadron," "Sexual Hygiene," and "December 7."

Chronicles combat action of Hitler's elite bodyguard regiment from 1940 to 1941. From Rotterdam to Greece, German frontline cameramen captured footage of early victorious campaigns. Scenes of camp life and ceremonies convey an impression of the comradeship, pride, and elan of this mighty military formation.

Documentary produced by Falange and edited in Berlin, in response to the international success of the Republican production "Spain 1936" (Le Chanois, 1937).

The capture of Naples, the first great European city to be liberated, revealed the magnitude of the tasks involved in re-creating the means of livelihood and the machinery of government in a devastated, starving and disease-ridden city.

Between 1933 and 1945 roughly 1200 films were made in Germany, of which 300 were banned by the Allied forces. Today, around 40 films, called "Vorbehaltsfilme", are locked away from the public with an uncertain future. Should they be re-released, destroyed, or continue to be neglected? Verbotene Filme takes a closer look at some of these forbidden films.

September 3rd, 1939. Britain and France declare war on Nazi Germany, only two days after the Wehrmacht invades Poland. This day, the sad date when the fate of the world changed forever, the Phoney War began: eight months of uncertainty, preparations, evacuations and skirmishes.

As Russia launches its full-scale invasion of Ukraine, primary schools across Russia’s hinterlands are transformed into recruitment stages for the war. Facing the ethical dilemma of working in a system defined by propaganda and violence, a brave teacher goes undercover to film what’s really happening in his own school.

In 1943, the Imperial Japanese Secret Service made a film called Calling Australia! to show the "exemplary conditions" under which prisoners of war were kept, and to "soften up" the Australian public for the anticipated occupation of their country by Japanese forces. Prisoners of Propaganda tells why the film was made, and how it came to be forgotten.

The Secrets of Life series (1934-50) may not conform to modern expectations of nature filmmaking, inclined as it is towards giving cute fluffy creatures human names and characteristics. But it couldn't be accused of shielding kiddies from the harsher realities of the food chain, as this exercise in ruthless Darwinism demonstrates to unintentionally hilarious effect. A more than usually eccentric narrator introduces us to the newborn bunny quartet of Donald, James, Charles and Clifford, but as the film's title gives away, "the boys" aren't all long for this world as they face an assault course of hungry owls, predatory badgers, shotgun-happy gardeners and aerial bombardment (no harm in a little anti-Nazi detour, this is 1942 after all). (from http://player.bfi.org.uk/film/watch-once-we-were-four-1942/)

Comprised of footage shot during the Nazi regime, including propaganda, newsreels, broadcasts and even some of Eva Braun's colorized personal home movies, we explore the way in which the Third Reich infiltrated the lives of the German population, from 1933 to 1945.

Documentary short film produced by the U.S. Army, intended to enlighten the American public on the final thrust of the Allied war effort in Europe and on the plans for the return home of American forces. Preserved by the Academy Film Archive in 2008.

A sideshow barker uses magic and visual aids to alert the public that proper food management is both a resource and a weapon that could be to America's advantage if conserved properly in winning the then current World War. Preserved by the Academy Film Archive, Academy War Film Collection, in 2008.

This film records the Japanese military's efforts to capture the Burma Road,one of the major supply lines to China, from the British beginning in December 1941. The film ends with the fall of Mandalay in May 1942.

The Katyn massacre, carried out by the Soviet NKVD in 1940, was only one of many unspeakable crimes committed by Stalin's ruthless executioners over three decades. The mass murder of thousands of Polish officers was part of a relentless purge, the secrets and details of which have only recently been partially revealed.

World War II propaganda film on the importance of American farming. A morale booster film stressing the abudance of American agricultural output.

Berlin in the Olympic summer 1936. A Nazi propaganda film and a portrait in colour of the early 20th century city.

The story of the resistance of the people of the Vinh Linh area of Vietnam which was heavily bombed by the United States during the Vietnamese War. (Note: The film crew itself was bombed; three crew members passed away and chief cameraman was heavily injured. The director re-shot the destroyed film albeit in shortened form.)

Explores Leni Riefenstahl's artistic legacy and her complex ties to the Nazi regime, juxtaposing her self-portrayal with evidence suggesting awareness of the regime's atrocities.

The Spanish Civil War (1936-1939) caused a great impression on the lives of most of the American artists of that era, so many movies were made in Hollywood about it. The final defeat of the Spanish Republic left an open wound in the hearts of those who sympathized with its cause. The eventful life of screenwriter Alvah Bessie (1904-1985), one of the Hollywood Ten, serves to analyze this sadness, the tragedy of Spain and its consequences.

How can the masses be controlled? Apparently, the American publicist Edward L. Bernays (1891-1995), a pioneer in the field of propaganda and public relations, knew the answer to such a key question. The amazing story of the master of manipulation and the creation of the engineering of consent; a frightening true story about advertising, lies and charlatans.