Possessive Pronouns

The story of three women, of very different epochs, whose lives are strangely parallel. The first story, during colonial times, has a man brutalizing both his wife and a female black servant. Parallel with this story is that of a modern couple who perpetuate the stereotyped role of the woman as subservient.

Non-judgmental vignette following a day in the life of one young man living inside a poor, small-town filled with broken dreams and addiction.

During a walk through the forest, a woman reflects on life and memories.

In a godforsaken landscape, filmed in transcendental black and white, as if fallen out of time, young Ada lives alone with her ill mother. Her rather lonely existence is characterized by hard work and poverty and as her mother's condition worsens there doesn't seem to be a way out anymore. Ecce homo is a parable about being human, rich in religious symbolism, which dreamily and at the same time sombrely poses existential questions without volunteering answers.

As two brothers watch a news cast about extra terrestrial beings, the older brother uses the opportunity to make an analogy about their world being invaded by unwelcome visitors.

Miguel, a debutant director, and his young team live a series of tribulations during the shootings of their first film, which unrolls between Lisbon, Venice, Paris and Madrid.

Finding himself down and out in Los Angeles, former porn star Mikey Saber decides to crawl back to his hometown of Texas City, Texas, where his estranged wife and mother-in-law are living. Just as this dysfunctional family seems to be making things work, Mikey meets a young woman named Strawberry working the cash register at a local doughnut shop.

Mike lives in New York. Every day he walks in the streets and what he sees mixes with his thoughts, while his dreams blur with the mirages of the society of images. In such a large city it may be difficult to find a balance between the words and the noises around. Suddenly, Mike realizes what he wants: to go away, as far as he can.

A young girl's puppy escapes the yard while her mother is at work. She goes out on her own to find her puppy, first to the park, and then to a bus depot. An educational short film to promote class discussion.

A young man roams the streets of Caracas.

In the dead of night, somewhere between a dream and reality, television programs explore the neglected realities of the past and present.

A 16mm amateur film.

Mockumentary experimental film, which shows one day in the life of a young man. The action takes place on the Day of Soviet Cosmonautics, April 12, one of the last years of the USSR. Outside the window, it is gradually getting warmer, the onset of spring is felt, promising hope for the possibility of changes in the country. The hero of the film is fond of space. The young man, who idolizes Gagarin, is engaged in reconstruction, making the uniform in which the cosmonaut walked in the prime of his glory. Our hero is also a film enthusiast. He makes films with stories of space flights and shows them to his friends. The film is stylized as amateur films of the 1980s and was shot on a 16-mm color film made by the company" Svema", made in the Soviet Union. The quality of this film allows the viewer to fully immerse themselves in the atmosphere of the time of the film, which is dedicated to Soviet cosmonautics and Edward D. Wood Jr.

A young man reminisces on his relationship with a friend while awaiting a midnight train to New York City.

Justin is a film editor surrounded by performances. Sick of sitting in a dark room watching others, he starts to envision ‘70s cabaret style performances of his own. When a new relationship starts to develop, Justin has to decide how badly he wants to come out from behind the camera.

Evelyn and her oblivious son Ziggy seek out replacements for each other. As Evelyn tries to parent an unassuming teenager at her shelter, Ziggy fumbles through his pursuit of a brilliant young woman at school.

Experimental short film. A young woman is left stranded in an abandoned industrial building, bound by 16mm film. Meanwhile, an angel roams a highway. Also known as Jesus With One Leg.

When Devan’s ex-girlfriend, Skye, knocks on his door with unmerited forgiveness and sexual desire, his naive lust leaves him too late to discover the monster which lies beneath her skin.

Five teenage girls gather for a party. Tensions mount as the guests exchange makeovers and hurl accusations. Tears in the bathroom lead to a ghostly kiss. In a circle around the Ouija board, they invoke a spirit. Their faces float in blackness. Five pairs of painted nails caress the planchette as it moves, swirling pale arms behind it. Our host becomes possessed. The characters overlap. Which of these women is not herself? Uzi's Party is a short experimental narrative written, directed and edited by Lyra Hill. All five characters are played by her sister Johanna Hill. Uzi's Party was filmed entirely in-camera on 16mm film, by means of intricately plotted multiple exposures and a cast of thirteen body doubles.

Time spent at two shores, one thinly populated, the other a wasteland, joined by the interluency of various paths taken, each bit real enough, though exact measures being obscurely indicated. Notions of home and its ache are, to borrow a phrase, “not capable of being told unless by far-off hints and adumbrations”.