Come What May

Dresden Oktober '89

A car drives through the snow. Behind the wheel is Nelly. She is thirteen years old. Nelly wants to go home. Separating her from her goal are three questions, two keys, a diving tower and a racing heart.

Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.

Prep and Landing: On Christmas Eve, a high-tech team of elves from an elite unit known as "Prep & Landing" ensures homes around the world are prepared for Santa's visit. But when two hilarious little elves face unexpected challenges and are pushed to their limits, it'll take a great big effort to save the season. Prep and Landing: Naughty vs. Nice: The outrageous yuletide adventures of Christmas elves Lanny and Wayne continue in this totally tinsel adventure that reminds us there's room for everyone on the 'nice' list. Santa's stealthiest little elves must race to recover classified North Pole technology, which has fallen into the hands of a computer-hacking naughty kid, in an effort to stop Christmas from descending into chaos.

Filmed for the most part from a low-flying aircraft, this documentary short presents a breathtaking view of Canada from coast to coast. Showing the varied terrain, from craggy coast to towering glacier, the film illustrates Canada’s pristine wilderness as well as today's industrial and urban realities. Canada the Land was specially commissioned for the Canada Pavilion at the Osaka World Fair in 1970.

Music scores are atomized and recompiled into instructions for visual edits and cues. Ties are uncovered between sight and sound.

Panasonic PV-GS83 in a plastic bag thrown in the ocean.

Single frames vectorized and stitched before processing through an analog EAB.

White Rock Lake Water Theater in Dallas, Texas. Sculpture by Frances Bagley and Tom Orr. Video compiled from 35mm stills.

Oil spills around Oak Cliff, Dallas.

Compiled and animated from still images.

In this documentary, survivors recall the catastrophic 2018 Camp Fire, which razed the town of Paradise and became California’s deadliest wildfire.

Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take their holiday to the moon, where, as everyone knows, there is ample cheese. Preserved by the Academy Film Archive.

Wallace rents out Gromit's former bedroom to a penguin, who takes up an interest in the techno pants created by Wallace. However, Gromit later learns that the penguin is a wanted criminal. Preserved by the Academy Film Archive.

Wallace's whirlwind romance with the proprietor of the local wool shop puts his head in a spin, and Gromit is framed for sheep-rustling in a fiendish criminal plot.

A short documentary about a homeless couple who face the ban on being on the street during 2020 quarantine. Just through their eyes, the two protagonists show us a different Milan, silent and suspended.

In Sara's class, the popular kids, also known as the kings and queens, are subjected to daily humiliations, which include having their pants pulled down or water thrown on them, but this is only a sign of their elevated status. Sara is the only blond and blue-eyed girl in her class, and she is completely overlooked by the kings and queens who do not have blond hair and blue eyes. She has a secret crush on one of the kings, who is way out of her league, and she doesn't have any friends either, but would like to become friends with Karen, also an outsider who aspires to a better status. One day, Sara eyes an opportunity to boost her popularity by humiliating herself and thereby become queen. Karen instantly becomes her friend, she seems to catch the eye of her kingly crush and popularity appears within her reach. However, her happiness is short-lived, and in the end she learns a far more valuable lesson than how to be queen for a day.

In this tribute to the eternal allure of an ancient myth, colourful fins and swimming pools fill the lives of five modern-day women who strive to embody the mysterious siren as part of a growing “mermaiding” subculture.

A superficial girl can't stand her new boyfriend's monobrow. Unable to tell him, she enlist the help of a certain company to do her job. Her boyfriend heeds but also has a message for her.

Georgian director Otar Iosseliani prepares his film Jardins en Automne. Nothing is conventional in the filmmaker's system: Julie Bertuccelli portrays the gestation and production of a film that seems to follow the freest and most unpredictable poetic intuitions of its creator. The constant and hilarious arguments with the producer, Martine Marignac, a Michel Piccoli transformed into an old woman, and the director's peculiar filming system, in which he signals his actors to start with a whistle, paint a picture of one of the most unclassifiable cinematic experiences in contemporary cinema.