The Maroons

The film Crustaceans treats itself like an impressionist picture or a Japanese Haiku. Crustaceans is a matter of reflection on an instance in life with the social-economical crisis as a landscape. The heartbreak in times of crisis. The film was filmed as demonstrations in the streets against crisis and social welfare cuts took place. For two years, it filmed street demonstrations and incorporated actors in the social landscape. The result, is a film in which the collective and the intimate come together. Both the characters and the people in the street, like identical crustaceans, take to the street to express their shame and rage for what is happening and try to find a solution. A time of anxiety, uncertainty and protest that conforms the landscape in which the characters, such as crustaceans hide their wounds under their hard shell is seen.

Egyptians were famed for their extravagant building techniques and extraordinary gods, but what about the ordinary citizens? How did they lead their day to day lives? What did they do for entertainment? Did they believe in their gods? Discover astonishing facts that throw new light on our understanding of the Ancient Egyptians.

Rome was famed for the decadence of its ruling class, however, what about the ordinary citizens of these ancient cultures? How did they lead their day to day lives in an age when the average life expectancy was little more than forty? Did they believe in the Pagan Gods? What were their sex lives like? What did they do for entertainment? How ordinary Romans lived is, for the most part ...

Early Errol Morris documentary intersplices random chatter he captured on film of the genuinely eccentric residents of Vernon, Florida. A few examples? The preacher giving a sermon on the definition of the word "Therefore," and the obsessive turkey hunter who speaks reverentially of the "gobblers" he likes to track down and kill.

2010 documentary film on the Armenian Genocide by the Young Turk government of the Ottoman Empire during World War I. It is based on eyewitness reports by European and American personnel stationed in the Near East at the time, Armenian survivors and other contemporary witnesses which are recited by modern German actors.

Documentary film with play scenes about the rise and fall of the short-lived Bavarian Soviet Republic in 1919 from the perspective of various well-known poets and writers who experienced the events as contemporary witnesses.

As a new chapter begins in this country, THE BLACK LIST offers a dynamic and never-before-heard perspective from achievers of color. This series of inspired - and inspiring - observations on African-American life in the 21st century forms a roll call of some of the most compelling politicians, writers, thinkers and performers ever to tackle their fields of endeavor. Watch the interview-portraits and get a sharper snapshot of where this country has been and where it's headed.

The story of Tasmanian-born actor Errol Flynn whose short & flamboyant life, full of scandals, adventures, loves and excess was largely played out in front of the camera - either making movies or filling the newsreels and gossip magazines. Tragically he was dead from the effects of drugs and alcohol by the time he was only 50 & the myths live on. But there is another side of Flynn that is less well known - his ambitions to be a serious writer and newspaper correspondent, his documentary films and his interest in the Spanish Civil War and Castro's Cuba

1968, The Socialist Republic of Romania. Women catch up on the latest tendencies in beachwear, the young hippies of Hamburg are harshly criticized by Romanian students, while Nicolae Ceaușescu reads the famous defiance speech against the intervention of the Warsaw Pact troops in Czechoslovakia. Floating solemnly over all this is The Internationale, sung on a stadium by a crowd of pioneers dressed in white shirts and red ties. A certainty for each probability: the documentary is at the same time a history lesson and an ideological warning sign, the director’s endeavour permanently draws our attention to the functions of the propaganda film, yet without tarnishing the fascination that dwells in the core of the images, that of the figures that wave at us from a past buried in commonplaces and political parti pris.

In 1980, the first march of gays, lesbians and transvestites took place in Brazil in protest against the constant police operations that took place in São Paulo, which aimed to repress these groups. Based on Renan Quinalha's doctoral thesis, “Against morality and good customs: the sexual politics of the Brazilian dictatorship (1964-1988)”, carried out by the Institute of International Relations, a series of four 5 minute videos about the birth of the LGBT movement during the Military Regime.

With commentary from Hollywood stars, outtakes from his movies and footage from his youth, this documentary looks at Stanley Kubrick's life and films. Director Jan Harlan, Kubrick's brother-in-law and sometime collaborator, interviews heavyweights like Jack Nicholson, Woody Allen and Sydney Pollack, who explain the influence of Kubrick classics like "Dr. Strangelove" and "2001: A Space Odyssey," and how he absorbed visual clues from disposable culture such as television commercials.

Between 1968 and 1970, J M Goodger, a lecturer at the University of Salford, made a film record of the living conditions in the slums of Ordsall, Salford, which were then in the process of being demolished. Under the title 'The Changing face of Salford', the film was in two parts: 'Life in the slums' and 'Bloody slums'.

Where does voguing come from, and what, exactly, is throwing shade? This landmark documentary provides a vibrant snapshot of the 1980s through the eyes of New York City's African American and Latinx Harlem drag-ball scene. Made over seven years, PARIS IS BURNING offers an intimate portrait of rival fashion "houses," from fierce contests for trophies to house mothers offering sustenance in a world rampant with homophobia, transphobia, racism, AIDS, and poverty. Featuring legendary voguers, drag queens, and trans women — including Willi Ninja, Pepper LaBeija, Dorian Corey, and Venus Xtravaganza.

New York City's Stonewall Inn is regarded by many as the site of gay and lesbian liberation since it was at this bar that drag queens fought back against police June 27-28, 1969. This documentary uses extensive archival film, movie clips and personal recollections to construct an audiovisual history of the gay community before the Stonewall riots.

Haunted by uncanny similarities between Nazi stage techniques and the showmanship employed by modern entertainers, a filmmaker investigates the dangers of audience manipulation and leader worship.

It's 1974. Muhammad Ali is 32 and thought by many to be past his prime. George Foreman is ten years younger and the heavyweight champion of the world. Promoter Don King wants to make a name for himself and offers both fighters five million dollars apiece to fight one another, and when they accept, King has only to come up with the money. He finds a willing backer in Mobutu Sese Suko, the dictator of Zaire, and the "Rumble in the Jungle" is set, including a musical festival featuring some of America's top black performers, like James Brown and B.B. King.

The impact of Marx on the 20th century has been all-pervasive and world-wide. This program looks at the man, at the roots of his philosophy, at the causes and explanations of his philosophical development, and at its most direct outcome: the failed Soviet Union.

Raphael: The Lord of the Arts is a documentary about the 15th century Italian Renaissance painter Raphael Sanzio.

Michael Cockerell sheds new light on the tragi-comedy of the 1970s by focusing on some of its most controversial characters. With fresh filming and new interviews, along with a treasure trove of rare archive, the film presents the inside story of giant personalities who make today's public figures look sadly dull in comparison. The well-known journalist revisits some of his films on the big characters who helped shaped the 1970s in Britain. Both tragic and comic, it highlights just how much our world has changed in four decades.

The NFL has staged 48 Super Bowls. Four photographers have taken pictures at every one of them. In KEEPERS OF THE STREAK, director Neil Leifer tells the story of this exclusive club, made up of John Biever, Walter Iooss, Mickey Palmer and Tony Tomsic. With their cameras, they have captured football's biggest game of the year for almost five decades.