3 hommes et un couffin

To conquer the beautiful vedette Rosita, journalist Tin Tan is subject to her whims. Fired along with his friend Narciso from the newspaper they worked, Tin Tan trying to sell a movie plot. A woman looking to buy it and Tin Tan will visit her in a gloomy mansion where a mess is unleashed.

Ikhariev is a professional gambler who made his fortune by cheating. Having just won eighty thousand roubles, he comes to try his luck again at a new inn. He is accosted by three men, also cheaters, who offer to join forces with him to ruin their new prey: young Glov, heir to a rich landed estate.

A Kuwaiti play talks about the life of Kuwaitis in the years of poverty experienced by Kuwaitis before the economic boom in the seventies, and discusses work in a comic framework of economic and social problems, including poverty, education, and health, by dealing with the stories of work heroes.

Tired of his wife's infidelities, Moliere rented a house in Auteuil, with his young protege, Michel Baron and his lifelong friend, Chapelle who invited a turbulent troop to dinner, that will mock/envy the jealous passion of the author.

After a painful separation 25 years ago, Séverine chose to immerse herself in work. She has created her own publishing house, small, of course, but one which gives her full satisfaction. Until the day when Jean-Pierre, her ex-husband, former business banker, shows up in his office. He is completely ruined, unemployed, and threatened with expulsion. Séverine agrees to help him on two conditions: nobody needs to know who he really is, and he will be a ... surface technician.

Sous les pavés, la plage

Si je peux me permettre

The comedy, centered on five characters (Rita, Rodolfo, Agostino, Bettina, and Don Attilio - "o viecchio pazzo"-), has as background the Italy of the 60s between the economic boom and the perennial unemployment crisis. The cylinder, well explained by "Agostino-Eduardo" in the comedy, is a representation of power, designed to intimidate the ignorant for its only evocative "power". It can also be seen as a sort of "Pirandellian mask", where the character of Augustine wears it to defend himself and represent something that he is not.

Le Nouveau Testament

"Resumption of a play created in 1983. Two shipwrecked people on a makeshift raft in the middle of a social conflict, a mountaineering fight on Mount Paterhorn, improbable friction between two men and a woman in the Yvelines ... The places, the situations change, but each time there is a confrontation. The question is not so much who will win, but to take pleasure in the arguments provided by the opponents. Cunning, bad faith, all blows are allowed in what is primarily a fight of words. "

A documentary about the 1978 stage production of The Taming of the Shrew by the New York City Shakespeare company at the Delacorte Theatre in Central Park. Includes scenes from the production, interviews with Meryl Streep (Kate) and Raul Julia (Petruchio) as well as an introduction by producer Joseph Papp and audience commentary.

Doctor Petypon, a respectable doctor, partied until early morning at Maxim's. His best friend discovers him asleep at noon under an overturned sofa. From the bedroom comes the Môme Crevette, a dancer from the Moulin Rouge. She is forced to pretend to be his wife. It stings at the game and causes a cascade of misunderstandings, imbroglios and drama at a frantic pace.

Hier est un autre Jour !

Le Petit-Maître corrigé is a three-act romantic comedy by French playwright Marivaux. It was first performed on November 6, 1734, by the Comédie-Française in Paris. In this production Clément Hervieu-Léger makes the eighteenth century resonate with our era, all the more so given that the language is “simpler than in other Marivaux plays, while still as refined, precise and full of humour”. The story is that of a young Parisian whose parents have found a good match for him, a count’s daughter. But when he goes to visit her in her country home, the handsome boy – whose Parisian manners are far removed from the rules of decorum that reign in the provinces – cannot open his heart to his lovely intended. Stung, the latter decides to punish his arrogance while a former lover arrives to prevent the marriage. Between the alliance of master and manservant, and the complicity of mistress and maid, a romantic intrigue ensues full of light-hearted conspiracies and feverish emotions.

Théâtre de la Porte Saint-Martin , Paris From 16 janvier to 28 avril 2018. The Game of Love and Chance (French: Le Jeu de l'amour et du hasard) is a three-act romantic comedy by French playwright Marivaux. The Game of Love and Chance was first performed 23 January 1730 by the Comédie Italienne. In this play, a young woman is visited by her betrothed, whom she does not know. To get a better idea of the type of person he is, she trades places with her servant and disguises herself. However, unbeknownst to her, her fiancé has the same idea and trades places with his valet. The "game" pits the two false servants against the two false masters, and in the end, the couples fall in love with their appropriate counterpart.

Vincent, a triumphant forty-something, is about to become a father for the first time. Invited to dinner at the home of Élisabeth and Pierre, his sister and brother-in-law, he reunites with Claude, a childhood friend. While awaiting the arrival of Anna, his eternally late wife, he is pressed with questions about his impending fatherhood, all in good humor... But when Vincent is asked if he has already chosen a name for his unborn child, his answer plunges the family into chaos.

Parody of historical epics that focuses on real-life Australian explorers William John Wills and Robert O'Hara Burkes, who tragically tried to cross the Australian continent from the south, to the north, a distance of 3,250 km.

Napoli milionaria

Accompanied by a child, the mathematician Galileo observes the firmament with a telescope. Ten years ago, the philosopher Giordano Bruno was burned in Rome for having supported the idea of an infinite and centerless universe, based on the work of Copernicus. By dint of observations and calculations, Galileo seeks proofs for his hypothesis of a cosmic system where the Earth is "an ordinary celestial body, one among thousands". From Padua to Venice, the mathematician shakes certainties by confronting the power of a Church which wishes to maintain its absolute power in the "crystal spheres" where Ptolemy has hitherto locked up the world.

Che cos'ha Copperfield che io non ho?!?