England, 1813. In the middle of a long-awaited marriage proposal, Miss Estrogenia Talbot gets her period. Her suitor, Mr. Dickley, mistakes the blood for an injury, and it soon becomes clear that his expensive education has missed a spot.
The Grand is in the tradition of improvisational comedies like Best In Show and This Is Spinal Tap. The story is set in the world of professional poker and follows six players who reach the final table of the world’s second most famous high stakes tournament, the Grand Championship of Poker.
Two neurotics, working for a suicide hotline on the night of Christmas Eve, get caught up in a catastrophe when a pregnant woman, her abusive boyfriend, and a transvestite visit their office.
When Brad gets fired from his job, he goes to reopen an old cinema, he enlists his frends to help him show the last film the cinema aired before it closed... Only they don't know, the film is in Italian. With everyone sitting ready they begin to dub the movie... on the fly!
Aspiring director Corky St. Clair and the marginally talented amateur cast of his hokey small-town musical production go overboard when they learn that Broadway theater agent Mort Guffman will be in attendance.
Count Almaviva lives with his Countess on their estate near Seville. The Count has his eye on his wife’s maid Susanna, who is betrothed to the Count’s servant, Figaro. Much to Figaro’s dismay, the Count plans to seduce Susanna on wedding night. Meanwhile, Cherubino, the Count’s young page, is infatuated with the Countess, but has just been dismissed after being discovered with Barbarina, the gardener Antonio’s daughter.
At an orphanage, the children are sad because they received used defective toys as gifts. Professor Grampy sees the children while passing by in his sled and has an idea on how to give them a merry Christmas.
Jean-Jacques Garbo is deeply dismayed by his wife's infidelity when he suddenly has inklings of another love affair.
Presented by HBO and recorded live at the American Palace Theatre in New York, 'Hazelle!' a one-woman show consisting of a series of interconnected vignettes involving a host of Hazelle Goodman's well-crafted and distinct characters, which center on a NY York neighborhood. Often hilarious, sometimes poignant, but always though provoking and brilliantly performed, Goodman uses humor to celebrate humanity in way that is as relevant in 1995 as it is timeless.
Five years after shooting "The Last Supper," an experimental feature film with no budget, a group of film technicians and artists gather to celebrate the film's unexpected success and decide what to do with the profits generated in theaters and digital platforms.
Based on an incident in the life of Beat icon Neal Cassady and his wife, the painter Carolyn, the film tells the story of a railway brakeman whose wife invites a respected bishop over for dinner. However, the brakeman's Bohemian friends crash the party, with comic results. Pull My Daisy is a film that typifies the Beat Generation. Directed by Robert Frank and Alfred Leslie, Daisy was adapted by Jack Kerouac from the third act of his play, Beat Generation; Kerouac also provided improvised narration.
A man in his mid-thirties searches for meaning in the aftermath of a relationship.
Plans for an arranged marriage between the beauteous young Juliet and the wealthy but off-putting Count Paris are thrown awry when Juliet falls for Romeo, the son of her father's only enemy. Their romance will yield explosive passions — and deadly consequences.
After years in the twelve steps of Alcoholics Anonymous, James becomes a sponsor to newcomer Luka. The pair bond over black coffee, trade stories and build a fragile friendship out of their shared experiences. But as Luka approaches step five – the moment of confession – dangerous truths emerge, threatening the trust on which both of their recoveries depend.
Dissatisfied with the dishonesty they see in dating, strangers Naima and Sergio make a pact to spend 24 straight hours together in an attempt to fast forward their relationship.
In this Australian premiere production, Dan Spielman and Izabella Yena embody Hannah Moscovitch’s whipsmart #MeToo-era take on the archetypal student–teacher romance.
William Shakespeare's darkest comedy, Measure for Measure. Live from Shakespeare’s Globe Theatre in London, this television production of the play was broadcast on BBC4 on Sept 4, 2004. Directed for stage by John Dove and for television by Janet Fraser Cook. Presented by Andrew Marr and with comment from historian David Starkey, actress Juliet Stevenson and the production’s director John Dove. Starring Mark Rylance, Liam Brennan and Sophie Thompson.
Montreux Comedy Festival 2017 - Best Of
Basically, Robert reported lights over the Tesco car park. Then he told us an alien was coming to stay in his spare room. With the help of some historical abduction stories, a latex alien mask, and a bucket of flying saucers, we’re working out whether to believe him. Maybe this is a good place to believe him? Maybe you can help?
Ben Schwartz tries to nail an audition. An improvised short film.