In Tupac Vs., director Ken Peters has assembled a compelling portrait of controversial hip-hop icon Tupac Shakur, featuring never-before-seen interviews, rare footage and on-screen commentaries from biographer Michael Eric Dyson. Also highlighted are testimonials from the slain rapper's former manager, Leila Steinberg, and instructor Arvand Elihu, plus rare footage and still photos from Tupac's life and career.
A crumbling pier, its walls covered with graffiti and erotic frescoes reminiscent of pagan Pompeii, the locus of the seduction rituals of men longing for men, is the focus of this meditation on gay cruising at the height of sexual freedom before AIDS. Shot in 1982, this is the first segment of a film capturing the life, death, and rebirth of the legendary “sex piers” over the last three decades.
All Eyez on Me chronicles the life and legacy of Tupac Shakur, including his rise to superstardom as a hip-hop artist, actor, poet and activist, as well as his imprisonment and prolific, controversial time at Death Row Records. Against insurmountable odds, Tupac rose to become a cultural icon whose career and persona both continue to grow long after his passing.
Los Angeles Police Department detective Russell Poole has spent years trying to solve his biggest case -- the murders of The Notorious B.I.G. and Tupac Shakur -- but after two decades, the investigation remains open. Jack Jackson, a reporter desperate to save his reputation and career, is determined to find out why. In search of the truth, the two team up and unravel a growing web of institutional corruption and lies.
Iraq War veteran Herold Noel suffers from post-traumatic stress disorder and lives out of his car in Brooklyn. Using Noel's story as a fulcrum, this doc examines the wider issue of homeless U.S. military veterans-from Vietnam to Iraq-who have to fight tooth-and-nail to receive the benefits promised to them by their government.
"How comes no one has ever made a film about The Melvins?" Well, no one has ever tried or thought it even possible.....until now that is. The Colossus Of Destiny - A Melvins Tale is a film about a band who have defied all the rules, for over 32 years and counting, and still managed to succeed and do it their own way. The journey of band members King Buzzo and Dale Crover leads us from the backwards-waters of the Chehalis River in Washington State, down through the Golden Gate of Northern California, and finally settling into the Los Angeles River Basin of Southern California. With the rest of the world thrown in along the way. You will witness first hand the beliefs and attitudes, values and obscenities, slows and fasts, triumphs and toils, loves and hates, wits and giggles of a hugely talented and influential band. And you will also come away with a lesson in how to survive in the wicked world of the music biz without taking yourself too damn seriously.
Famous singer Hanan's car breaks down, and she meets Ahmed who drives her with his car. Because Ahmed dreams of having a theater, he decides to take advantage of Hanan's growing feelings towards him and marries her to help him with his dream. But a surprise changes everything, messing up his plans.
Shot over a two-year period observing Abbado: a) Rossini, Overture to 'll Barbiere di Siviglia' b) Schubert, Symphony no. 2 B-Major, D. 125 c) Arnold Schonberg, Kammersinfonie no. 1 E-Major op. 9 (Filmed in Venice, Gran Teatro La Fenice, in February 1995, Chamber Orchestra of Europe). a) Richard Strauss, Elektra (Deborah Polaski, Karita Mattila, Marjana Lipovsek, Ferrucio Furlanetto) b) Beethoven, Symphony no 6 F-Major, op. 68, 'Pastorale' (Filmed in the Festspielhaus Salzburg on the occasion of the Easter Festival, April 1995, Berlin Philharmonic). a) Beethoven, Concerto for piano and orchestra no. 3 C-MINOR, OP. 37 (Maria Joao Pires) b) Bruckner, Symphony no. 9 D-Minor (Filmed in Paris, Cite de la Musique, in August 1995, Gustav Mahler Youth Orchestra).
A feature length portrait of conductor Sergiu Celibidache; four years in the making, director Jan Schmidt-Garre collaborated closely with the musical director of the Munich Philharmonic.
At the age of seventeen, Irina Chistyakova looks back at an international concert career spanning ten years. Irina is the youngest of the four protagonists of the film Russia's Wonder Children made in 2000. By now seventeen years old, she is going through a drama that many prodigies experience: while they were children, they were able to stun audiences with the contrast of their delicate appearances and precocious talents. Like Irina, Nikita Mndoyants (18), Dmitry Krutogolovy (19), and Elena Kolesnichenko (25), are still showered with praise and distinction. But what price did they have to pay for it?
In Dichterliebe (2000), a film by Oliver Herrmann based on Robert Schumann’s song-cycle of the same name, the boundaries between song recital and reality blur. The chosen setting – a night club in the centre of Berlin – creates the intimate, dark salon atmosphere in which the songs might also have been performed at the time they were written. Returning to origins in this way, the film departs from the concert atmosphere in which song-recitals are normally performed nowadays.
In the film One Night. One Life, based on the cycle Pierrot Lunaire, Arnold Schönberg’s opus 21, director Oliver Herrmann has created a surreal, at times grotesque dream world set in a modern city, through which Pierrot moves like a spirit. In each new number she passes through different scenes and levels of the world around us: such as an abattoir, a peep-show, a station or a supermarket.
An engaging profile of the classic film; featuring interviews with Stephen Fry, Dulcie Gray and Dorothy Tutin.
Russian-born composer Sofia Gubaidulina entered the international spotlight at a relatively late age, when the 49-year-old came forward with her premier violin concerto, "Offertorium," in 1980. Gubaidulina authored that piece for Gideon Kremer. Curiously, it would be another 12 years before Gubaidulina received a commission (from Paul Sacher) to author her second violin concerto, and another 15 years after that until the notes fell on ears ripe with anticipation. For the debut of the "Second Violin Concerto," Gubaidulina insisted that no one other than German violin virtuoso Anne-Sophie Mutter perform it. That Mutter performance from August 2007 appears, in its entirety, in this classical concert film. Jan Schmidt-Garre directs.
'The Weight of Chains 2' is a documentary film largely dealing with the effects of the Washington Consensus economic doctrine on the newly established former Yugoslav republics, but also with neoliberalism as an economic concept. Through interviews with Noam Chomsky, Oliver Stone and many others, the author, Serbian-Canadian Boris Malagurski, attempts to analyze why so many people in the Balkans are disappointed with the systems imposed after the fall of socialism and how capitalism could be improved. Looking at the examples of Ecuador and Iceland, the film tries to uncover alternatives to the prevailing orthodoxies of Western economic dictates and help developing nations find their own way to shape their economies and their countries.
In May 1969 at Tres Irmãos Farm, Caruaru, PE: Lourival Batista and Severino Pinto, two singers by profession, meet for a challenge. This film documents some moments of the Cantoria.
This is an exhilarating experience both visually and aurally. How wonderful that Barenboim is havng such success with Verdi this late in his career.The excitement and power is there in all the big movements and the tempi shouldn't upset anyone. There is clarity and drive in all the big choral fugues and the climaxes will knock your socks off. But it was the quiet moments I found most moving. The incredibly detalied camera work increases this sense of intimacy and the video quality is excellent. Really.
Dramática Popular
Eu Carrego um Sertão Dentro de Mim
The confrontations and conflicts between the city of Padre Cicero's pilgrims and the attempts to develop the region.