1964-1968 Trams in Amsterdam, Rotterdam en Den Haag

A feature-length tour of Amsterdam's thriving jazz scene.

In 1917, French artist Marcel Duchamp declared everyday objects as art. A provocative act that sparked a heated, still topical discussion around the question: what is art? Since then, that question has been asked time and time again. To the artist and to the viewer. If everything is possible and everything is allowed, how do you remember what art is? Director Ditteke Mensink spent two years at De Ateliers: the breeding ground for top talent in the visual arts. Her stay ended in a harsh confrontation with herself, the young artists and modern visual arts.

When Germany invades Holland in 1940, a British intelligence officer and two Dutch diamond merchants go to Amsterdam to persuade the Dutch diamond merchants to evacuate their diamond supplies to England.

This fascinating record of Edwardian Nottingham was filmed from the driver's platform of a tram on a single journey through the city centre between its two main stations. The sequence follows the same route as today's Nottingham Express Transit tramway, taking the viewer along Listergate and Wheelergate into Old Market Square before turning right into Long Row and on into Queen Street.

The city from the unique perspective of the many wild animals and plants that inhabit it. Seen through the eyes of the adventurous urban cat, Abatutu.

Jay worked as a security guard at the door of Kanaal40, a bar located in the heart of Amsterdam's Warmoesstraat. At the threshold of the club, Jay found a sense of security: a space to express themselves and explore who they want to be. Even after the bar closed its doors, the experience continued to shape their life in deeply personal ways.

The Amsterdamse Bos (Amsterdam Forest), located between Amstelveen and Schiphol, was constructed during the years of economic crisis. In 1934, Amsterdam had 50,000 unemployed residents, who were put to work on the project as part of a government relief scheme. Annette Apon made this short documentary about the creation of the Amsterdamse Bos for the Amsterdams Stadsjournaal.

Amsterdam's world-famous red-light district is the fascinating backdrop to the story of plucky prostitute Lina as she searches for Mr Right. Lina thinks she has found true love with American punter Sean, but she may be treading a fine line between fantasy and reality. Could Sean be her Prince Charming or will she end up heartbroken? With hard-won access to this notoriously secretive, hidden world, Sexwork, Love & Mr Right will be a revealing and thought-provoking documentary with multiple supporting narratives from experienced punters to wise madams. As streetwise sexworker Lina navigates the highs and lows of her precarious new relationship, the film asks can sexworkers ever really find true love?

Sien (74) leaves for her hideout on the captivating island of Vlieland. Here she recollects her memories on an old tape recorder of her turbulent life as a mother, life-drawing model, squatter and activist in Amsterdam in the sixties.

A young man in a tram is asking a bit too much from a stranger.

UNESCO Memory of the World: Explore the Bibliotheca Philosophica Hermetica’s new home with 25,000+ rare books on alchemy, hermetica & mysticism at the Embassy of the Free Mind museum, set in Amsterdam’s historic canal mansion, the House with the Heads.

As the resistance group takes more risks during its operations, Johan discovers there is a traitor among them. Meanwhile, the British are preparing a rescue operation that ultimately went horribly wrong on the morning of March 3, 1945.

Rotterdam 2040 is a film about the city’s future, departing from the principle of Gyz La Rivière that you can’t look ahead without considering your past (something that hasn’t always been Rotterdam’s strongest feature). At high speed, La Rivière reconstructs the history of Rotterdam from the time before the bombings until now, and expands the developments to the year 2040 (100 years after the bombing and the 700th anniversary of the city). La Rivière made a specific choice to expose his personal vision, which is sometimes radical or a little absurd. So no experts and no talking heads, but an assault of old and new imagery, held together by La Rivière as the narrator of the film. Although Rotterdam 2040 deals with architecture and urban renewal, it is actually a film about people. The subjective experience of the city by its (future) occupants mainly determines the parade of architectural blunders and suggestions for the future. All tongue-in-cheek of course.

Stories about young Ukrainian dancers and their hasty flight to the Netherlands. You see their new life as refugees. The former conservatory in The Hague is a shelter for them where they collect their lives and find refuge in their profession: dance. The formation of a new ballet company, The United Ukrainian Ballet, is an important foothold in winning back their lives. They find comfort in each other and close friendships develop. In addition, there is the great love for ballet, for the dancers the best way to express themselves.

Artist Chris Berens finds his inspiration in his own magical inner world. The animals and creatures that play a major role in his imagination also populate the landscapes he creates with his special painting technique. It results in scenes that are both enchanting and ominous.

We get up, go to work, eat and go to bed. Is our life about daily rituals or is there a deeper, more inscrutable meaning of life? Kjeld lives surrounded by nature in his small house and soon becomes a father. He seeks satisfaction in the simplicity of life in nature. Anna is a young artist looking for answers in her poetry and music. A philosophical documentary essay in which the search for the core of life is central. How should we live if there are no answers anywhere?

Kim and Bob have been inseparable since childhood. Does puberty end their friendship?

Cheering crowds and much jubilation greet the launch of the Accrington to Oswaldtwistle electric tram service.

Sigrid Koetse, award-winning actor and grande dame of Dutch theater, lived most of her life in the public eye and was always surrounded by a crowd of admirers. With this short documentary, filmmaker Wytse Koetse shows how his aunt spends her days nowadays, lonely in her Amsterdam home.

The film follows two colourful labour brokers, young Toon and old Toon. They speak candidly about their dubious practices and come across as surprisingly likeable. Yes, they profit from exploiting workers — but those workers are often more than willing to go along with the system. Ultimately, De koppelbazen asks who is truly responsible for these questionable practices.