Strom - Versuche im Dunklen

A film about three teenagers - Klara, Mina and Tanutscha - from the Berlin district of Kreuzberg. The trio have known each other since Kindergarten and have plenty in common. The three 15-year-olds are the best of friends; they are spending the summer at Prinzenbad, a large open-air swimming pool at the heart of the district where they live. They're feeling pretty grown up, and are convinced they've now left their childhood behind.

A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.

The film accompanies Jenny Gröllmann, a German actress, during the last two years of her life.

Bosom buddies BeV StroganoV, Ovo Maltine, Ichgola Androgyn and Tima die Göttliche are four Berlin drag queens who met in the mid 1980s. These four queens became Germany’s most popular drag performers and have been busy fertilizing the German cultural scene. Besides being performers, they are also political activists – in AIDS awareness, anti-gay violence, the sex workers movement and the struggle against the extreme right and racism. The film tells their story.

Drei Frauen

Filmed in Berlin, July 1990. Images of workers taking down the wall and street peddlers selling pieces of it to make a living.

Located in former West Berlin, Tempelhof Airport reflects the dramatic history of the 20th century. Once a Nazi showpiece, it later became a symbol of freedom during the Berlin Airlift and the Cold War. In 1978, East German citizen Constanze Glien unexpectedly arrived here after her flight was hijacked, changing the course of her life.

In the 1960s, a white couple living in East Germany tells their dark-skinned child that her skin color is merely a coincidence. As a teenager, she accidentally discovers the truth. Years before, a group of African men came to study in a village nearby. Sigrid, an East German woman, fell in love with Lucien from Togo and became pregnant. But she was already married to Armin. The child is Togolese-East German filmmaker Ines Johnson-Spain. In interviews with Armin and others from her childhood years, she tracks the astonishing strategies of denial her parents, striving for normality, developed following her birth. What sounds like fieldwork about social dislocation becomes an autobiographical essay film and a reflection on themes such as identity, social norms and family ties, viewed from a very personal perspective.

This documentary shows how the Berliner workers lived in 1930. The director Slatan Dudow shows through images: a) the workers leaving the factory; b) the raise of the rents; c) the "unpleasant" guest, meaning the justice officer that brings the eviction notice; d) the fight of classes of the houses of capitalists and working classes; e) the parks of the working class; f) the houses of the working class, origin of the tuberculosis and the victims; g) the playground of the working class; h) the swimming pool for the working class, ironically called the "Baltic Sea" of the working class; i) the effects of humidity of basement where a family lives, with one member deaf; j) one working class family having dinner while the capitalist baths his dog; k) the eviction notice received from an unemployed family and their eviction.

Ein Tag in Berlin

Documentation on the Berlin S-Bahn, which threatened to fall into oblivion as a result of the division of the city.

Berlin’s brutalist heritage is under fire. The city’s powerful Charité hospital wants to destroy a brutalist icon of the Cold War era: The infamous former animal research laboratory called the Mäusebunker. Meanwhile, a dedicated group of politicians, preservationists, architects, gallerists, and students fight for an adaptive reuse of these magnificent, uncompromisingly unique structures. Who will win? No matter the outcome, you’re left with the impression that preservation can be brutal.

Fabrizio, Dante and Roberto have 14 years old and they live in Palermo in the ZEN. How is their life, their universe?

Artists, urban planners and the city of Berlin trying to transform a former GDR ruin into a place for new visions and concepts of city - a place where everything is different than before?

A taxi drives through the city of Berlin. Its driver is a punk, left and a well-known figure in the autonomous scene. The stations of his trip are the most important places of the autonomous scene: all in the struggle for survival. The last evictions have not yet been processed and the next ones are coming right up.

KÖY (Turkish for village) is about the longing for home, for belonging and the freedom of the self. Three women from three generations are united by their Kurdish roots.

Berlin, summer 1988: While Michael Jackson and Pink Floyd perform in the West, East Berliners can look forward to Bruce Springsteen, Depeche Mode and James Brown. The documentary reveals how the organizers enforced the concerts with the state authorities. On the anniversary of the fall of the Wall.

A documentary essay film about coincidences, shattered lives and posthumous fame. A found footage family film about love and passion, friendship and heartbreak in Berlin between the wars. But ​a film ​also about self-sufficiency and recycling​, about the green movement and the environment​ – before these ​notion​s had yet been properly invented. And it ​touches​ the utopian potential of ideas that have lain buried in the ground of an island for the past 70 years. The film’s protagonist, Martin Elsaesser, was one of the most prominent modernist architects of Weimar Germany.

Audre Lorde, the highly influential, award-winning African-American lesbian poet came to live in West-Berlin in the 80s and early '90s. She was the mentor and catalyst who helped ignite the Afro-German movement while she challenged white women to acknowledge and constructively use their privileges. With her active support a whole generation of writers and poets for the first time gave voice to their unique experience as people of color in Germany. This documentary contains previously unreleased audiovisual material from director Dagmar Schultz's archives including stunning images of Audre Lorde off stage. With testimony from Lorde's colleagues and friends the film documents Lorde's lasting legacy in Germany and the impact of her work and personality.

Berlin queer community members mourn the substance abuse-related loss of their friends by sharing memories and rituals. Resembling glow-in-the-dark fungi, they radiate light together as a network of support and care.