Hasta que las nubes nos unan, Guardiola - Diola

On the island of Tanna, a part of Vanuatu, an archipelago in Melanesia, strange rites are enacted and time passes slowly while the inhabitants await the return of the mysterious John.

Amanar Tamasheq parts from the exciting adventure of the director on a trip with the Tuaregs rebels in the desert of Mali, to convert the camera into the most powerful weapon. The terrible history of this people, always under threat, is built through their own words in a text that, from their own statements reworked, overlaps in the form of subtitles to images. These, far in the highest degree of language that normally tells the violent, they gain political power and radical rarely seen.

Funeral Bororo

At a 2005 Carnival night, something mysterious happens at Porto Formoso bay, leaving the fishing boats wrecked. Fishermen decide to build bigger boats, but at the small village harbor it is impossible to deck them. They demand the construction of a new harbor, but many inhabitants are opposed due to a Castle ruins that lay there. If to some residents ruins look worthless, for others they are the village soul and future, as a lot of tourists would like to visit them...While the landscape transforms, we follow the Director voice through the story of the last seven years of this community.

Los Monos de los Andes

IMAGINERO is an ethnobiography of Hermogenes Cayo, a self-taught woodcarver and painter who lives on the high Andean plateau of Argentina. The film portrays Hermogenes, his wife Aurelia Kilpe, and their children in their Andean lifestyle, as well as Hermogenes' passion for painting, carving, building, and his devotion to the Virgin Mary. Devout, austere and dedicated to craftsmanship, he can make anything from religious figures carved from cactus wood to a working harmonium. Inspired by a trip to Buenos Aires to advocate for land rights, Hermogenes has labored to replicate the style of the capital's grand cathedral and shrine to the Virgin with resourcefulness and skill.

A documentary that invites us to discover the strange path led by the explorer-ethnographer Marquis de Wavrin who, in the 1920s and 1930s, made ethnographic films in several countries of Latin America.

Uma casa, uma vida

Photo poetry of Bunchanawingʉmʉ Jesús Camilo Niño Izquierdo' piece of lost feelings in the Arhuaco Indigenous Reservation, northern Colombia.

A portrait of Santos Port, its geography, workers and the life that surrounds it, including the poor, prostitutes and the night life inhabitants.

The words of the women and the rhythm of their lives in the seclusion of family compounds suggests both the satisfying and the limiting aspects of a woman's role in a rural Afghan community. Filmed in the Balkh Province, an area inhabited by Tajik and other Central Asian peoples. The town of Aq Kupruk is approximately 320 miles northwest of Kabul. The theme of the film focuses on women. The film and accompanying instructor notes examine the economic, political, religious, and educational status of women, their legal and customary rights, and the degree of change in their actual and perceived roles.

A sensory record of the relationships of affinity and enmity with fire in the conservation of the Cerrado biome. In the company of local residents hired to act as brigadiers and, more recently, as management agents, the short film explores the affections established with fire in the midst of combat pyrophobias and management pyrophilias. In addition to documenting fire fighting and manipulation techniques, the cinematographic experiment points to a more than human visual anthropology, where environmental forces such as heat, vegetation and wind make up an alterity whose condition remains ambiguous.

With a dual motion a cruise ship and a fishing boat pass one another on the Nile and butlers in turbans set up a wooden gangway. Thanks to a rope and pulley system cows climb skywards then disappear into the hold of the sailing vessel. On the bank, black-haired women rock back and forth, bursting out laughing and showing the first signs of going into a state of trance. Never-before filmed gestures and faces of the people of the Nile succeed one another, uprooted to an unknown, magical world. The Banks of the Nile is one of the first experiments of film in colour that uses the Kinemacolor process.

Living among the percebeiros of the Coast of Death (Galicia), this documentary shows a unique relationship between man and his surroundings, man and the sea. At the end of Europe, years after the Prestige oil spill disaster, these fishermen face an uncertain future.

In Brussels, Belgium, the Royal Museum of Central Africa is undertaking a radical renovation, both physical and ethical, to show with sincerity, crudeness and open-mindedness the reality of the atrocities perpetrated against the inhabitants of the Belgian colonies in Africa, still haunted and traumatized by the ghost of King Leopold II of Belgium, a racist and genocidal tyrant.

"The Last Dragon" is a nature mockumentary about a British scientific team that attempts to understand the unique incredible beasts that have fascinated people for ages. CGI is used to create the dragons.

Nikola Tesla is considered the father of our modern technological age and one of the most mysterious and controversial scientists in history.

The true history of Japanese Unit 731, from its beginnings in the 1930s to its demise in 1945, and the subsequent trials in Khabarovsk, USSR, of many of the Japanese doctors from Unit 731. The facts are told, and previously unknown evidence is revealed by an eyewitness to these events, former doctor and military translator, Anatoly Protasov.

This documentary follows the lives and careers of a collective group of do-it-yourself artists and designers who inadvertently affected the art world.

A collection of trailers and previews from various low-budget horror films of the '50s and '60s.