The Jam: 1977

Henry Rollins narrates Lilly Scourtis Ayers' no-holds-barred profile of volatile Bay Area punk legend Marian Anderson, whose hypnotic beauty, devil-may-care rebellion and shocking sexual exploits onstage launched her to infamy before tragically dying of a heroin overdose at the tender age of 33.

A documentary that explores the challenges that a life in music can bring.

Live show of the Punk Rock band Uncommonmenfrommars that took place in 2004 at Ris Orangis (France). Recorded by David Basso. Mixed by Ryan Greene.

1982 found Mink DeVille in the middle of the transition from their CBGB's New York punk origins to a more subtle, rootsier sound blending soul, R & B, Cajun and other influences. Led by Willy DeVille, whose unique style and inimitable gravelly voice always made them stand out from the crowd, Mink DeVille released their first album in 1977 and immediately had a huge hit with the track Spanish Stroll. By the time of this appearance at Montreux in 1982 they were touring in support of the fourth album Coup De Grace and the show features tracks from across their career to that point as well as a couple of unreleased gems including their cover of the Ben E. King classic Stand By Me.

Based on the 1973 rock opera album of the same name by The Who, this is the story of 60s teenager Jimmy. At work he slaves in a dead-end job. While after, he shops for tailored suits and rides his scooter as part of the London Mod scene.

This incredible archive represents a great set of previously unreleased recordings in the Kinks catalog. The collection has been brought together by trawling the BBC archives, but also by inviting contributions from fans. Included also is a DVD of the bands sought after appearances on Top of the Pops and the Old Grey Whistle Test a well as concerts from throughout the band's career. This is a first for the band as these recordings have never been available in one place before. The Kinks At The BBC is a triumphant collection of the defining moments of a truly seminal British band, as witnessed, broadcast and archived by the voice of the nation, the BBC.

Razing the Bar documents the development and eventual demolition of a well-loved fringe punk rock Seattle venue through interviews of employees, friends, and a multitude of local musicians.

We Were Feared chronicles the rise and fall of the Cuckoo's Nest punk rock club. Hailed as the birthplace of slam-dancing, the Nest famously shared a parking lot with a cowboy bar and the mayhem that would ensue when both clubs emptied was immortalized in the Vandals' songs “The Legend of Pat Brown” and “Urban Struggle.” Featuring interviews with the people who populated the scene, archival images of gigs, and live performances by Black Flag, the Circle Jerks, & T.S.O.L.

An in-depth exploration of a seminal moment in DC music history (circa 1976 to 1984) and the rise of harDCore. The film is made up of a mix of rare archive material, conversational interviews, and a collage editing style. Features early DC punk and hardcore bands like Bad Brains, Minor Threat, Slickee Boys, The Faith and more.

Two former geeks become 1980s punks, then party and go to concerts while deciding what to do with their lives.

Diesel is a road-movie documentary on Punk Rock music

Le rock alternatif (une brève période de médiatisation du punk français 1986-1989)

The true-life story of Darby Crash, who became an L.A. punk icon with his band The Germs. Along with Lorna Doom, Pat Smear, and Don Bolles, Darby Crash completely transformed the L.A. punk scene, while sacrificing everyone he loved, his career, and ultimately his life.

Two girls named Nana meet on a train to Tokyo. Nana K. aims to reunite with her boyfriend and Nana O. hopes to make it big in the music business. Despite their differences, the pair hit it off and become roommates.

Bullet in a Bible documents one of the two biggest shows that Green Day have performed in their career. They played in front of a crowd of over 130,000 people at the Milton Keynes National Bowl in United Kingdom on June 18–19, 2005. The band was supported by Jimmy Eat World, Taking Back Sunday, and Hard-Fi during their American Idiot world tour. Fourteen of the twenty songs performed at these shows were included on the disc; missing out "Jaded", "Knowledge", "She", "Maria", "Homecoming" and "We Are The Champions". Bullet in a Bible was released as a double-LP set on November 10, 2009, as part of the band's 2009 vinyl re-release campaign.

Julien Temple's second documentary profiling punk rock pioneers the Sex Pistols is an enlightening, entertaining trip back to a time when the punk movement was just discovering itself. Featuring archival footage, never-before-seen performances, rehearsals, and recording sessions as well as interviews with group members who lived to tell the tale--including the one and only John Lydon (aka Johnny Rotten).

Turn It Around: The Story of East Bay Punk spans over 30 years of the California Bay Area’s punk music history with a central focus on the emergence of the inspiring 924 Gilman Street collective. This diverse group of artists, writers, organizers and musicians created a do-it-yourself petri dish that changed the punk scene... and the world at large.

NOFX brought the curtain down on four decades of punk mayhem this weekend, as they played their final shows at Berth 46 in Los Angeles. Changing setlist for each gig, California's pharaohs of punk took a varied, often fast and usually silly journey through their massive catalogue, accompanied by a crew of mates including Rancid's Tim Armstrong, Bad Religion's Brett Gurewitz and Foo Fighters' Chris Shiflett. As they finished up on Sunday night (October 6), it ended in typically chaotic fashion, doing The Decline with a host of guests, with Pennywise guitarist Fletcher Dragge smashing the band's instruments. Frontman Fat Mike recently insisted that this would be it for NOFX, with no future reunions ever to happen. A promise such behaviour will help to keep... Before that smashey ending, they turned up to suck live one final time...

NOFX brought the curtain down on four decades of punk mayhem this weekend, as they played their final shows at Berth 46 in Los Angeles. Changing setlist for each gig, California's pharaohs of punk took a varied, often fast and usually silly journey through their massive catalogue, accompanied by a crew of mates including Rancid's Tim Armstrong, Bad Religion's Brett Gurewitz and Foo Fighters' Chris Shiflett. As they finished up on Sunday night (October 6), it ended in typically chaotic fashion, doing The Decline with a host of guests, with Pennywise guitarist Fletcher Dragge smashing the band's instruments. Frontman Fat Mike recently insisted that this would be it for NOFX, with no future reunions ever to happen. A promise such behaviour will help to keep... Before that smashey ending, they turned up to suck live one final time...

NOFX brought the curtain down on four decades of punk mayhem this weekend, as they played their final shows at Berth 46 in Los Angeles. Changing setlist for each gig, California's pharaohs of punk took a varied, often fast and usually silly journey through their massive catalogue, accompanied by a crew of mates including Rancid's Tim Armstrong, Bad Religion's Brett Gurewitz and Foo Fighters' Chris Shiflett. As they finished up on Sunday night (October 6), it ended in typically chaotic fashion, doing The Decline with a host of guests, with Pennywise guitarist Fletcher Dragge smashing the band's instruments. Frontman Fat Mike recently insisted that this would be it for NOFX, with no future reunions ever to happen. A promise such behaviour will help to keep... Before that smashey ending, they turned up to suck live one final time...