A student movie loosely based on the short story by Sadegh Chubak
Lacking a formal narrative, Warhol's mammoth film follows various residents of the Chelsea Hotel in 1966 New York City. The film was intended to be screened via dual projector set-up.
The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.
A woman on the run from the mob is reluctantly accepted in a small Colorado community in exchange for labor, but when a search visits the town, she learns that their support has a price.
Repurposing and manipulating classic film footage and the filmmaker’s personal footage, the film weaves a phantasmagoric narrative of a Chinese lady named Ma Li who dreams she is a Caucasian named Mary.
Bear (10 minutes, 35 seconds) was Steve McQueen's first major film. Although not an overtly political work, for many viewers it raises sensitive issues about race, homoeroticism and violence. It depicts two naked men – one of whom is the artist – tussling and teasing one another in an encounter which shifts between tenderness and aggression. The film is silent but a series of stares, glances and winks between the protagonists creates an optical language of flirtation and threat.
A divorced journalist Marko Požgaj starts his working day by taking his son to the school. During the day many thoughts and images pass through his mind - the memories of childhood, ex-wife, current girlfriend, but mostly his father who died in a war.
An experimental film about a peaceful and carefree life in a small Dalmatian town, which turns into bloodshed and horror on the eve of the Italian occupation of the country.
Alban lives in a castle that he has just inherited in a small village in Charente-Maritime. Inside, the dilapidation has long since taken hold. He meets Jérôme, a young gypsy from the neighbouring town, with whom he has a sexual relationship. In this space that is impossible to rebuild, a strange intimacy is gradually invented, barely disturbed by the interruption of a young woman who has come to spend a few days in this residence.
(Some of us) Still run down the same [mental&emotional] streets we revered/reproached/replaced as children.
A short film by John G. Avildsen.
Rather pointless, rather stilted, fetid; not what we want us going after.
Big money artists and mega-collectors pay a high price when art collides with commerce. After a series of paintings by an unknown artist are discovered, a supernatural force enacts revenge on those who have allowed their greed to get in the way of art.
A filmmaker recalls his youth in the town of Onomichi. In the present, he shoots a film in Onomichi alongside his cast, crew and family.
In Vigo, Spain, during Christmas, Ángel, a Spanish filmmaker, walks through the crowded streets while thinking about a possible movie made of…
Short film produced by the BBC about JG Ballard's Crash. “The film was a product of the most experimental, darkest phase of Ballard’s career. It was an era of psychological blowback from the sudden, shocking death of his wife in 1964, an era that had produced the cut-up ‘condensed novels’ of Atrocity plus a series of strange collages and ‘advertisers’ announcements. After Freud’s exploration within the psyche it is now the outer world of reality which must be quantified and eroticised. Later there were further literary experiments, concrete poems and ‘impressionistic’ film reviews, and an aborted multimedia theatrical play based around car crashes. After that came an actual gallery exhibition of crashed cars, replete with strippers and the drunken destruction of the ‘exhibits’ by an enraged audience.” (from: http://aaaaaaaaaaaaaaaaaaaargh.blogspot.de/2013/01/short-film-adaptation-of-jg-ballards.html)
Richard Rhys, a painter in Victorian London, is the prime suspect in the Jack the Ripper murders. In a chance encounter he meets a wealthy reformer and socialite, Victoria Thornton, married to the richest man in England. Their passionate love affair results in a pregnancy and possible scandal and ruin. It is a story of redemption and true love.
This is a time when we learn afresh that nothing lasts forever and that the variability is an integral part of everyday life. What is a river today does not mean that tomorrow will not become a sea. Life itself is one large metamorphosis, and the human being is its variable shape...
Italian immigrant kidnaps a wealthy British woman, and they fall in love.
This highly stylized, critically acclaimed film from the 70's mixes silent film cards, a soundscape, color, opera music and atmosphere to explore the Freudian truths about men's fear of women that Wedekind powerfully exposed. A kinetic melodrama of the rise of a femme-fatale and her fate at the hands of Jack-the-Ripper. Rethinking Pabst's silent film and Alban Berg's opera.