Mi arma

Trans is a 1982 Venezuelan documentary short film that offers an intimate look into the lives of a group of trans women and drag performers in Caracas, exploring their experiences in a society marked by transphobia and homophobia. Through interviews and performances, the documentary highlights the resilience and dignity of these women in the face of widespread discrimination and violence. Premiering at the Venezuelan National Cinematheque in 1982, Trans is considered a pioneering work in the representation of the trans community in Latin American cinema.

Part documentary, part expose, this film follows one-time child evangelist Marjoe Gortner on the "church tent" Revivalist circuit, commenting on the showmanship of Evangelism and "the religion business", prior to the start of "televangelism". Preserved by the Academy Film Archive in 2005.

This intimate ethnographic study of Voudoun dances and rituals was shot by Maya Deren during her years in Haiti (1947-1951); she never edited the footage, so this “finished” version was made by Teiji Ito and Cherel Ito after Deren’s death.

An intimate portrait of a family coming to terms with decades of institutional abuse and the impact it has had and is still having on their lives.

Tender and upbeat, THE LADY IN QUESTION IS CHARLES BUSCH is the affectionate and entertaining tribute to actor, writer, drag performer, and glamorous leading lady Charles Busch.

The film shows the genesis of the El Rocío pilgrimage and unveils the economic, socio-political and religious reasons and interests that nurture the phenomenon.

A series of interviews are conducted concerning people's beliefs towards the possibility of an afterlife. The interviews are filmed against a set of strange backdrops, and are intercut with clips from classic films and a variety of stock footage.

A young woman wanders around New York City and stumbles across a number of strange characters and settings that represent the "underground" areas of the city. She sees stand up comedy in Central Park, a prostitution auction, a voodoo ceremony, an S&M club, and a number of very interesting performance artists. These are just a few of the sights and sounds of New York that she encounters.

This is a film about the power of the Rosary, a Catholic Prayer. The film depicts personal stories about how the rosary has affected their lives.

In this filmed version of cult film director John Waters' popular one-man show, the Pink Flamingos and A Dirty Shame director takes the stage to discuss everything from his early influences, fondest career memories, and notorious struggles against the MPAA rating system. Part endearing memoir and part hilarious lecture, This Filthy World touches on everything from the insanity of contemporary pop culture to the director's unforgettable early collaborations with inimitable Pink Flamingos star Divine.

A cheerful documentary about the daily life of a community of Franciscan sisters. “Hasta mañana, si Dios quiere” (See you tomorrow, God willing) is a film born from the desire to understand that mysterious feminine universe that gives up its life and leaves behind family, home, lovers, disobedience, and physical love.

A documentary purporting to expose the interdimensional alien beings who have enslaved humanity for centuries.

The Matica slovenská (a mostly government-sponsored cultural, academic, and archival institution) employed Karol Plicka (1894-1987) as its ethnographer, who was able to make documentary shorts from about 1926. He obtained funding from the President’s Office in 1928 to produce an hour-long documentary about village life, Through Mountains and Valleys (Po horách, po dolách). It was awarded a Gold Medal at the International Exposition of Photographic Art in Florence and received an Honorable Mention at the International Venice Film Festival in 1932.

Karel Plicka was also cinematographer of this short movie. Editor in charge was Alexander Hackenschmied. There is an extraordinary emotional charge, every shot is working on its own, such as photographs, paintings and poetic complement intertitles in this short. From the perspective of nature and the perspective is shifting to the people and their habits, work and clothes. Peculiar documentary shots underscore Ruthenians (men, women and children) who are interested in looking into the camera and the curious "eye" showing off their habits.

"Who plays me, hears my voices”, shows a recent moment in the life of Gaston Lafourcade, a classical pianist and harpsichordist who, at the age of 83, enters a recording studio for the first time in his life to record a solo album and to join his daughter, Natalia Lafourcade, who during a recess period in her career, decides to embark on this adventure as a love letter to her father and as a way to enjoy what brings them together, beyond blood ties: their deep love for music.

Are we in the last days of our great nation? Is it too late for America? Revive Us features worship, prayer, and thoughtful discussion as Kirk Cameron turns to Scripture to offer encouragement for our great nation. As Kirk says, 'When our family of believers gets together and the Spirit is moving, we are unstoppable!' Revive Us will have you believing this could be our finest hour!

The joys of 1960s modern education - as seen at a not-exactly-typical local comp.

Describing herself as a 'street queen,' Johnson was a legendary fixture in New York City’s gay ghetto and a tireless voice for LGBT pride since the days of Stonewall, who along with fellow trans icon Sylvia Rivera, founded Street Transvestites Action Revolutionaries (S.T.A.R.), a trans activist group based in the heart of NYC’s Greenwich Village. Her death in 1992 was declared a suicide by the NYPD, but friends never accepted that version of events. Structured as a whodunit, with activist Victoria Cruz cast as detective and audience surrogate, The Death and Life of Marsha P. Johnson celebrates the lasting political legacy of Johnson, while seeking to finally solve the mystery of her unexplained death.

In 2012 two members of anarchistic female band Pussy Riot were sentenced to two years in a Mordovian labor camp for "hooliganism motivated by religious hatred". Russian film collective Gogol’s Wives follow each step of the feminist punk band’s battle against Putin including their first disruptive performances on a trolley bus, shooting a video about transparent elections, a controversial performance in a Red Square cathedral, and footage shot in a jail cell. Support comes from many corners including Madonna who painted the words "Pussy Riot" on her back and wore a balaclava during her Moscow show. The documentary portrays the grim state of present-day Russia, a country starkly divided between conservatism and anarchy. Pussy Riot believes that art has to be free and they're willing to take it to extremes. "Pussycat made a mess in the house," they say, and the house is Russia. The filmmakers do not seek to moralize, they simply edit events and leave viewers to draw their own conclusions.

IN 1988, rising star Kenneth Branagh tackled the role of Shakespeare’s prince of Denmark for the first time in his professional career under the guidance of celebrated actor Derek Jacobi. Narrated by Patrick Stewart, this hour-long film documents how Kenneth Branagh and Derek Jacobi, two intelligent and passionate men, found new depths in Shakespeare’s classic drama, Hamlet. Filmmakers Mark Olshaker and Larry Klein follow the company through four weeks of rehearsals, from the first read-throughs to opening night.