Manon (The Royal Ballet)

A Christmas classic revisited in dance form at the Finnish National Opera: Charles Dickens' A Christmas Carol. It's the story of Ebenezer Scrooge, a grumpy, miserly old man who, on Christmas Eve, is visited by the ghosts of Christmas past, present and future. A magical tale popular with all ages, adapted into a ballet by an all-British artistic team including composer Sally Beamish and choreographer David Bintley.

Filmed on the stage of London's Covent Garden. Includes extracts from Swan lake, Ondine & The Firebird.

County Durham, England, 1984. The miners' strike has started and the police have started coming up from Bethnal Green, starting a class war with the lower classes suffering. Caught in the middle of the conflict is 11-year old Billy Elliot, who, after leaving his boxing club for the day, stumbles upon a ballet class and finds out that he's naturally talented. He practices with his teacher Mrs. Wilkinson for an upcoming audition in Newcastle-upon Tyne for the royal Ballet school in London.

This all-time ballet favourite, in which young Clara is swept into a fantasy adventure when one of her Christmas presents comes to life, is at its most enchanting in Peter Wright's glorious production.

During a Christmas Eve party and a young girl, Clara, being given a nutcracker doll by her godfather, Drosselmeyer. Later in the evening when Clara sleeps, she finds herself in the midst of the Nutcracker’s battle against the Mouse King and his army of mice. Coming to Clara’s aid, the Nutcracker is transformed into a Prince and journeys with her to an enchanted island where spectacular celebrations are held in their honor. Pre-recorded at the Mariinsky Theatre in St. Petersburg in December 2011, Wassili Vainonen’s version of the beloved holiday ballet is for the first time in 3-D in select theaters.

It is a story in which the young heroine, dying from a broken heart, mysteriously hears the call of ghosts tempting her to join their round dance, and having become one of them she saves the lover who betrayed her.

Ever since its triumphant premiere in 1960, Frederick Ashton's La Fille mal gardee has been treasured as one of his happiest creations - his artistic tribute to nature, and an expression of his feelings for his beloved Suffolk countryside. Marianela Nunez and Carlos Acosta perfectly portray the young lovers Lise and Colas, determined to thwart the plans of Widow Simone to marry off her wayward daughter to Alain, the simple son of wealthy Farmer Thomas. Osbert Lancaster's colourful, picture-book designs, along with Ferdinand Herold's tuneful score, arranged by John Lanchbery, provide the perfect setting for Ashton's blissfully bucolic ballet, complete with haywain, pony, maypole and ribbons, a cockrel and his chickens and, of course, the famous clog dance, here wonderfully led by William Tuckett as the irascible but lovable Widow Simone.

Good triumphs over evil in this fairy tale that sets magic, romance, and tragedy to Tchaikovsky’s timeless score. One of the most iconic works in the ballet literature, this revival features Rudolf Nureyev’s career-defining choreography. Production celebrates 50th anniversary of the production choreography by Nureyev.

Marcos Morau : La Belle au bois dormant

Swan Lake, a screen adaptation of the ballet of the same name by Pyotr Tchaikovsky. Performed by Kirov Ballet, starring Yelena Yevteyeva as Odette and directed for film by Appolinariy Dudko and Konstantin Sergeyev. Produced by Lenfilm studios in 1968. Orchestra of the S.M. Kirov Leningrad Academic Opera and Ballet Theater, conductor Victor Fedotov. Ballet dancers of the Leningrad State Academic Theater of Opera and Ballet named after S.M. Kirov and students of the Leningrad Choreographic School M. Agrippina Vaganova took part in the film. Golden Orchid Prize - Grand Prix at the VIFF of ballet films in Genoa, Italy (1969).

Bolshoi Ballet stars Vladimir Vasiliev and Ekaterina Maximova dance this 1982 performance of "Anyuta," the story of a small-town woman who purposely marries above her social status only to learn that popularity comes with a price. Maximova performs the role of Anyuta; Vasiliev plays Anyuta's drunk father.

The Merry Widow, a beguiling, romantic ballet starring Patricia McBride and Peter Martins.

With the Australian Opera and Ballet Orchestra and conductor Brian Castles-Onion, a gritty set design, sumptuous bold costumes, stunning choreography, and the inestimable direction of Gale Edwards and Bizet's glorious opera is brought to life like never before in this second Handa Opera on Sydney Harbour.

From The Royal Ballet’s classical origins in the works of Petipa, to the home-grown choreographers who put British ballet on the world stage, this mixed programme highlights the versatility of the Company. Petipa’s Raymonda Act III is Russian classical ballet summarized in one act, full of sparkle and precise technique, while Ashton’s Enigma Variations is quintessentially British in every way – from its score by Elgar and period designs by Julia Trevelyan Oman, to Ashton’s signature style, the essence of British ballet. Concerto, MacMillan’s fusion of classical technique with a contemporary mind, completes a programme that shows the breadth of the Company’s heritage.

Going to see Nutcracker with the whole family has been a tradition in other countries for many years. Now it is a tradition in the Netherlands as well. It became apparent that the Netherlands had also adopted this tradition in 1996, when the Dutch National Ballet presented its own version of the famous fairytale ballet. It is a magical production that has won the hearts of more than 250,000 people to date. Choreographers Toer van Schayk and Wayne Eagling created a Nutcracker for the children and adults of today. It is more dynamic and exciting, and less sweet than usual. They also chose to give a Dutch twist to their interpretation of the story, with skaters on the canals and a living room that transforms into a snowy forest. Unlike the original story, the production by Eagling and Van Schayk (who also designed the delightful sets and costumes) does not take place on Christmas Eve in a German town, but during St. Nicholas celebrations in Amsterdam, around 1810.

"Prima" follows Margo, a dedicated prima ballerina raised by her disciplinarian and “guardian of the art” grandmother, who begins to unravel when the head of her ballet company marries a contemporary choreographer, disrupting the company’s tradition and igniting a quiet, atmospheric power struggle that threatens the very future of the institution. As events unfold, Margo begins to question if the choices made in life are really worth it in the end, a question so many face as difficult decisions can change your life forever.

George Balanchine's jewel-themed triptych, strikingly choreographed to the music of Faure, Stravinsky and Tchaikovsky. This three act masterpiece is renowned as the world's first full-length abstract ballet. The Russian-born co-founder of the New York City Ballet, Balanchine was inspired by the artistry of jewellery designer Claude Arpels to create a trio of distinct movements revealing the essence of each precious stone. Each part also evokes three different cities: Paris, New York and St. Petersburg. 'Emeralds' was conceived as a tribute to the French romantic school, with music by Gabriel Faure. The fiery and energetic 'Rubies' taps into the rich tradition of Broadway musicals, with music by Stravinsky. 'Diamonds' honours the grandeur of Imperial Russia and the Maryinsky Theater, choreographed to the music of Tchaikovsky. With its jewel-like costumes, this is a celebration of the influences on the choreographer who was described as the father of American ballet.

Four outstanding works by world-renowned Czech dancer and choreographer Jiří Kylián performed for the first time by the National Theatre Ballet. The National Theatre Ballet has prepared a special premiere entitled Kylián – Bridges of Time for this year's celebrations of the founding of the republic. This project will not only dignifiedly support this important anniversary, but also pay tribute to the famous Czech native, choreographer Jiří Kylián, who has undoubtedly become an icon of world dance. The evening will present four works to the audience – Psalm Symphony, Bella Figura, Petite Mort, and Six Dances.

Giselle(s) revisits the classic Giselle through the lens of violence against women, giving the famous 1841 ballet a contemporary social and political dimension.

Recorded at the Teatro Alhambra on May 10 and 11, 2023.