Ours to Tell

The film follows the story of Jamie, a struggling butch lesbian actress who gets cast as a man in a film. The main plot is a romantic comedy between Jamie's male alter-ego, "Male Jamie," and Jill, a heterosexual woman on set. The film's subplots include Jamie's bisexual roommate Lola and her cat actor Howard, Lola's abrasive butch German girlfriend Andi, and Jamie's gay Asian friend David.

An observation of a Grandma's life. Every day, Grandma greets a wide range of characters, most of them typically in need of something. Her family uses her house as a magnet, visiting practically every day. Just like her home itself, she has always been there for her family.

Nan Goldin's slide show “The Ballad of Sexual Dependency” converted, mixed and screened as a film by the artist, portraying the American underground culture, the no wave scene, post-Stonewall gay subculture, among others.

Trans - La confusion des genres

The filmmaker delves into her family's past and the seemingly intact world of childhood begins to fall apart. Here, the private sphere reflects the helplessness and excessive demands of German society in the 1970s - between the shadows of the National Socialist past and new utopias.

Portraits six lesbian protagonists from rural and metropolitan parts of the formerly socialist Republic and has them tell their captivating and sometimes outrageous life stories.

Christian Kjærs sidste vilje

Two British families discuss the challenges they face raising children who identify as a gender different from the one they were assigned at birth.

An intimate diary of a young woman whose pregnancy causes her to suffer from enhanced nightmares, anxieties about her soon to be born baby girl and makes her question motherhood as she knows it, through her own mother and grandmother.

A documentary film, which focuses on the subject of women’s movement in the Philippines. Myth and legend overlap with history and politics as the women’s struggle is laid to bear in the individual stories and achievements of those featured in the film. The fragmented mosaic of voices and scenes allow for a plurality of views and opinions to account for the multifaceted and complex nature of Filipinas. From poetry to dance, politics to poetry – women chart their own lives in the auspicious event of change happening with the ascent of a woman to the country’s pinnacle of power.

Today, we see a new style of feminism springing up everywhere - young, provocative and radical. To get their message across, these women have decided to rely on rock music! While the Pussy Riot shock Russia and fascinate the West, the concerts of Peaches or Grimes are sold out, while artists such as Kathleen Hanna make their comeback to remind us that it all began in 1990 in some backwater of the United States. The RIOT GRRRLS revolutionized rock and inspired entire generations of young artists around the world. This film will explore today s feminist scene while revisiting the little known history of this revolution that shook the early 90s.

This picturesque Ukrainian farm is not surrounded by fields, but by huge housing developments. Ominous cranes overlook Natasha's land at the edge of Kyiv, which year after year is being pushed deeper into a pit by new panel buildings. The brave owner protects not only acres of land, but also traditional family values, faith and ownership. From a bird's-eye view of the farm, a sharp contrast emerges between the village and the city. This peculiar family business model is set forth in a four-year chronicle from the point of view of foreign visitors who don't interfere with the way of life that the family has lived for generations.

This Kind of Love follows Burmese human rights and LGBT activist, Aung Myo Min, as he returns home after 24 years in exile. Set against Myanmar's historical transition from half a century of brutal military rule, Myo shares his vision for equality for all - from children to transgender people to ethnic nationalities with his countrymen, to be part of his homeland's emergence from the darkness of dictatorship. Myo's story celebrates his belief that community and inclusion are fundamental to creating meaningful political and social change in Burma/Myanmar.

The documentary chronicles women's experiences of discovering, dreaming, acting and rebelling together, namely the early years of the formation of a feminist movement in Turkey.

A 2002 interview with John Vaccaro, founder of the Playhouse of the Ridiculous, recalling the actors’ walkout during rehearsals of The Conquest of the Universe, and his friendship with Charles Ludlam. The Theater of the Ridiculous was a radical theater genre that embodied queer, the word and the act, and set the embers of Gay Liberation aflame.

Sr. Raposo is a staged documentary about the daily life of Acácio, who found out he was HIV+ in 1995.

Six women stand before the camera to shape a unique film: it is unclear whether it is a documentary or a comedy, perhaps an LGBTQ+ statement or a film about sex work. What is certain is that it is a celebration of friendship and resilience, of communal life and solidarity. Add to this the boldness of the women involved, along with the freedom of an unabashed camera, and the result is irresistible.

Sharon-Rose Khumalo, a South African beauty queen, faces an identity crisis after discovering she's intersex. Her path crosses with Dimakatso Sebidi, a masculine-presenting intersex activist, as they both navigate a journey marked by society’s stigma and inner struggles. Intertwining raw reality with poetic beauty, Who I am Not captures the heart-wrenching fight for acceptance in a binary world.

Float is an artistic 4-5 minute film shot completely underwater of trans folks swimming naked set to music by trans musician Rae Spoon.

Harvey Milk was an outspoken human rights activist and one of the first openly gay U.S. politicians elected to public office; even after his assassination in 1978, he continues to inspire disenfranchised people around the world.