Arie & Silvester: Samengevat

A nice boy. That is-ie. Emilio Guzman. He will not fight. Does not seek conflict. He just wants it to go well with everyone. Everyone does what he can not leave. But unfortunately the world is not like that. Underdevelopment prevails. Tension. Anxiety and aggression determine Doing our affairs. Even late Emilio conduct regular surprise. While he was still a nice guy. And smart. He wants to understand what is going on. And why that's happening. And how it could run out. That hand so Ever chose Leiden Cabaret Festival Audience him the winner of one of the strongest ever finals. Now he takes the side of his audience. Not to say what they want to hear. But because he wants to be understood. And that can not leave. Let? We say do it!

A VICE Essential about the music and life of young Dutch people of Moroccan origin with the leading parts of the mocrorap.

Roué Verveer: Typisch Surinaams

Registration of the fourth solo program by the Dutch comedian Hans Sibbel, in which the comedian takes a look at the evolution.

Teeuwens fifth stand-up show is about love. Small, large, hidden, the physical, the famous and the improper love. Hans Teeuwen unravels that love into forms that you do not recognize, but can very surely sense.

Maassen won two of the biggest comedy contests in the Netherlands in 1990, the Groninger Studenten Cabaret Festival(GSCF), and Cameretten. The GSCF jury was not pleased with the quality of the contestants that year, and gave Maassen the first prize, remarking he was the best of the year, but still not very good. In the following years, however, Maassen fame grew steadily, especially amongst students. Maassens style was based on stand-up comedy: Alone on stage, telling jokes and stories to amuse the public, without any musical support (a thing common for most Dutch comedians up to that point).

Maassen won two of the biggest comedy contests in the Netherlands in 1990, the Groninger Studenten Cabaret Festival(GSCF), and Cameretten. The GSCF jury was not pleased with the quality of the contestants that year, and gave Maassen the first prize, remarking he was the best of the year, but still not very good. In the following years, however, Maassen fame grew steadily, especially amongst students. Maassens style was based on stand-up comedy: Alone on stage, telling jokes and stories to amuse the public, without any musical support (a thing common for most Dutch comedians up to that point). Since 2000, Maassens shows are shown on Dutch national television, making him more and more a household name.

Youp recently found his fifty year old wigwam, which made him - when he was little - delighted.

Plien en Bianca: Ngorongoro

Registration of the second theatre program by the Dutch comedy duo Plien (van Bennekom) & Bianca Krijgsman.

Two lonely brothers and two failed artists.

Inspired by a fan, TV satirist Arjen Lubach makes the move from the news desk to the stand-up stage to share his search for life’s secrets. Plus, music!

Klaas van der Eerden: Sixpack

Stage registration of the fourth comedy special (2006-2008) by the Dutch comedy troupe De Vliegende Panters (The Flying Panters). This show tells the story about who the Vliegende Panters really are.

Xander De Rycke has had enough. Comedian Xander De Rycke has a new project. The creator of the popular podcast "Mosselen om half twee" (Mussels at half past one) is releasing a special about his secret love: the Flemish media landscape. Over the past year, De Rycke has watched just about every Flemish film and TV program.

Urbanus: Het een oog in, het andere oor uit

Urbanus: Hebben jullie mijn filmpjes al gezien

Bert Kruismans: Ratrace

Karin Bloemen & Cor Bakker: De Diva & De Divan

TV-adaptation of the fourth solo show by Dutch comedian Louise Korthals. In her own words: "This show is about what we pass on to the next generation."