Tormented by a mysterious figure named Belmiro, a young woman goes up on a stage to deliver a monologue about her past and fight against herself.
Cicada is the immersive story of a five-year-old child who witnessed a murder. Daniel P Jones confronts a traumatic memory in an incendiary, visceral monologue.
Blues
A prestigious Stockholm museum's chief art curator finds himself in times of both professional and personal crisis as he attempts to set up a controversial new exhibit.
The story of John Wilmot, a.k.a. the Earl of Rochester, a 17th century poet who famously drank and debauched his way to an early grave, only to earn posthumous critical acclaim for his life's work.
Amores explores the world of acting from its most basic and solitary form: the monologue. If only an actor, a text, and someone who hears it are needed to make an acting exercise, then Amores offers fourteen splendid acts from renowned professionals in Puerto Rico. Amores is composed by different monologues that, in set, offer reflection on aspects of love. In this manner, the title becomes a statement: amor es... (love is...)
The film is set in Berlin in 1965. Τhe old woman welcomes the Commissioner at her doorstep with the words “I have been waiting for you for 30 years”. She has been maintaining for years the grave, where now by accident, this skull was found. The skull, has a rusty nail in it. In a long monologue, the woman confesses for the first time, her tragic life story.
Heroin addict Mark Renton stumbles through bad ideas and sobriety attempts with his unreliable friends -- Sick Boy, Begbie, Spud and Tommy. He also has an underage girlfriend, Diane, along for the ride. After cleaning up and moving from Edinburgh to London, Mark finds he can't escape the life he left behind when Begbie shows up at his front door on the lam, and a scheming Sick Boy follows.
What would you say about a female teacher falling in love with a 15-year-old? What would you think when you heard her confession? How do you set borders for someone's love and feelings?
CREMASTER 3 (2002) is set in New York City and narrates the construction of the Chrysler Building, which is in itself a character - host to inner, antagonistic forces at play for access to the process of (spiritual) transcendence. These factions find form in the struggle between Hiram Abiff or the Architect ...
After his death, a young man stuck in purgatory attempts to cope with the afterlife.
One day, hospital orderlies, watching corpse in the morgue, recognize film director. Man, even though he died, he begins to remember his life. He made a career making movies, had numerous mistresses, but never realized their dreams. His life was interspersed with many setbacks that enfeebled him from the inside. Although he made a career in film, he was not happy with his life.
Wallace Shawn and Andre Gregory share life stories and anecdotes over the course of an evening meal at a restaurant.
By becoming aware of an idea that is new to us, we talk about it all the time. And beyond that, all the subjects that we approach, we approach them through this new prism. We are going as far as proselytism - essentially to convince ourselves. We repeat the same words, slightly reformulated, until we are convinced. It is a way of swallowing our conditioning to this idea, while hinting that we are already sure. In politics or in love. We repeat ourselves. We repeat ourselves. We repeat ourselves.
Since its publication 200 years ago, Mary Shelley’s Frankenstein has influenced vast swathes of popular culture. Adaptations have starred cinema legends from Boris Karloff to Robert De Niro – and even Alvin and the Chipmunks. From tales of science gone mad (Jurassic Park) to stories of understanding the other (ET, The Hulk, Arrival), traces of the story and its themes have spread across our media. With Frankenstein Re-membered, video artist and film historian Chris Gerrard collects these diverse fragments from the birth of cinema until the present day and in the tradition of Victor Frankenstein himself, attempts to stitch them back together into an adaptation of the original Shelley novel.
A one man show based on Hjalmar Söderberg's book about Doctor Glas and his dilemma with his patient.
A woman sits at a crossroads between staying in her abusive relationship or leaving.
Andrea Pennacchi questions whether it is still possible to restore the Homeric poems in all their power and tries in his own way, starting with the literal text and then enriching the narrative with reflections, memories, insights and fantasies.
Yusuke Kafuku, a stage actor and director, still unable, after two years, to cope with the loss of his beloved wife, accepts to direct Uncle Vanya at a theater festival in Hiroshima. There he meets Misaki, an introverted young woman, appointed to drive his car. In between rides, secrets from the past and heartfelt confessions will be unveiled.
In the vein of Raymond Carver, this abstract monologue captures the hidden truth behind our personas. What happens when you “see” a person for the first time? No walls up, a real face emerges.