Penis Envy

A young couple with disabilities seek help to enhance their sexual relationship, and make a film about it. Their journey of obstacles reveal that the hardest hurdles are not physical.

Behind the scene peek at the shooting of international athletes for the famous calendar.

James Franco interviews three experts on the poet Hart Crane, whose life was the subject of his feature The Broken Tower (2011).

A student's increasingly intimate line of questioning causes his interview with a local horror host to take a vulnerable turn.

Originally created in support of charity, the popularity of the calendars has been credited for the increased fame of the Stade Français team, as well as rugby in general, in France. The calendars are part of a marketing strategy crafted by Max Guazzini, President of the rugby club. A savvy marketer who built the NRJ Radio group, he has successfully used the calendars to attract a new audience to rugby matches (live and on TV), such as women.

Yes, you read it right, it reads Keep your underwear on! If that is not shocking enough, now imagine your pastor standing up in front of the congregation and preaching a sermon entitled Keep your underwear on.

Private Diary documents photographer Pedro Usabiaga working with a variety of amateur models. The audience sees how the relationships between the photographer and the subjects changes during their time together, as well as how the individual photographs begin to take shape. Pedro Usabiaga is a well-established Basque photographer whose chief concerns are figurative photography and whose passion in photographing the Spanish male. In this hour long conversation with the artist we are given entry into that process of selecting models (none of the models he uses for this book to be titled 'Private Diary' are professional, but instead are randomly chosen as Usabiaga observes athletes in action) and then allowed to follow Usabiaga and his crew as they photograph these men in natural settings and natural light.

A nostalgic and colorful peek behind the pages and personalities of International Male, one of the most ubiquitous and sought-after mail-order catalogs of the 80s and 90s.

This one-of-a-kind comedy special showcases the comedian's riotous stand-up performance, exploring everything from the Disability experience to her Italian-Catholic upbringing to body image issues and more.

Tantrisme : massages et plaisirs intimes

Celebrities are showing it all online and raking in fortunes. Join TMZ in examining Hollywood’s fascination with getting naked on the internet.

This documentary is perhaps one of the most notorious subject matters on the 1980's Male Revue. We hear from the actual 1980'S former Chippendale performers and others. We explore vintage footage from the 1980's to the present day lives of Michael Rapp, Dean Mammales, John Richardson, Scott Marlowe, David Cohen and Brian Carpenter. A must see! Behind the scenes, up close and personal.

The extraordinary life of playwright, singer, actor, composer, and director Noël Coward, who rose from poverty to stardom while keeping his sexuality a secret. Featuring Laurence Olivier, Maggie Smith, Frank Sinatra, Michael Caine and Lucille Ball. Narrated by Alan Cumming. With Rupert Everett as the voice of Noël Coward. Directed by Academy Award Nominee Barnaby Thompson.

A beautifully crafted documentary that takes you behind the scenes of our 2017 calendar shoots in England. Shot on location in England in glorious color and full 4k definition, available as a download only. The Warwick Rowers are back for a 2017 video to support charity.

A drawing of an ancient bathhouse in a French travel book to the Middle East sparks a visual poem, inspired by the Arab poetry tradition of "standing by the ruins". The ambivalence of the five-hundred-year-old image gestures towards enduring capitalist and colonial power dynamics. Pleasure and pain, seduction and domination, archives and ruins, histories of sex, and histories of empire, all commingle in this essay film. What transpires is a web of visible and invisible threads where homosexuality in the Middle East today seems to be enmeshe

amor in porn.

In the line-up of great Australian realist films of the '70s, this short student film, nominally a documentary, is the most in-your-face and "gritty" realist film you will see. It's powerful and unforgettable. "It's a ground-breaker, venturing into the dark, slovenly lives of a couple of outsiders", said Nigel Buesst.

Ballet Boys takes you through disappointments, victories, forging of friendship, first loves, doubt, faith, growing apart from each other, finding your own way and own ambitions, all mixed with the beautiful expression of ballet.

In this documentary Kerkhof takes the viewer into a bizarre underworld, the sub-culture of blood art and body piercing performance art. Kerkhof's camera registered a performance by the American blood artist Ron Athey which took place during the FREAK ZONE festival in Lille, France in May 1997. The camerawork is so freaky one would almost suspect it is under the influence of heroin. The film includes interviews with Athey as well as shocking live fragments wherein Athey works his face over with injection needles. The crazy, maniacal clamour of the HIV positive priest/performer gives us insights into the motives and goals of this group of masochistic performance artists. Somebody who entertains his audience by cutting and stabbing himself; is this art? Who can say? What is beyond question is that Kerkhof's masterful use of the camera and editing not only obscures the images but also the boundary between art and unbearable filth.

A quotation from Aristophanes, "The desire and pursuit of the whole is called love," precedes views of a man and a woman's bodies, often in extreme close up. Off-screen, a voice recites fragments of oracular literature and purple prose. We see an eye, an ear, a mouth, a tongue, bits of hair, a hand, the tips of fingers, toes. Occasionally, the frame includes a larger scape of a body: a chest, a back, a breast. Usually the camera is stationery; sometimes, it moves across a body, remaining in close up. They hold hands for one moment. The bodies are without clothes; no genitalia are visible.