Where Do The Waves Go?

Rummaging for Pasts is an experimental juxtaposition of two cinematic documents: the video diary of an international archaeological excavation and a collection of assorted eight millimeter found footage of Indian weddings.

Borderline

The famous k-pop girl group, BLACKPINK, go on a vacation to Hawaii in 2019.

Follow pop provocateur Lady Gaga as she releases a new album, preps for her Super Bowl halftime show, and confronts physical and emotional struggles.

A visual artist and a musician create a series of works in which paintings and musical scores form cohesive pieces intended to be experienced together. The works interpret the excitement and monotony of life in the urban desert sprawl from the diverse perspectives of the native and the newcomer.

In GLOBAL METAL, directors Scot McFadyen and Sam Dunn set out to discover how the West's most maligned musical genre - heavy metal - has impacted the world's cultures beyond Europe and North America. The film follows metal fan and anthropologist Sam Dunn on a whirlwind journey through Asia, South America and the Middle East as he explores the underbelly of the world's emerging extreme music scenes; from Indonesian death metal to Chinese black metal to Iranian thrash metal. GLOBAL METAL reveals a worldwide community of metalheads who aren't just absorbing metal from the West - they're transforming it - creating a new form of cultural expression in societies dominated by conflict, corruption and mass-consumerism.

"Ryuta is 5 years old. Even though he is my son, I sometimes wonder what this small person is to me. Even though I see his joys and sadnesses and know the feel of his warmth on my skin when I hold him, there are moments when my feelings for him become vague and blank." - Takashi Ito

A raw and emotionally revealing look at one of the most iconic artists of our time during a transformational period in her life as she learns to embrace her role not only as a songwriter and performer, but as a woman harnessing the full power of her voice.

A poetic, semi-autobiographical short film of the sun setting over a village, shot from behind the curtains of a small, dimly lit room.

The northern soul phenomenon was the most exciting underground British club movement of the 1970s. At its highpoint, thousands of disenchanted white working class youths across the north of England danced to obscure, mid-60s Motown-inspired sounds until the sun rose. A dynamic culture of fashions, dance moves, vinyl obsession and much more grew up around this - all fuelled by the love of rare black American soul music with an express-train beat.

A documentary that follows the band through the making of their latest studio album.

Stephen Cummings is one of Australia's most revered rock 'n' roll icons. Rising to fame as frontman of ‘70s legends The Sports, he has spent more than 30 years at the forefront of the local music scene, forging a reputation both as one of Australian rock's greatest lyrical storytellers and also one of its most incendiary critics. Based on his scathing tell-all memoir Will It Be Funny Tomorrow, Billy?, Don't Throw Stones tells Cummings' story in his own words – as well as the words of those he has so gleefully skewered. Featuring interviews with Michael Gudinski, Steve Kilbey, Joe Camilleri and many more, Don't Throw Stones is a revealing portrait of three decades of rock-world gossip, larger-than-life personalities and good, old-fashioned artistic beef.

Documentary about the most popular music of the Andes -- Huayno music -- and explores the lives of three Huayno musicians in a contemporary Peru torn between the military and the Shining Path guerrillas.

This historical music video features as its centrepiece The Doors' last televised appearance, aired on PBS in 1969.

Documentary tracing the history of the Two Tone record label which emerged in the late 1970s, the bands linked to it and their musical influences, and its place at the fore of promoting multi-cultural music and concepts and the Ska music revival.

Legendary Motown group the Temptations perform 20 of their hits at Harrah's in Atlantic City. This version of the group includes original members Otis Williams and Melvin Franklin, along with newer members Ron Tyson, Dennis Edwards, and Richard Street. The still lively quintet strut their stuff while belting out many of their popular favorites, including {&"My Girl,"} {&"Just My Imagination,"} {&"Ain't to Proud to Beg,"} {&"The Way You Do the Things You Do,"} and many more. The 60-minute performance took place in 1983 and was re-released in 1994.

In PATH OF CESSATION the image that is communicated to us by Fulton is a highly mystifying one. Rather than analyze, or enter into a dialogue with the Tibetan culture that he photographs, Fulton has succumbed to it, and through the process has presented us a work of great surface, as well as formal, beauty.

A film in which the one 60-story skyscraper that soars in the spaces between roofs spins with incredible speed. I centered the circumference with its 400 or 500 meter radius on the skyscraper and divided it into 48 sections, then took photographs from those spots and shot the photographs frame by frame.

A documentary that portrays the reality of a trans man, trying to portray him as a person, an artist and a human being. At the same time, the hard and true reality of the transition from the initial stage to the current stage, a documentary with a different aesthetic, showing the world transsexuality through the experience of a trans man.

The Underground subcultures in Budapest are an integral part of the diverse and colorful Hungarian culture. The creators of the film - Esther Turan and Anna Koltay - wanted to explore what were the major youth music subcultures in the '90s and 2000s in Budapest. This film is a tribute to the underground subcultures of the city. In these series of films, these grass-roots groups deal with the social impact of their community building power and the role played by Budapest itself in the formation of these groups. The film explores the kind of atmosphere and unwritten rules, what were the dominant places, external signs, and symbols, or who were the central figures and what were the memorable stories. The film guides the viewer from the best bands to the message, from the typical attire to the cult bars. The new generation is a starting point, a complex retrospective of where it originated and why the colorful underground cultural life still characterizes Budapest today.