TRAQUÉES - Les cyberviolences conjugales

A documentary about the Women's Shelters and the centers for support for women escaping domestic violence.

Following a series of intimate conversations between a former couple who lived through two years of domestic abuse, A Better Man infuses new energy and possibility into the movement to end violence against women.

After years of being silenced through violent opposition, Norma Burton, one of the key founders of the first women’s shelter in Tulsa, OK, tells an untold story of the battered women's movement. In the late 1970s and early 1980’s LGBTQ, BIPOC, and formerly abused women across the US gathered in secret to create a grassroots movement that became today's National Coalition Against Domestic Violence, despite persecution and death threats. Norma recounts to her daughter, director Nisha Burton, how she and her collaborators alerted the police of rising cases of domestic violence and ultimately decided to take matters into their own hands by conducting support gatherings in their homes around the kitchen table. These meetings led to the founding of the first battered women’s shelter in Tulsa, OK in 1975. The years that followed were filled with harassment and verbal and physical attacks on Norma and fellow organizers, but today these courageous advocates continue to support the movement.

For over thirty years, three women have languished in Missouri State prison under unjust sentences for killing their abusive husbands. Denied the opportunity to enter the abuse into evidence, each of the women represents a system broken by outdated and media-sensationalized stereotypes. When a greater understanding of the "battered" syndrome change legal practices in 2000, Missouri's Governor crafts a new law demanding the parole board reevaluate each woman's case.

What if your father murdered your mother? Maeve, Roser, and sisters Perla and Aurora each lost their mother, their father, and their safe home in a single day. Director Sara Kolster, in collaboration with expert Perla Joy, tells their stories about that single day, about how it could happen, but especially about what came afterward. Using tape, they reconstruct the contours of their childhood home, as it was before it became a crime scene, even though it served as a blueprint of their childhood.

Short documentary about sibling violence

This documentary film reveals how domestic violence occurs in real families. This film takes the audience into the stories hidden behind the doors of houses that appear peaceful from the outside, revealing the mental and physical suffering experienced by the victims. This film also tells the story of their struggle to find a way out of the cycle of violence, as well as the process of recovering from this trauma, by presenting narratives from victims, experts and psychologists.

Having broken free from the domestic violence she suffered during 39 years of marriage to her ex-husband Amando, Martha tells her granddaughter Daniela, who is beginning her career as a filmmaker, to make a film out of the personal memoirs in which she narrates her painful past. In this process, despite having gotten a divorce, for over 15 years her family has continued to pressure Martha into spending time with her abuser.

An intimate account of a highly toxic relationship: during a lengthy visit from her boyfriend’s mother, the filmmaker documents the arguments between mother and son.

Mother-of-two Judy Malinowski, then 31, was doused in gasoline and set on fire by her crazed boyfriend – and one of the first ever to testify from beyond the grave, at the trial for her own murder. A story that lives at the intersection of true crime and #MeToo, THE FIRE THAT TOOK HER goes deep inside a landmark case to ask a timely question: How much must women suffer in order to be believed?

In 1999, Colorado mother Jessica Gonzales experienced every parent’s worst nightmare when her three young daughters were killed after being abducted by their father in violation of a domestic violence restraining order. Devastated, Jessica sued her local police department for failing to adequately enforce her domestic violence restraining order despite her repeated calls for help that night. Determined to make sure her daughters did not die in vain, Jessica pursues her case to the US Supreme Court and an international human rights tribunal, seeking to strengthen legal rights for domestic violence victims. Meanwhile, her relationship with her one surviving child, her son Jessie, suffers, as he struggles with the tragedy in his own way. Shot over the course of nine years, Home Truth chronicles one family’s incredible pursuit of justice, shedding light on how our society responds to domestic violence and how the trauma from domestic violence can linger through generations.

Celebrated author and Nation magazine sports editor Dave Zirin tackles the myth that the NFL was somehow free of politics before Colin Kaepernick and other Black NFL players took a knee.

Christy Martin broke boundaries and noses as she rose in the boxing world, but her public persona belied personal demons, abuse and a threat on her life.

After four years away, Huiju returns home to South Korea. Exchanges with her loved ones are awkward and clumsy. Huiju turns once again to her familiar rituals: pruning the trees, preparing a sauce, tying a braid.

A series of lawsuits and allegations have legendary rap mogul P. Diddy on the ropes. TMZ has the troubling inside story from people who were there.

The film examines the painful relationship between fathers and sons through the eyes of one family. Four generations of men are featured in the film. Father to Son deals with the conflict between generations and their subjective memories, and the way different methods of raising children pass from one generation to the next. How often and to what extent do we repeat the behavioural patterns of our fathers; can we change or break these patterns or is repeating them inescapable, and how many generations are needed for change to occur? Are the values we have inherited from our fathers still valid in the modern world? One of the leading themes of this film is the sensitivity of a man and a boy, and its preservation and suppression.

A brother and sister discuss domestic violence that has occurred by looking back at family photo albums.

Mariem, 53, a former estate agent, has been living at a shelter for several months. Surrounded by women in far more precarious circumstances than herself, she tries to regard her unprecedented social downfall as an immersion in real life. By the time she leaves, Mariem’s view of the world will have changed forever, enriched by all the women she has met along the way.

Stacey Dooley goes behind closed doors and speaks to the now younger face of domestic violence. She questions victims and abusers to try and understand how deep the issues surrounding domestic abuse are for those who have survived and those currently experiencing the abuse.

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