Eyna Bejnê

Inspired by the works of portuguese artist Julião Sarmento, this is a movie about the self and the other. About the reflection and obsession on the human condition that is us.

A college student starts to experience extreme seizures. She soon learns that the violent episodes are a symptom of inexplicable abilities.

A bizarre fight in a dive bar-laundromat among four New Orleans low-lifes is revisited from each person's perspective, revealing an intricate web of harrowing, horrific, & hilarious service industry intrigue. Everybody has a reason but nobody has a clue.

Everyday, Alexander’s reflection goes the extra mile to imitate his owner without being spotted. But, one day, an event in Alexander’s life is about to change everything...

Bakur (North) is a documentary that invites its audience to reflect on a war that has been continuing for decades and gives an insightful look on its main subject, the PKK. The film follows the lives of the guerilla in three different camps on the Kurdish region (north) that lies within Turkish borders.

THE FILM "DOZ", TOLD IN THE BACKDROP OF BEAUTIFUL KURDISH LANDSCAPE, IS ABOUT SIRMEN, THE DAUGHTER OF A RICH MAN, WHO REFUSES TO MARRY THE MAN HER FATHER HAS PICKED OUT FOR HER. SIRMEN LEAVES HER PARENTS' HOUSE TO SEEK AID FROM THE YEZIDI PRINCE.

Turtles Can Fly tells the story of a group of young children near the Turkey-Iraq border. They clean up mines and wait for the Saddam regime to fall.

A man attempts to regain the life he used to lead after being mysteriously forgotten by everyone he’d ever met.

"Nû Jîn", New Life, with the slogan ' Woman is life. Life is resistance and resistance is Kobanê', depicts the daily life of women guerillas, Elif Kobanê (18), Vîyan Peyman and Arjîn, joining in the Women's Protection Units (YPJ) in their battle against ISIS. The documentary relates the ISIS assault of 15 September 2014 and the five-month resistance by the YPJ and People's Defense Units (YPG) through the lens of three women fighter

This film is about what the routine of everyday life can do to the human mind and psyche. It also reflects on the importance of the choices we make and how limited these choices are in the first place. The plot evolves around a family of four. They live in the suburbs, in a strange villa that appears, through a complex game of mirrors, to be more like a piece of installation art than a real house. The main character, who hardly appears on screen, is the son, a man in his thirties. Suffering from asthma and eczema since childhood, he uses his condition to manipulate his parents and his sister. Thus the existence of the terrorized family turns into an endless ritual of attempting to satisfy his whims, and always on the alert for yet another one of his “health crises”. Las Meninas resembles the scattered pieces of a puzzle. It is up to the viewer to assemble them in order to form his very own picture – something that makes the film itself personal and unique.

In a snowy Kurdish mountain village, in the east of Turkey, an old woman Berfé and her granddaughter Jiyan are distressed. The only man in the household, Temo, the son of one and the father of the other, was arrested by the Turkish military. The commanding officer has been told that the villagers are hiding weapons, so he arrested all the men and announced that they will be kept in prison until their families hand over the weapons. The problem is that there are no weapons in the village. Desperate, Berfé and Jiyan embark on a long journey, in search of a gun which they could exchange for their beloved Temo. Will the old woman and her innocent granddaughter find a way out of the inextricable Kurdish identity conflict?

In the winter of 1988, in the depths of the Iraq/Iran war, the border town of Halabja was attacked by chemical weapons with all its people and their different stories.

Young girl from the suburbs gets knocked up and ends up tripping out in an East Village drug den.

When five Kurdish prisoners are granted one week's home leave, they find to their dismay that they face continued oppression outside of prison from their families, the culture, and the government.

Kurdish childhood friends Hussein and Alan want to produce a film about the genocide of Kurdish people in Iraq, the Anfal campaign in 1988. They learn that, to achieve veracity by the means of cinema and to face their own identity, it's worth putting everything on the line - even their own life.

Does the mirror reflect reality or is it a window into the fears of the observer? After just another day, when bullying becomes too much, what can Alice do? What defines her as a freak?

A man falls in love with a beautiful young woman and begins to suspect that he may have also loved her in a previous life.

In this anthology, three stories connect through one place: the Dream Inn. A former drug addict, a frustrated journalist and a man searching for his missing wife are drawn to the mysterious place and with the help of its enigmatic staff, The Janitor and The Recepcionist, they will have to face the consequences of their deepest desires.

The plot revolves around two completely different and distant women — a nurse and a fashion model — who are haunted by their own spectre after going through the same experience: they can no longer see their reflections in the mirror.

During WW1, the destinies of British officers Michael Andrews and John Stevenson seem intertwined on the battle front as much as on a more personal level.