Eyna Bejnê

Turtles Can Fly tells the story of a group of young children near the Turkey-Iraq border. They clean up mines and wait for the Saddam regime to fall.

It follows the filmmaking journey of two filmmakers as they navigate through the urban sprawl of inner KL during the pandemic. It showcases the city in a raw, exposed and gritty fashion but still with a certain charm. Throughout their filmmaking process, they capture the peculiar events in the life of three strangers: the son (Fakhrul Aiman), the outsider (Eli Orkid) and the hustler (Nidusmas). They happen to express themselves in extreme ways at the sight of their own reflection in “the vantablack” -- they snap into a state of mind where they lose all their inhibitions and show their true self in a very physical way: through visceral, almost primal dance movements.

A documentary-style capturing of the life of Ab, a young struggling artist trying to find her way, all while dealing with unwanted company.

In the winter of 1988, in the depths of the Iraq/Iran war, the border town of Halabja was attacked by chemical weapons with all its people and their different stories.

Despite being outnumbered and outgunned, a female Kurdish fighter guides her fellow fighters in the resistance to defend their city, Kobanê, from the deadly threat of ISIS. A real story of war, sacrifice, love and hope that kept the whole world on tenterhooks.

Tsutomu lives alone in the mountains, writing essays, cooking Zen food with the vegetables he grows and the mushrooms he picks in the hills. His routine is happily disturbed when Machiko, his editor and love interest, occasionally visits. Tsutomu seems content with his daily life. On the other hand, he still hasn't let go of his wife's ashes, although she died 13 years ago.

A man falls in love with a beautiful young woman and begins to suspect that he may have also loved her in a previous life.

This film is about what the routine of everyday life can do to the human mind and psyche. It also reflects on the importance of the choices we make and how limited these choices are in the first place. The plot evolves around a family of four. They live in the suburbs, in a strange villa that appears, through a complex game of mirrors, to be more like a piece of installation art than a real house. The main character, who hardly appears on screen, is the son, a man in his thirties. Suffering from asthma and eczema since childhood, he uses his condition to manipulate his parents and his sister. Thus the existence of the terrorized family turns into an endless ritual of attempting to satisfy his whims, and always on the alert for yet another one of his “health crises”. Las Meninas resembles the scattered pieces of a puzzle. It is up to the viewer to assemble them in order to form his very own picture – something that makes the film itself personal and unique.

Sivan Encü, a young Kurdish man, provided for his family by "smuggling" through the Turkish-Iraqi border. When he was murdered in the 2011 Robozik (Roboski) Massacre, the responsibility of family's welfare was taken over by his younger brother Sinan, who lost his life in an unfortunate accident. This is the story of their grief-stricken mother Heyam and her resilience. Alongside Heyam's struggle, the film brings the voices of Robozik elders and notables to the forefront, who have experienced first-hand the social, political and economic dimensions of smuggling, which has been the backbone of survival for the locals for many generations.

Rojda, a native of Iraqi Kurdistan and a soldier in the German army, travels to a refugee camp in Greece where she manages to meet her mother, who has bad news about her sister Dilan.

Qader, a bricklayer from Sardasht in Kurdistan Iran whose wife is pregnant with her 4th child, suddenly found himself amid a war crime perpetrated by the Saddam regime. On June 28th, 1987 Iraqi air fighters dropped mustard gas bombs on the city...

When five Kurdish prisoners are granted one week's home leave, they find to their dismay that they face continued oppression outside of prison from their families, the culture, and the government.

The Kurdish Iraqi poet and actor Zeravan Khalil travels with his dog through an Alpine gorge after fleeing from IS war and genocide. As he remembers the abomination, he writes a poem with the title “You drive me mad” in Kurmanji Kurdish. In his home country, Yazidic Kurds are forbidden to work in his profession. Then he eats his apple and wanders through Europe’s middle with more hope.

Ma Guerre

After losing his job in Mumbai, Tashi is compelled to return to his village in the remote interiors of Arunachal Pradesh. Waiting for news of any new job in the city, he struggles to get accustomed to life in his native place.

Nava tries to convince her sister to get back with her husband, while her own fiance is cheating on her.

During WW1, the destinies of British officers Michael Andrews and John Stevenson seem intertwined on the battle front as much as on a more personal level.

In the metropolitan city of Hamburg, illegal immigrant Chernor, an openly gay African youth with blond hair, makes his money by dealing drugs and dreams of one day living in Australia. Baran, meanwhile, is a Kurdish bicycle delivery boy living in constant fear of deportation, who keeps his past in a video camera. The two form a bond when they meet, and their shared struggles to survive soon develop into a relationship that is threatened when Baran loses his job.

A man attempts to regain the life he used to lead after being mysteriously forgotten by everyone he’d ever met.

A bizarre fight in a dive bar-laundromat among four New Orleans low-lifes is revisited from each person's perspective, revealing an intricate web of harrowing, horrific, & hilarious service industry intrigue.