Portrait of director Andrey Zvyagintsev against the background of the filming of his film "Loveless".
Martin Ťapák
A mockumentary about Turkey-based Kurdish film director, scenarist, novelist, and actor Yilmaz Güney, shot three years after the filmmaker's death. It's also a political portrait of 20th century Turkey.
Documentary about women in the film industry. Numerous notable actresses and female directors share their thoughts.
A film pioneer, Binka Zhelyazkova was at the forefront of political cinema under Bulgaria's Communist dictatorship. Though she remained faithful to the communist ideals she became an avid critic of the regime and brought upon herself the wrath of its censorship. As a result four of her nine films were shelved and released to the public only after the fall of the regime in 1989, and Binka Zhelyazkova became known as the bad girl of Bulgarian cinema. A provocative portrait that reveals the pressures and complexities that arise when art is made under totalitarianism.
An account of the life and work of American film director Sam Peckinpah (1925-84), a tortured artist whose genius and inner demons changed the Western genre forever.
Incredible video behind-the-scenes with the stars, Steven Spielberg, and see one of the last interviews with the legendary Stephen Sondheim.
Actors Anne Dorval, Suzanne Clément, Monia Chokri, Gaspard Ulliel, Vincent Cassel, Niels Schneider and Melvil Poupaud discuss working with the young Canadian director Xavier Dolan, who has conquered the hearts of both cinema lovers and prestigious festival juries with his films. To French actress Nathalie Baye, he seems very experienced despite his young age, while Cannes Director Thierry Frémaux says he may be insolent, but everyone agrees he is passionate, creative, a perfectionist and... in a hurry.
Anthony Perkin’s face and name remain familiar to a younger 21st century audience, fond of Giallo and slashers. But he has long struggled in the shadow of his most famous character, Norman Bater – the seria killer in Alfred Hitschcock’s masterpiece, “Psycho". We also discover that he was an amazing crooner. His greatest success, “Moonlight Swim”, will be taken up by Elvis Presley. He even directed “Psycho III” – proof of his reconciliation with his favorite bogeyman.
When World War II broke out, John Ford, in his forties, commissioned in the Naval Reserve, was put in charge of the Field Photographic Unit by Bill Donavan, director of the soon-to-be-OSS. During the war, Field Photo made at least 87 documentaries, many with Ford's signature attention to heroism and loss, and many from the point of view of the fighting soldier and sailor. Talking heads discuss Ford's life and personality, the ways that the war gave him fulfillment, and the ways that his war films embodied the same values and conflicts that his Hollywood films did. Among the films profiled are "Battle of Midway," "Torpedo Squadron," "Sexual Hygiene," and "December 7."
Reconstructions of unrealized Hungarian films in cooperation with the greatest Hungarian film directors.
Kogonada looks at how the motif of doors reverberates through Robert Bresson's work.
Honing his craft as an indie filmmaker in Germany in the early 90s, Uwe Boll never could have imagined the life that lay before him. From working with Oscar-winning actors and making films with US$60million budgets to having actors publicly disparage him and online petitions demanding he stop making films, Boll continued to work; he has a filmography of 32 features, a career that has led to his new life as a successful high-end restauranteur. Already a cult legend, he will be remembered forever in the film world; for some, as a modern-day Ed Wood, who made films so bad, they're good, while for others, a prolific filmmaker who came from a small town in Germany and never compromised his integrity while forging his own unique Hollywood trajectory.
Stage actress turned film actress and director, Nicole Garcia has worked with the greatest French directors. Mysterious, singular, elegant, she has become a major figure in French cinema, but in her forties, she wanted to tell her own stories. She took a big risk when she was being offered fewer roles as an actress and became a film director.
Documentary about film director and actor Bernhard Wicki.
In 1988, German filmmaker Volker Schlöndorff sat down with legendary director Billy Wilder (1906-2002) at his office in Beverly Hills, California, and turned on his camera for a series of filmed interviews. (A recut of the 1992 TV miniseries Billy, How Did You Do It?)
In 1982, Wim Wenders asked 16 of his fellow directors to speak on the future of cinema, resulting in the film Room 666. Now, 40 years later, in Cannes, director Lubna Playoust asks Wim Wenders himself and a new generation of filmmakers (James Gray, Rebecca Zlotowski, Claire Denis, Olivier Assayas, Nadav Lapid, Asghar Farhadi, Alice Rohrwacher and more) the same question: “is cinema a language about to get lost, an art about to die?”
For decades, Freddy Krueger has slashed his way through the dreams of countless youngsters, scaring up over half a billion dollars at the box office across eight terrifying, spectacular films.
Godard by Godard is an archival self-portrait of Jean-Luc Godard. It retraces the unique and unheard-of path, made up of sudden detours and dramatic returns, of a filmmaker who never looks back on his past, never makes the same film twice, and tirelessly pursues his research, in a truly inexhaustible diversity of inspiration. Through Godard’s words, his gaze and his work, the film tells the story of a life of cinema; that of a man who will always demand a lot of himself and his art, to the point of merging with it.
On August 15th, 2006, filmmaker Ryan Dacko set out to get a 30-minute meeting with a major Hollywood producer by running on foot from Syracuse, New York to Hollywood, California.