In 1931 Shostakovich wrote a full-length score for the Leningrad Music Hall, for a show that involved many of the leading entertainers of the day, as well as dancing girls, a jazz band, a dancing dog, sequences of silent film, simulated air-raids and gas attacks, a lorry, a storm, waiters and waitresses in a luxury restaurant, river nymphs and even a scene in Heaven with the Devil, the Twelve Apostles, the Archangel Gabriel and all the other angels doing a blasphemous knees-up. The show was naturally a momentary scandal and the score soon disappeared. In 1991 Gerard McBurney reconstructed from the surviving sketches a sequence of 21 of the orchestral numbers to make a hilarious sequence of gallops, saucy polkas, marches and schmoozy waltzes.
Going to see Nutcracker with the whole family has been a tradition in other countries for many years. Now it is a tradition in the Netherlands as well. It became apparent that the Netherlands had also adopted this tradition in 1996, when the Dutch National Ballet presented its own version of the famous fairytale ballet. It is a magical production that has won the hearts of more than 250,000 people to date. Choreographers Toer van Schayk and Wayne Eagling created a Nutcracker for the children and adults of today. It is more dynamic and exciting, and less sweet than usual. They also chose to give a Dutch twist to their interpretation of the story, with skaters on the canals and a living room that transforms into a snowy forest. Unlike the original story, the production by Eagling and Van Schayk (who also designed the delightful sets and costumes) does not take place on Christmas Eve in a German town, but during St. Nicholas celebrations in Amsterdam, around 1810.
County Durham, England, 1984. The miners' strike has started and the police have started coming up from Bethnal Green, starting a class war with the lower classes suffering. Caught in the middle of the conflict is 11-year old Billy Elliot, who, after leaving his boxing club for the day, stumbles upon a ballet class and finds out that he's naturally talented. He practices with his teacher Mrs. Wilkinson for an upcoming audition in Newcastle-upon Tyne for the royal Ballet school in London.
Live from the Bolshoi Theatre, this 1978 remake of the two-act classical Christmas ballet blends Tchaikovsky's beloved melodies with superb dancing. Famed Bolshoi duo Yekaterina Maximova and Vladimir Vasiliev star in this production of Tchaikovsky's beloved ballet, The Nutcracker. Maximova dances the role of Maria, the young girl whose mysterious uncle Drosselmeyer gives her a wooden nutcracker (Vasiliev) for Christmas. When he comes to life, she rescues him from marauding mice and is taken to the Kingdom of Sweets.
Cinderella is helped to the ball by her fairy godmother in The Royal Ballet's version of the classic fairy tale, using Sergei Prokofiev's music and Frederick Ashton's choreography in a comic ballet.
The Royal Ballet's 1980 production of Tchaikovsky's classic ballet.
A performance film following the young ballerinas of Na Ponta dos Pés, an art school founded by Tuany Nascimento in Rio de Janeiro.
From The Royal Ballet’s classical origins in the works of Petipa, to the home-grown choreographers who put British ballet on the world stage, this mixed programme highlights the versatility of the Company. Petipa’s Raymonda Act III is Russian classical ballet summarized in one act, full of sparkle and precise technique, while Ashton’s Enigma Variations is quintessentially British in every way – from its score by Elgar and period designs by Julia Trevelyan Oman, to Ashton’s signature style, the essence of British ballet. Concerto, MacMillan’s fusion of classical technique with a contemporary mind, completes a programme that shows the breadth of the Company’s heritage.
To speak of that ballet is very difficult because the theme is so popular as a fairy tale, adapted by Perrault from German folklore and then recuperated from the same folklore by the Grimm brothers, and what's more turned into an unforgettable film by Walt Disney. Angelin Preljocaj was thus trying to break a mould in which that character and her story had been cast seemingly for ever. And it is a success. Because first the setting, the stage direction are very interesting and rich. Rich are the costumes. Rich are the main ideas of the setting like the enormous magic mirror coming down from the sky, or like the deep underground mine turned into a vertical surface on which the seven dwarfs are dancing like dragon-flies on their strings.
Product Description ••••• A complete 1978 performance of this classic ballet stars the magnificent Nadezhda Pavlova and Vyacheslav Gordeev; the Bolshoi Theatre Orchestra is conducted by Alexander Kopilov. DVD Bonus: Scenes from Don Quixote filmed at the Bolshoi in 1964 and starring the legendary dancers Maya Plisetskaya and Maris Liepa; Bolshoi Orchestra conducted by Youri Fayer.
A Christmas classic revisited in dance form at the Finnish National Opera: Charles Dickens' A Christmas Carol. It's the story of Ebenezer Scrooge, a grumpy, miserly old man who, on Christmas Eve, is visited by the ghosts of Christmas past, present and future. A magical tale popular with all ages, adapted into a ballet by an all-British artistic team including composer Sally Beamish and choreographer David Bintley.
We seek to find the inner light of each one and thus turn on new lights, to leave the paths illuminated, so as not to walk blindly and alone. It is having a real awareness of our actions, that our life is a commitment and that if each one of us acts, a great change will be seen in the world. The power of life is to give us existence.
In County Durham, England, 1984, a talented young dancer, Billy Elliot, stumbles out of the boxing ring and onto the ballet floor. He faces many trials and triumphs as he strives to conquer his family’s set ways, inner conflict, and standing on his toes in a musical that questions masculinity, gender norms and conformity.
"William Christie and Les Arts Florissants propel this exuberant production of Jean-Philippe Rameau's second opera to great heights. Andrei Serban's extravagant, highly baroque staging presents the four exotic love stories vibrantly. In 'Le Turc généreux' Osman sets free his captive, Emilie, whom he loves, so that she may be reunited with her former lover, Valère; 'Les Incas de Pérou' is all about the rivalry of the Inca Huascar and the Spaniard Don Carlos, both in pursuit of Princess Phani; 'Les Fleurs' offers a Persian love intrigue, as the Sultana Fatime tries to detect whether her husband Tacmas has his eye on the lovely Atalide; and 'Les Sauvages' takes us to North America, where a Spaniard and a Frenchman compete for the love of Zima, daughter of a native chief, who prefers one of her own people." — from the DVD cover
Classic production of the world’s most-famous ballet, the one that dance audiences long for – Tchaikovsky’s Swan Lake. First performed in St.Petersburg in 1895, Swan Lake with its unrivalled “white acts”, its spectacular and dramatic Ballroom scene, sublime music and deeply moving story, is the ballet that towers above all others. Filmed on the 2nd of April 2006 at the South African State Theatre - Pretoria during the first ever St. Petersburg Ballet Theatre tour. This is the world’s favourite ballet, Tchaikovsky’s complete Swan Lake performed with the Johannesburg Festival orchestra; by the best touring ballet company in the world.
No ballet better epitomizes romance than Giselle, also known for its rich melody. This ballet explores the traditional theme of love triumphing over death. Bursting with freshness, spontaneity and emotion, the musical core for Giselle remains one of ballet music’s greatest successes. The Saint Petersburg Ballet Theatre remains faithful to the version of this ballet that is at once the closest to the original and the most romantic. Live SPBT`s performance 'Giselle' was filmed on 16th March 2007 on the spacious stage of the State Theatre in Pretoria during the second SPBT`s tour of South Africa. Giselle was created in 1841 at the Royal Academy of Music, now the Opéra National de Paris.
The peasant girl Giselle discovers the true identity of her lover Albrecht – and that he is promised to another. Giselle kills herself. Her soul enters the ranks of the Wilis – shades of young women who died before their wedding day. All men that come across their path are compelled to dance themselves to death, and Albrecht falls into their trap. Giselle’s intercession saves Albrecht and releases her soul from the Wilis’ power.
The young Clara creeps downstairs on Christmas Eve to play with her favourite present – a Nutcracker. But the mysterious magician Drosselmeyer is waiting to sweep her off on a magical adventure. After defeating the Mouse King, the Nutcracker and Clara travel through the Land of Snow to the Kingdom of Sweets, where the Sugar Plum Fairy treats them to a wonderful display of dances. Back home, Clara thinks she must have been dreaming – but doesn’t she recognize Drosselmeyer’s nephew?
Evan Evans, the director of a ballet troupe, is rehearsing his next show in Monaco, in preparation for a worldwide tour. When one member of his troupe leaves to get married, Evans imposes a regime of strict discipline on his remaining dancers. The latter get their revenge by presenting Evans’ nephew Philippe, the only male member of the group, with a baby and a note claiming he is the father…
This delightful ballet tells the story of Dr Coppelius, an eccentric toymaker, who attempts to bring life to his beautiful doll Coppélia. He is foiled by the mischevious Swanilda, who masquerades as Coppélia and saves her love, Franz, from the Doctor's magic. Recorded live at the Sydney Opera House, this acclaimed production by Dame Peggy van Praagh, the founding Artistic Director of the Australian Ballet, is a triumph.