Exoplanets: Thousands of New Worlds

Oliver is a chimpanzee who not only can walk upright, but does of his own accord. For years there have been debate's over Oliver's identity. All those who know Oliver swear that he is at least somewhat human. Is Oliver a chimpanzee and human hybrid, a well trained chimpanzee, or something altogether different?

Although a real awareness of the populations is underway - the multiplication of natural disasters and heat records helping - the human activities responsible for global warming remain unchanged, as if the threat was unreal. This collective immobility could have its origin in the brain. A number of cognitive biases impede judgment.

Digital advertising algorithms curate content precisely for users. Major tech firms claim to restrict disinformation yet still profit from harmful content, raising ethical concerns about democracy and online capitalism.

Le Palais des hiéroglyphes - Sur les traces de Champollion

Air Jaws : Mordus de records

The sun sends us light and energy, enabling life and growth. But it also causes scientists great concern: gigantic, unpredictable solar storms are increasingly threatening our power supply and networks. The US space agency NASA has built a space probe to investigate the causes of these mysterious storm phenomena.

Baie de Naples, la colère des volcans

A documentary following three young nascent drag artists as they navigate a rising queer scene in Norwich City - a place wherein they express their queerness and identities freely through performance, visual artistry, and community.

Thomas Pesquet : Objectif France

Features gourmets chowing down on bats, voodoo practitioners, a chap who has a fetish for being covered in bees and a gal who has the Eiffel Tower tattooed on her behind so she can sell the skin at a later date. These choice cuts are interspersed with the usual parade of prostitutes, transvestites and strippers.

Delve into the digestive system with this lighthearted and informative documentary that demystifies the role gut health plays in our overall well-being.

In November 2018, the news of the death of a 27-year-old American on the shore of a small island in the Indian Ocean went around the planet. Clash of the culture.

Farrebique, the first feature-length effort of French documentary filmmaker Georges Rouqier, is widely regarded as his finest film. Rouqier concentrates on a single French farm family, following them through the four seasons. As in the works of Robert Flaherty, the human characters and the land surrounding them are "one", and Rouqier never misses an opportunity to parallel their lives with the eons-old phases of nature. The final symbolic images of Spring, achieved through time-lapse photography, are almost unbearably beautiful. The winner of several festival awards, Farrebique nonetheless did not immediately result in an outpouring of financing for Rouqier's follow-up films (this was a common problem in the financially strapped French film industry of the 1940s). Perhaps as a result, Rouqier did not make his sequel, Biquefarre (filmed in the same region, with some of the same "actors"), until 1983.

Ghost nation? Violent home? Traumatised country? What does the horror of one of the most famous writers of our time hide? What does his fictional America expose? To what extent does cinema feed itself off his unique vision and expression of fear? In other words: what kind of America is Stephen King telling us about?

September 2019. China inaugurates the largest airport terminal in the world, which covers 700,000 m2, the equivalent of 98 football pitches. Built in 5 years, it embodies the jewel of Chinese modernity but also of French know-how. Go behind the scenes of a pharaonic construction site.

On a remote coast of the Russian Arctic in a wind-battered hut, a lonely man waits to witness an ancient gathering. But warming seas and rising temperatures bring an unexpected change, and he soon finds himself overwhelmed.

An intimate portrait filmed across 10 years of Mary, a charismatic and complex woman, born and raised in rural Kansas, USA. She runs a curiosity shop out of her front yard, builds giant furniture and dreams of becoming an artist one day.

A cinematic essay interweaving private archive images and a mixture of reflective, speculative and poetic intertitles that, like “an old movie from the 20th century”, invites us to meditate on what Des Pallières once liked to call “our old homeland”.

La capitale gauloise disparue

A virtual visit aboard the International Space Station, making the dreams of millions of people around the world come true.