as close as possible / as far as possible

Gus Van Sant tells the story of a young African American man named Jamal who confronts his talents while living on the streets of the Bronx. He accidentally runs into an old writer named Forrester who discovers his passion for writing. With help from his new mentor Jamal receives a scholarship to a private school.

The story of three women searching for more potent, meaningful lives. Each is alive at a different time and place, all are linked by their yearnings and their fears. Their stories intertwine, and finally come together in a surprising, transcendent moment of shared recognition.

This is the only feature directed by the famed French painter and sculptor Martial Raysse. In keeping with the revolutionary spirit of the time, the movie has no plot to speak of and appears to have been largely made up on the spot. We follow the cat man into a bizarre fantasy universe presented in negative exposure that reverses color values (black is white and vice versa) and written words. The cat man steals a car and then picks up a young girl he promises to take to “Heaven.” Heaven turns out to be a country chateau inhabited by several more animal mask wearing weirdoes...

Young & Na!ve is a poetic apology to everyone ever sexually molested and a film that needs to be seen by everyone ever born.

With input from actor and writer Jan Hlobil, director and cinematographer Rene Smaal presents a film in the true surrealist tradition, in the sense that only 'found' elements were used, and that it defies interpretation based on ordinary cause-and-effect time sequence.

An experimental sports film made partly during the Scandinavian Open Championships in Halmstad in 1970, partly during the Chinese players' exhibition tour in Denmark immediately after the SOC. First of all, it is a film about their style, about the artistic culmination that is ping-pong at its best, it records China's comeback into the international sports world.

Experimental filmmaker Rubén Gámez explores the iconography of the maguey plant in Mexican cinematic history.

Moonwalker is a 1988 American experimental anthology musical film starring Michael Jackson. Rather than featuring one continuous narrative, the film expresses the influence of fandom and innocence through a collection of short films about Jackson, some of which are long-form music videos from Jackson's 1987 album Bad. The film is named after his famous dance, "the moonwalk", which he originally learned as "the backslide" but perfected the dance into something no one had seen before. The movie's introduction is a type of music video for Jackson's "Man in the Mirror" but is not the official video for the song. The film then expresses a montage of Michael's career, which leads into a parody of his Bad video titled "Badder", followed by sections "Speed Demon" and "Leave Me Alone". What follows is the biggest section where Michael plays a hero with magical powers and saves three children from Mr. Big. This section is "Smooth Criminal" which leads into a performance of "Come Together".

Using both found footage and her own material, Nina Fonoroff recollects the memory of her father. Constructing and deconstructing a portrait, she weaves family and friends’ remembrances with an inquiry into her own work process. Her searching attitude suggests that with the loss of her father came a question of the role, not of a particular father, but the father figure—a refusal of authority, and an appreciation of her father’s cycles of learning, teaching, learning. As Danny Kaye, playing Hans Christian Andersen, tells a group of children the story of the piece of chalk that saw itself as a the source, not the transmitter of knowledge, one senses Fonoroff’s sorrow at the loss inherent in the film image, and a yearning for the source of the image, not just its projection.

The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.

A dying man in his forties recalls his childhood, his mother, the war and personal moments that tell of and juxtapose pivotal moments in Soviet history with daily life.

Begotten is the creation myth brought to life, the story of no less than the violent death of God and the (re)birth of nature on a barren earth.

Lacking a formal narrative, Warhol's mammoth film follows various residents of the Chelsea Hotel in 1966 New York City. The film was intended to be screened via dual projector set-up.

Almost a decade since larger-than-life glam-rock enigma Brian Slade disappeared from public eye, an investigative journalist is on assignment to uncover the truth behind his former idol.

The film follows Manuel Maria du Bocage, 18th-century poet, as he travels through the world from orgy to orgy and from excess to excess.

Filmmakers use archival footage and animation to explore the culture surrounding nuclear weapons, the fascination they inspire and the perverse appeal they still exert.

The residents of Ho Chi Minh City face modernization amid widespread poverty. A retired American Marine arrives on a search for his daughter, whom he abandoned at the end of the Vietnam War. Elsewhere, a cyclo driver falls for a troubled prostitute and schemes to raise money so he can spend time with her. Additionally, a young women begins harvesting lotuses for a writer suffering from leprosy, and a child trinket seller loses his traveling case.

On the island of Tanna, a part of Vanuatu, an archipelago in Melanesia, strange rites are enacted and time passes slowly while the inhabitants await the return of the mysterious John.

An ahistorical re-enactment of the strange and curious events that led up to the untimely demise of our nation’s sixteenth president.

The film consists of two identical prints shown simultaneously, one projected inside the image of the other. The inner image is out of sync one second in advance of the larger image creating a dynamic inter-play between the overlapping frames.