I Want to Write Pure Movement

By the dawn of the 21st century, hip-hop sales had reached an all-time high, but one thing has remained the same. The doors were still locked, and the music industry held the keys. Young artists began to self-market on the Internet, ultimately helping to collapse the music industry as we knew it. It’s Yours explores how it became possible to become a rap star through a Twitter account, YouTube site or Myspace page. It tells this story through the unique perspectives of numerous artists, producers, record industry insiders, and music and cultural critics.

Whilst making a documentary, filmmaker Holly meets the highly enigmatic and beautiful Vicki who claims she is a real-life vampire.

Terry and Dean are lifelong friends who have grown-up together: shotgunning their first beers, forming their first garage band, and growing the great Canadian mullet known as "hockey hair". Now the lives of these Alberta everymen are brought to the big screen by documentarian Ferral Mitchener in an exploration of the depths of friendship, the fragility of life, growing up gracefully and the art and science of drinking beer like a man.

A group of young filmmakers encounter real zombies while filming a horror movie of their own.

Seattle filmmaker Oliver Tuthill Jr. directs this deadpan mockumentary that imparts the legend of Willatuk, a fictitious sea serpent that American Indians first spotted swimming in the waters off Puget Sound in 1736. Narrator Graham Greene explores the history of the mysterious creature that's considered sacred by a Pacific Northwest Indian tribe, which vows to protect it from the competing interests of local hunters.

From the creators of After the Dawn, L.A. Maniac, Play Hooky, and Dirty B.O. , comes a found footage movie that will surely put you on the edge of your seats. With the inspiration of true stories, Jack Hunter’s PARANOIA TAPES will send a chill down the bottom of your spine.

Welcome to Egypt, land of the Pharaohs. A place steeped in history and legend; Gods and spiritual guides; untold wealth – and the bone-cracking, blood-spilling guardians of its riches. Jack Wells has arrived in Egypt in search of the famous diamond known as The Codex Stone. His journey leads him to the tomb of the cursed King Neferu, cursed not by name but by nature. With his centuries-old slumber disturbed by timeless human greed, the King rises from the dead with a blood-lust that cannot be quenched and a raging fury that will shred flesh from bone, bringing terrible and tormented death to all who dare witness the Day of the Mummy.

Although Gainsbourg and Birkin had appeared in a string of films since their magnetic collision in Pierre Grimblat’s Slogan, Melody was a bit of diversion from their collaborations since it’s a series of interwoven videos inspired by the Gainsbourgalbum. For '71 it’s a novel concept to bring visual life to an LP, but even more surprising are the short film’s amazing visuals that director Averty crafted using a wealth of video filters, overlays, camera movements and chroma key effects. Averty applies these in tandem with the increasing tone of Gainsbourg’s songs, which more or less chronicle an older man's affair with a young girl. Each song is comprised of steady, sometimes brooding poetic delivery, with refrains timed to the phrase repeats of each song, while Alan Parker’s buzzing guitar accompanies and wiggles around Gainsbourg’s resonant voice. The bass is fat and groovy, the drums easy but steady, and the periodic use of strings or rich vibrato makes this short a sultry little gem.

Vampires have just made themselves public! Now a group of documentarians have been granted access to spend some time with them and learn how they live and coexist with humans. But as reality sets in, the crew realize they are in for far more than they bargained for.

After the end of civilization, an aged man undergoes a mysterious journey through space and time that takes him through memories, visions, and historical events, ultimately transcending the limitations of the senses and into a new cosmic rebirth.

The expedition for the Kiamichi beast up into the mountains was a tedious journey. For over 200 years the Kiamichi beast has roamed Arkansas, the Indians say he would raid the camp and steal the children. Now adays the locals are afraid to enter the woods at night. The howl’s coming from the woods are enough to make even a big man shake

A couple of hippies are searching for Joe, a long time friend from the 70s who seem to be stuck in time and never aged a day since then. Through technicolor ninjas, bizarre metalheads, shamans and ancient rituals, the two embark on a journey with no turning back.

"This Is Spinal Tap" shines a light on the self-contained universe of a metal band struggling to get back on the charts, including everything from its complicated history of ups and downs, gold albums, name changes and undersold concert dates, along with the full host of requisite groupies, promoters, hangers-on and historians, sessions, release events and those special behind-the-scenes moments that keep it all real.

What on earth would extraterrestrials think if they could observe us? This is the movie they made.

With their longtime collaborator Lucifer, Everything Is Terrible! has ingested over 2,000 satanic panic, religious kook, and D-horror VHS tapes. They have recontextualized them and created a narrative feature that reminds us all who we are, why we are here, and what we should be doing with our paltry time on this dumb planet.

After concluding the now-legendary public access TV series, The Pain Factory, Michael Nine embarked on a new and more subversive public access endeavor: a collaboration with Scott Arford called Fuck TV. Whereas The Pain Factory predominantly revolved around experimental music performances, Fuck TV was a comprehensive and experiential audio-visual presentation. Aired to a passive and unsuspecting audience on San Francisco’s public access channel from 1997 to 1998, each episode of Fuck TV was dedicated to a specific topic, combining video collage and cut-up techniques set to a harsh electronic soundtrack. The resultant overload of processed imagery and visceral sound was unlike anything presented on television before or since. EPISODES: Yule Bible, Cults, Riots, Animals, Executions, Static, Media, Haterella (edited version), Self Annihilation Live, Electricity.

ASUANG, the God of Sins, was once a ruthless and fickle God of Bicol, but now he is a loner and a loser who has no place in the world that is overrun by sinful human beings. He resorted to social media to regain his former glory and fame but to no avail. On his track to retirement, he was approached by the Seers to help them stop Armageddon. Along with a group of sinful misfits, Asuang will go on a quest, against his nature, to help mankind… Or so he thinks he will.

An experimental music ensemble is recording an album. They want a very specific sound: the sound of thick air. The sound engineer struggles to understand and to find that sound. A tale of sleepless nights and loud music, a noise-injected collage composed of diaristic footage, a found narrative (memories of a popular 60s band), original music and field recordings.

In his book "1984", George Orwell saw the television of the future as a control instrument in the hands of Big Brother. Right at the start of the much-anticipated Orwellian year, Paik and Co. were keen to demonstrate satellite TV's ability to serve positive ends-- Namely, the intercontinental exchange of culture, combining both highbrow and entertainment elements. A live broadcast shared between WNET TV in New York and the Centre Pompidou in Paris, linked up with broadcasters in Germany and South Korea, reached a worldwide audience of over 10 or even 25 million (including the later repeat transmissions).

Shows a couple (Adam and Eve) and various objects, simultaneously, in time, space and movement.