Domingo no Asfalto

In this silent short film, we follow three stories grappling with grief. As the characters within these stories take action and process their feelings, we see the intertwining nature of these peoples lives.

"We follow Detective Rodriguez on a case that will take him to new and abstract places and feelings"

Fleshworm Dreams is a trippy, kaleidoscopic visual experience that pairs with an abstract, experimental nature record. Think of it like looking through a constantly shifting kaleidoscope—vibrant colors, strange shapes, and mesmerizing patterns swirling together in a beautiful, almost hypnotic way. It’s a chill, weird, and visually stunning ride, where the lines between nature and imagination blur.

At the conclusion of the "Trilogy of the Tie" the boy has his last dream in memory of his deceased beloved.

A wealthy woman from Manhattan's Upper East Side struggles to deal with her new identity and her sexuality after her husband of 16 years leaves her for a younger woman.

Crab Day is a short film made to accompany Cate Le Bon’s eponymous album, released on April 15, 2016 via Turnstile. Directed by Phil Collins and shot on location in Berlin in the winter of 2015.

Thomas, 70, looks back on the last evening he and his lost friend Mari spent together. An evening in which they drink wine, dine, listen to piano playing and dance with their girlfriends. As the hours pass before his eyes, Thomas contemplates the lost friendship, the person Mari was and the conversations of that night.

An abstract artist promises to deliver twenty five paintings to an art gallery. As he fights for his creative spark and deadlines loom, he feels his world around him crumble away.

“Leda + Swans” depicts an infernal, mythic birth of cinema, dredging the violence and horror from Wallace McCutcheon’s comic short film “Photographing a Female Crook” (1904). Leda, who may or may not be a falsely accused young woman, is brought in for a mugshot by two officers. She first attempts to avoid the camera’s gaze, and, when overpowered and manhandled, contorts her face to ruin the photograph. However, her small rebellion proves futile; she was already being recorded, objectified, mapped, and co-opted by the Godhead of the director. As her body and image are repurposed and transmuted ad infinitum, the filmic universe also explodes into a supernova. What is born out of this suffering and manipulation is another example of our sublime medium and modern muse. She will not be last the Leda, and she may not even be the first. Who is the guilty party here? Is beauty a chimera in traditional cinema? Has the ephemeral cinema of the attractions and distractions era gone anywhere?

The short film tells the story of a frustrated priest when faced with an apparently impartial friend, who was wearing a "social mask"

On a bleak island where monolithic concrete buildings rise above the windswept horizon lies work-colony #191286. Piwonka is one of a handful of migrant workers who are forced to work here under harsh conditions. He has been estranged for two months from his beloved wife when a fatal incident at the main drilling-tower occurs. Piwonka has a recurring dream of his wife where it feels like she's trying to communicate with him, to warn him perhaps, or guide his way.

Santa Inocencia

mens·beeld (het; o; meervoud: mensbeelden) A "Mensbeeld" is a well-thought-out and coherent representation of what it means to be human. Human images are linked to (historically determined) philosophical, philosophical or religious convictions.

An experimental visual piece delving into concepts like afterlife and existence in an abstract but accessible way.

An abstract and detailed observation of a young life told through a series of observational montages. Part of the 'Technicolour' series of films from Lot 108 Productions.

When viewed from far away, life on Earth can seem meaningless. But when a star inhabits a dying girl, they experience the tragic beauty found at the moment when the light goes out.

A young man on the brink of irrevocable despair crosses paths with a mysterious messenger, who warns him that his future is in danger and urges him to reconcile his past in order to save himself.

Frankie lies. Frankie remembers an unfortunate event from his past and how it spiralled into the state he’s in now, with a little help from an old friend.

The film tells a story of Mariana, a nurse who leaves Lisbon to accompany an immigrant worker in a comatose sleep on his trip home to Cape Verde. The devoted Portuguese nurse took a journey only to find herself lost in abstract drama.

Protagonist faces emotional dichotomy, after a recent relationship breakdown, about to record a film project