Domingo no Asfalto

Over the course of 24 hours following a murder, a criminal descends into paranoia, where guilt, fear, and reality slowly blur.

The Internal Void of a Damaged Mind

The world shifts subtly while silent watchers already understand.

In this unofficial sequel to "Every Single Minute", the boy finds himself lost in his sleep state.

A political assassination leads to division and chaos.

Isaac travels to Mount Moriah with his father to make a sacrifice to God.

A family political disagreement is interpreted under a dreamlike logic, where the protagonist is emotionally divided.

Upon using a modern art museum as the setting for a role play game that goes hopelessly awry, a deaf couple desperate to rekindle their spark finds the reconnection they seek in their shared experience over an abstract sculpture.

Abstract study of two couples in the logic of a love breakup

At the conclusion of the "Trilogy of the Tie" the boy has his last dream in memory of his deceased beloved.

A grieving choreographer tries to connect with her deceased partner through ritual dance, pushing her body beyond its natural limit until it breaks.

An abstract artist promises to deliver twenty five paintings to an art gallery. As he fights for his creative spark and deadlines loom, he feels his world around him crumble away.

The short film in a non-linear structure goes through the interpretation of timelines

"We follow Detective Rodriguez on a case that will take him to new and abstract places and feelings"

A childlike soul runs through their lives, all bound together by the same root trauma.

The guests are just like us: people who carry the burden of existing. Throughout nine episodes, partners (couples, friends, relatives) will sit next to the show's host to resolve the differences between them. But, could the debates be so critical and existential as to be real? Or will they merely be ideas that the audience could not conceive in their lives?

A young man from Toronto, struggles with connecting with his culture, as he wishes to write and read his mother tongue. When his wish gets granted, he realizes it backfires as everything he writes and reads is in his mother tongue.

“Leda + Swans” depicts an infernal, mythic birth of cinema, dredging the violence and horror from Wallace McCutcheon’s comic short film “Photographing a Female Crook” (1904). Leda, who may or may not be a falsely accused young woman, is brought in for a mugshot by two officers. She first attempts to avoid the camera’s gaze, and, when overpowered and manhandled, contorts her face to ruin the photograph. However, her small rebellion proves futile; she was already being recorded, objectified, mapped, and co-opted by the Godhead of the director. As her body and image are repurposed and transmuted ad infinitum, the filmic universe also explodes into a supernova. What is born out of this suffering and manipulation is another example of our sublime medium and modern muse. She will not be last the Leda, and she may not even be the first. Who is the guilty party here? Is beauty a chimera in traditional cinema? Has the ephemeral cinema of the attractions and distractions era gone anywhere?

Thomas, 70, looks back on the last evening he and his lost friend Mari spent together. An evening in which they drink wine, dine, listen to piano playing and dance with their girlfriends. As the hours pass before his eyes, Thomas contemplates the lost friendship, the person Mari was and the conversations of that night.

A wealthy woman from Manhattan's Upper East Side struggles to deal with her new identity and her sexuality after her husband of 16 years leaves her for a younger woman.