Short improvisation on whatever Jacob Appelbaum meant when he wrote "selector"

Deep-sea organisms living in such a specific environment have developed unusual forms and properties. This is an interpretation of the underwater world and an invitation to relax.

Women are taught to be hyper vigilant in vulnerable situations. This societal idea turns mundane tasks like walking to a car into situations of survival.

Filmed during the production of the Columbia Pictures western "Mackenna’s Gold," this short work presents a non-narrative visual study of the Arizona desert. Rather than documenting the film set itself, "6-18-67" assembles landscape images, time-lapse photography, and ambient sound into an abstract record of place and duration.

A man with an umbrella emerges from his grave to be momentarily reunited with his lost loved one.

Los opositores

Ryan and Jennifer are opposites who definitely do not attract. At least that's what they always believed. When they met as twelve-year-olds, they disliked one another. When they met again as teenagers, they loathed each other. But when they meet in college, the uptight Ryan and the free-spirited Jennifer find that their differences bind them together and a rare friendship develops.

Here's a strange one. First, a song on a blackboard: a Polish translation of “I love my little rooster” by American folk writer Almeda Riddle. Then, two men roll around trash bins and lift them to the garbage truck. They do it several times. A woman shouts in the distance. At the end, the picture stops, and the woman sings the song. An early short by Piotr Szulkin.

The man needs the trip. The job impedes him to do so. Then the man stuck to his chair! Loosely based on a short short story named "A Man Called Desk" from the book "Password Incorrect" written by Nick Name

A student movie loosely based on the short story by Sadegh Chubak

The main character is a young girl who sees the world around her as cold, depraved and ugly. She can’t and won’t fit in. One day, a strange cloud appears over her apartment, triggering a supernatural event.

In a town where the adults live on ground level and children refuse to come down from the treetops, a series of interviews sets out to discover - what is it exactly that the generations misunderstand about each other? This animated documentary highlights the absurdity of childhood, adult-ness, the internet, and generational gaps.

En el río

El jardín de las delicias

Madrid, Spain, 1949. The Circo Americano arrives in the city. While the big top is pitched in a vacant lot, the troupe parades through the grand avenues: the band, a witty impersonator, the Balodys, acrobats, jugglers, acrobatic skaters, clowns and… Buffallo Bill.

Trotín Troteras is the disinterested witness of the absurd situations lived first by a lecturer and then by a soldier with an umbrella, which opens when it stops raining and closes when it rains…

The emotion of people easily changes. It is not easy to define what emotion is. We just feel it. To feel emotion is like to observe nature because nature always changes by time, sun, and wind. When we observe nature, the nature tries to say what our emotion is because the nature leaves the trace of emotion.

The Film Unit at Sheffield University Union of Students produced many fascinating films during the 1950s, 60s and 70s. This one, with its surreal landscapes and alarmingly prescient storyline, is definitely on the imaginative outer limits of their collection. It has five men on the run from a controlling state organisation that is capturing the population on 3D film images, thereby making everyone dispensable.

One day in the life of Mr Hrstka, a blue collar worker and occasional pose model at the Prague academy of arts. Through this portrayal of an outsider, Paskaljevic explores the subject of isolation.

Luiko Sasaki creates a literal road-map of EVERWHERE, SOMEWHERE, with love... a truck-driver seeking "Another Chance," a man struggling through loss and "Control Ruins," and a woman who appreciates "Sweet Nothings."

Junkie