Montage of still photos with lighting effects.
CHERRY AND VIRGIN—a 'nervous romance' about Ryou, a 32-year-old erotic manga artist who has no experience with women, and Ami, a 28-year-old fujoshi who has a bad impression of real men.
Iwasaki’s ink oscillates like an evil lava lamp that might actually be alive and its progression into more and more disturbing images create an impressive sense of dread in a film that is basically just some pencil drawings on a blank background. (Film School Rejects)
Film poem created with the wild flowers that grow along the shore of the Laira estuary, the tidal mouth of the River Plym, on the southwest coast of Britain. The petals and leaves stream past as the haunting soundscape ebbs and flows.
A figure known as "The Assassin" descends from the heavens into a nightmarish pit full of monsters, titans, and cruelty.
The climbing of an immense staircase made up of the most varied stairs. Symbolic scenes occur on different levels where characters seem to be prisoners of their deeds and of their own folly. The steep staircase leads little by little towards the zones of great light where human beings and nonhuman beings meet.
Animator Ryan Larkin does a visual improvisation to music performed by a popular group presented as sidewalk entertainers. His take-off point is the music, but his own beat is more boisterous than that of the musicians. The illustrations range from convoluted abstractions to caricatures of familiar rituals. Without words.
An elegy to a love affair that has gone sour, a fond farewell to that most beautiful material that has subjugated our planet – plastic.
Conceived, drawn and animated live by a team of patients from a psychiatric clinic, this achievement presents, in the eyes of its author, less interest on a purely cinematographic level than on that of human experience. It is the disturbing wordless story of a woman and a man living in a strange setting where objects are endowed with life that they have chosen to tell us through this theater of shadow puppets in cut out figurines. Their characters will know a tragic fate since carried in the air by balloons, they will finally be devoured by a horrible dragon.
An animated exploration of the restraining and freeing of a bounded soul. A journey on the never-ending search of belongingness.
A non-narrative film thematising the eternal struggle of human life in a series of scenes connected by associations and accompanied by a strong music motif.
Barry Doupé's lusty A Boy on a Dock Blowing His Nose features vaguely articulated, quasi-human doodles and Spirographs animated within a bizarre netherworld of its own humid imagination.
A study of human anxieties about beauty, youth and objectification.
Senescence
Bokanowski returns to the complex - and mind-bending - optical array of pinholes, mirrors, prisms, and refractive substrates of his earlier film, La Plage to create the whimsical and playful Au bord du lac. The film is composed of mundane, everyday scenes of recreation and leisure on an idyllic, sunny day at a park that overlooks a lake - rowing a boat, playing a game of volleyball, rollerskating, bicycling, reading a newspaper, sunbathing, riding on horseback, or strolling on the promenade - shot through optical distortions to create fractured and knotted images that resemble embellished, gothic fairytale illustrations or appear to resolve into morphing, geometric patterns of fluid motion. Evoking the vibrant colors and sun-soaked palette of an invigorated Vincent van Gogh in Arles, Bokanowski transforms the quotidian into an infinitely mesmerizing dynamic kaleidoscope of shape-shifting textures and self-reconstituting objects of organic, abstract art.
Derived from an installation, an asymmetrical orchestration of "motion paintings" pushing the limits of abstraction in the digital age.
Relentlessly reworking ‘real’ images, using techniques borrowed from painting and animated film, Patrick Bokanowski is an author of stature, capable of creating an insane and cataclysmic universe of unquestionable beauty.
Is consciousness a coincidence or the result of a delicate, inevitable evolutionary process? Is spirit replicable? Are we divisible entities or complete, infinite parts? Break-Cycle tries to make us experience a possible poetic vision of what would be the process of digitalization of our mind through a dreamlike and emotional journey in which the different natural conflicts inherent to consciousness will be manifested.
Reworked and colored images of people playing at the seashore.
A dedicated bird watcher observes a hawk and journeys to the limits of what it means to be human.