Blindspot

Laosan, a young family man, spends all his time smoking opium. For his community, lost in the heart of the Laotian jungle, opium farming is the only way to survive. But opium is also the poison that puts men to sleep and kills their desires.

3600 miles, The Indian Ocean and one epileptic cancer survivor. A story finally told by the Wilson Family, how their father, Ashley Wilson truly proves that Nothing’s Impossible.

Elle entend pas la moto

Junha is one of the most difficult children at the school. His autism causes him to attack his classmates and even teachers without warning. Each outburst further isolates Junha from his community as his teachers and peers struggle to find a way to live "with" Junha. The camera provides an intimate look into this society, leaving the question; what is human entity and how is it connected?

24 years ago, Nick's parents started a small vegetable farm in Sperryville, Virginia, and he spent his childhood among the farm's fields and flowers. This summer, Nick is back at the farm to visit for a month and a half. And he's trying to make a movie about it.

A slice-of-life documentary following Ulla, a blind woman adjusting to life after eye removal surgery. With the help of her guide dog, Laina, she navigates Helsinki while pursuing a prosthetic eye and a deeper understanding of photography.

A particular portrait about the migration of a family from northeast Brazil to São Paulo.

Quem trocou as memórias de lugar

An Indonesian student in London attempts to deal with the absurdity of confinement and immobility due to then-ongoing coronavirus lockdown by talking to his parents – who also face similar movement restrictions in Jakarta – over the phone.

As the months pass through her, Mai gives us a glimpse into old age that explores between being abandoned and being belonged, passing the time and living the time.

Living in downtown Toronto to attend school, Lina Li returns to the comfort of home in Thornhill and her mother's cooking. In this candid short, filmmaker Lina Li and her mother engage in an intimate conversation about immigration to Canada, misunderstandings, barriers to communicating, love and the taste of home.

After working abroad for five years, filmmaker Ajahnis Charley returns home to Oshawa, Ontario, in the age of quarantine. In addition to reuniting with his family, he returns with a mission to share some deep personal truths. Surprising conversations ensue with his mother and three siblings creating, in this humorous and heart-wrenching story about our need to seek love and acceptance within our own families.

One Sunday in a public housing project, an Italian immigrant family. Through the character of the mother, we experience the family's Sunday ritual. More than just this somewhat ancestral ritual, which is still relevant today, we get a glimpse of this Mediterranean culture.

BATE CABELO! unveils the story of an artistic creation that became a living symbol of memory, embodiment, and resistance.

The director sits down with her grandparents, Elenea and Manuel Papelera as they look back at what they remember about growing up at the end and post WWII in Philippines under Japanese occupation and how being raised in that environment has affected them and how they’ve gone about raising their family. From memories of their youth, to deciding to pick up their lives and immigrating their family to Australia, to working laborious jobs to provide for their family. After sitting down with her Lola and Lolo, the director uncovers her connection to her Filipino heritage. After strife over two countries and three generations her family is still here now, betting over Mahjong games against their friends.

When do videos die? When we forget they exist. When do people die? When we forget they exist. So grandpa, grandma, you've died twice. Sorry, I'll make it up to you.

A personal documentary in which a filmmaker explores love and the meaning of home through the lives and memories of their family.

A staged birthday celebration and a visit to the director’s father’s home. From the interplay of memory and imagination, the film explores how family archives shape fictions of the past.

φέγγος

Christine’s father died when she was still a small child, and she remained in the care of her sadistic mother, who beat her and abused her psychologically. Christine is still convinced that her mother hid a farewell letter from her beloved father. Jean’s father committed suicide several years ago, and left behind a lengthy letter, but Jean never found the courage to read it. Together, Christine and Jean embark on a unique road trip across the French countryside to visit Christine’s mother, and try to confront the past.