The first woman to appear in front of an Edison motion picture camera and possibly the first woman to appear in a motion picture within the United States. In the film, Carmencita is recorded going through a routine she had been performing at Koster & Bial's in New York since February 1890.
The Athos peninsula in Greece is one of Europe's last secrets. Over 2000 monks live on Athos - cut off from the outside world. Access is denied to women, tourists are not welcome. Only workers and pilgrims can obtain a visa. The "Autonomous Monastic State of the Holy Mountain" attracts people who feel like they are missing something from their modern lives. With the help of three Athos monks, "Athos - A Taste of Heaven" tells the story of the island and its inhabitants in a unique filmed diary style. The film's guiding theme is the path we as people have to find and follow - each and everyone for themselves. "First we must heal our own souls, only then we can help others", is one of Father Galaktions core messages. He lives as a hermit on the holy mountain. Not all monks, however, live as secluded and demure as Father Galaktion. The film team is also received by Father Epiphanios - a gifted and poetic cook who certainly does not disdain the pleasures of life.
Three young queer people share their experiences on what it’s like to deviate from the straight cis-norm. Throughout the film, painful experiences make room for a more positive perspective, such as the overwhelming sense of connection with millions of other queer individuals worldwide or the freedom that arises as one can relinquish certain expectations. This so-called ‘queer-joy’ is being discovered, providing inspiring and moving insights.
A meditation on the human quest to transcend physicality, constructed from decaying archival footage and set to an original symphonic score.
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
The film evokes all the aspects of bullfighting - its history, the bulls, the toreros, the arena, the audience - and involves numerous matadors from the era.
This documentary celebrates one of Britain’s greatest actors, Dame Judi Dench, and looks back over her remarkable 60-year career.
The story of the apparition of the Virgin of Guadalupe.
A look at the ruins of the ancient city of Angkor. The largest collection of sculptures the world has ever seen - an entire metropolis of palaces and temples recovered from the jungle.
Meet Brian Boland—the beloved, eccentric hot air balloonist and artist from the rural Upper Valley of Vermont.
A silent succession of black-and-white photographs of the city of Montreal.
This short documentary sifts through the pages of a woman's diary who has recently begun to write her memoir. As she looks back at her life and some of her memories, the film explores the ordinary act of writing and the value and meaning it may hold in mundane everyday life.
A man ventures out into the streets of a pandemic-ridden London.
A brief portrait of famous and brave bullfighter Manuel Benítez el Corbobés; an account on still photos of his triumphs and failures.
A non-binary folk watches the handover of the first non-binary ID in the history of Chile. As they try to do the paperwork, they will face the bureaucracy of the legal proceeding.
Chapter Two represents a continuation of daily observations from the environment of Manhattan compiled over a period from 1980-1981. This is the second part of an extended life's portrait of New York.
Traces the lives of the Hartings, a blind Montreal family of three who make their living singing in the city's subway stations. The Hartings lost their only sighted child Hassan in a tragic drowning accident, and have since turned to the teachings of Russian mystic Grigori Grabovoi, hoping to resurrect their son. Resurrecting Hassan is an exploration of this family's legacy of grief, tragedy and abuse; the film will follow them on their path to redemption.
When the Cows Come Home introduces audiences to Tilly and Maggie, a pair of cows that musician, journalist, artist and cow whisperer, Andrew Johnstone has befriended and subsequently saved from slaughter. The garrulous herdsman is enthusiastic to expound his views on animal husbandry, bovine communication and the vagaries of life in general, before the film walks us back through the events that have shaped the singular farmer-philosopher. From personal family tragedy to warring with Catholic school authorities, innovating in Hamilton’s nascent music scene to creating guerrilla art installations; Johnstone’s life has had a truly idiosyncratic trajectory. Mental health issues may have seen him retreat to life on the farm, but the film makes clear its subject’s restless inquisitiveness is far from being put out to pasture.
In rural Kosovo, identical houses are built for family members working abroad, in the hope that they will one day return to settle in their old homeland.
Scene from a Trilby-themed stage play. Lost.