La Cumbre

Mudos testigos is a cinematographic collage made from all the surviving material of Colombian silent films, re-editing the images in such a way as to create a single imaginary film: the impossible love story of Efraín and Alicia that traces the convulsive first half of the twentieth century in Colombia. Compiled by the late Luis Ospina and finished posthumously by Jeronimo Atehortúa.

An intimate and personal reflection on the conditions of work in the 21st century, seen through the eyes of a bike delivery person. From nostalgia to frustration with Swedish punk running in the background, this film immerses us in the universe of one of many workers in the so called gig economy.

El Perro, a kidnapped soldier, takes advantage of a confrontation between his captors and the paramilitaries to escape. In his escape, he takes refuge in the house of a peasant family that keeps a dark secret that he must solve to be free.

María tells the tragic love story of María, a beautiful young woman, and her half brother Efraín, a handsome young man from Valle del Cauca. They both fall in love and live their romance on the farm "El Paraíso", in Valle del Cauca, but not everything is rosy, since Efraín must go to Bogotá because of study reasons leaving María with pain in her soul. Some time later, María becomes ill and Emma tells her brother about the situation.

In 1945, in the train station of Bogota, Colombia, a dead girl is found in a trunk. The case is assigned to Detective Mariano Corzo, he has to deal with an inquisitive journalist Hipólito Mosquera while trying to solve the mysterious case. Nobody knows who the girl is, or who put her in the trunk. The things turn bad when Mosquera publish the news in the local newspaper. With the help of a bartender Martina Quijano, Corzo will find an answer for the question: Who killed the girl and why?

A young Colombian man receives a voice message from home while grappling with cultural differences at a London dinner party with his new English girlfriend.

While abroad Colombians are the bad guys, in Colombia foreigners are the kings. And Vigo, a Swede who arrives to Colombia, will be no exception: he will be received as a prodigal son. He will soon discover that even with so much human warmth, in the country of the Sacred Heart of Jesus, magical realism is lived in the midst of chaos, impetus and thoughtlessness, which between tears and laughter blurs the fine line between good and evil.

In Miami’s neon-lit streets, “EXOTIC” follows Alejandro Vasquez, a charismatic entrepreneur leading a double life. Publicly, he runs an exotic car rental business, but secretly, he operates a criminal organization for the Calamar Cartel. His life is upended when Isabella, a New York journalist, arrives to expose Miami’s underworld. As she gets closer to the truth, tensions rise and loyalties are tested. “EXOTIC” is a thrilling tale of crime and redemption, blurring the line between hero and villain against Miami’s glamorous backdrop.

El país más feliz del mundo

A Colombian actress named Zahinabu is finally having her first audition in New York, for a Latina role. It could be the opportunity that she has been waiting for since she arrived to US. But the audition takes a different direction when the casting group needs to consider the great audition from this Latina woman who doesn't look like a "latina".

During the marijuana bonanza, a violent decade that saw the origins of drug trafficking in Colombia, Rapayet and his indigenous family get involved in a war to control the business that ends up destroying their lives and their culture.

A documentary film that highlights two street derived dance styles, Clowning and Krumping, that came out of the low income neighborhoods of L.A.. Director David LaChapelle interviews each dance crew about how their unique dances evolved. A new and positive activity away from the drugs, guns, and gangs that ruled their neighborhood. A raw film about a growing sub-culture movements in America.

America has been fundamentally transformed in many ways. Christians are now the nation's official bigots. Christians who oppose homosexuality are haters. Christians who think that transgenderism isn’t normal are intolerant. American Christians have never been confronted with so much animosity. As the threats continue to mount, it is prudent to ask the question we never imagined we would have to ponder: "How does a born-again believer live in a culture that increasingly hates us?" God wants a holy, set apart, distinct people who respond to animosity in such profoundly shocking ways that sinners get saved. Persecution sets forth a biblical response to perhaps the most urgent question of our day.

"Reclaim America!" "Stay out of politics!" "Pastors should only preach the Gospel!" "Pastors need to preach about the election!" There are many competing Christian voices telling us what to do about the state of the American union. Some voices tell us that America is lost if we don’t elect the right president. Others tell us that the role of the Christian is to win souls, not elections. What is the role of the Christian in politics? What is the role of the church in politics? Is there a difference? The Bible responds to those questions in great detail and the answers are different than Glenn Beck’s responses. Politics does NOT: Seek to persuade you on political issues. Tell you which candidates to vote for. Offer a formula for reclaiming our country. Dive into Politics and you will be diving into your Bible to determine, “What is my role in American politics?” The answer will likely surprise you.

“I’m not in the picture!” The grandmother is sure the filmmaker has positioned the camera wrong. The old lady vigorously defends her image of herself against her granddaughter, who wants to learn more about her flight from Hungary to Austria. In a dialogue characterized by friction and intimacy, they reveal the way families pass on their history from one generation to the next, and how it works its way into the core of relationships.

Dizzy Gillespie is one of the major figures of the 20th Century's music scene. Everything was once said or written about this genius musician, founder of the Bebop. Whereas his public life is known from most, many ignore about the modest side of his character and the story of his long and deep friendship with a man rather unknown from the general public, the Swiss engineer Jacques Muyal. Through previously unrevealed archives as well as musical extracts, this documentary explores the story of the friendship between a genius trumpeter and a man crazy about Jazz.

David Finklestein is an ultra-Orthodox Jew who belongs to a secluded Brooklyn sect. He’s also a talented, aspiring stand-up comedian who finds comedy an essential outlet for his crippling anxiety. When David is offered a career-making show that falls on the Sabbath, he must finally make a choice between the life he wants and the life he’s always known.

A Tibetan couple in Lhasa clings to their traditional way of life while watching the emergence of an unfamiliar social order through the eyes of their daughter. For her parents, she's a bridge between the past and present in this reflection on the loneliness of generational gaps. Mariam Zaidi

A dialogue between East and West unfurls through the audio letters of an immigrant family in Molenbeek. They bear witness to the pain and yearning of the ones who stayed behind. It's a haunted audiovisual mantra, reflected in the moody black-and-white images of social housing blocks in Brussels.

Cannon Arm and the Arcade Quest is a deadly serious comedy, set in the world of arcade games and world records. It tells the story about the friendship between a group of unlikely heroes and peculiar world class gamers, who - on a backdrop of loss and longing - has set out to do what no one has ever done before: play the arcade game Gyruss non stop for 100 hours.