1950 short film portrait of the octogenarian folk artist. Nominated for an Oscar in the category "Best Short Subject, One-reel".
Shipped off to a Romanian orphanage to finish his sentence, a British criminal finds romance but also discovers corruption inside the facility.
An emotionally scarred highway drifter shoots a sadistic trick who rapes her, and ultimately becomes America's first female serial killer.
Michaela, an epileptic, enrolls in college to study education. She goes off her medication and soon begins hearing voices and seeing apparitions that tell her to avoid religious objects, although she is devoutly Roman Catholic. One priest scoffs at the idea that Michaela could be possessed by demons, but a younger pastor arranges an exorcism for the young woman.
Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take their holiday to the moon, where, as everyone knows, there is ample cheese. Preserved by the Academy Film Archive.
Wallace rents out Gromit's former bedroom to a penguin, who takes up an interest in the techno pants created by Wallace. However, Gromit later learns that the penguin is a wanted criminal. Preserved by the Academy Film Archive.
Wallace's whirlwind romance with the proprietor of the local wool shop puts his head in a spin, and Gromit is framed for sheep-rustling in a fiendish criminal plot.
A couple attends a therapy session to reignite the spark that has gone out of their relationship.
A couple on their first date watch a bootleg movie and discover something dark.
Third part of a three-part documentary series on the making of Once Upon a Time in the West, Italian filmmaker Sergio Leone's masterpiece, released in 1968. (Preceded by The Wages of Sin.)
Two soldiers fighting on opposite sides of the Vietnam War find themselves faced with a choice, somewhere between where humanity ends and war begins.
Animated interpretation of the Bizet opera, second in a trilogy.
Animated interpretation of the Bizet opera, first in a trilogy
In 1945, as Stalin sets his hands over Poland, famous painter Wladislaw Strzeminski refuses to compromise on his art with the doctrines of social realism. Persecuted, expelled from his chair at the University, he's eventually erased from the museums' walls. With the help of some of his students, he starts fighting against the Party and becomes the symbol of an artistic resistance against intellectual tyranny.
A short documentary depicting a typical day in the life of a 1940s era flying stewardess.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
A woman in mourning sits down for dinner with a hologram to say a proper goodbye and seek the closure she never received all those years ago.
A young university freshmen enters university with hopes of pursuing his art, but is challenged by a dark reality of human existence which has haunted him since his childhood.
At his law firm's New Year's Eve party, young lawyer Felix is blackmailed into stealing confidential documents from his employer.
Sue works as psychic to prey on believers in the afterlife. Her show has some flaws. Imagine her shock when she discovers that ghosts can indeed appear to the living! Time to consult a real medium!