The Eyes of Children

The story of the 1773 highland migrants who left Scotland to settle in Nova Scotia.

The Indian Act, passed in Canada in 1876, made members of Aboriginal peoples second-class citizens, separated from the white population: nomadic for centuries, they were moved to reservations to control their behavior and resources; and thousands of their youngest members were separated from their families to be Christianized: a cultural genocide that still resonates in Canadian society today.

Two beautiful and different girls, Alice and Lisette are 17 years old, when forcibly removed from their Alsatian family to cooperate in the war effort in Germany. After spending six months in a indoctrination camp, they are both sent to a munitions factory where they are tasked to perform inhuman works. An explosion erupts, they are suspected of sabotage and threatened with being sent to a boot camp. Alice and Lisette believe they saved when transferred to a maternity where they continue living the hell of war.

Ruby is hopeful for a new start with her twin sister as they continue their education at an all-girl's boarding school. However, she soon endures torturous punishments and public humiliation as her cruel headmistress and stepmother plot against her.

On a misty morning in the fall of 1985, a small group of Haida people blockaded a muddy dirt road on Lyell Island, demanding the government work with Indigenous people to find a way to protect the land and the future. In a riveting new feature documentary drawn from more than a hundred hours of archival footage and audio, award-winning director Christopher Auchter (Now Is the Time) recreates the critical moment when the Haida Nation’s resolute act of vision and conscience changed the world.

This Peabody Award-winning documentary from New Mexico PBS looks at the European arrival in the Americas from the perspective of the Pueblo Peoples.

In the summer of 2000, federal fishery officers appeared to wage war on the Mi'gmaq fishermen of Burnt Church, New Brunswick. Why would officials of the Canadian government attack citizens for exercising rights that had been affirmed by the highest court in the land? Alanis Obomsawin casts her nets into history to provide a context for the events on Miramichi Bay.

This documentary explores the history of Canada’s first major migration of non-European and non-white refugees who arrived in 1972 when Ugandan President Idi Amin expelled all South Asians from the country. Their story of struggle and hope became part of Canada’s conversations about refugees and cultural pluralism, and informed the Canadian response to future refugee movements.

The story of Morris Saxe, one man whose actions left their mark not only on the business and agricultural life of Ontario, but on the conscience of Canada. The determination and generosity that made Saxe "a man of conscience" are examined through the eyes of his grandson. Born in 1878, Saxe founded the Federated Jewish Farmers of Ontario. He rescued 79 Jewish orphans from Europe and brought them to Canada.

The world knows the image of the good Canadian. But what if there was a dark secret behind a national identity? THE GOOD CANADIAN exposes the truth behind the idea of a True North strong and free. In this unflinching and eye-opening documentary, directors Leena Minifie and David Paperny move us through the corridors of systemic inequity, from the Indian Act to residential schools, to modern-day family separation. Fusing shocking footage with detailed interviews with experts, advocates, whistleblowers and politicians, THE GOOD CANADIAN challenges national myth-making, while offering Canadians the chance to forge a new identity from the truth.

In this layered short film, filmmaker Janine Windolph takes her young sons fishing with their kokum (grandmother), a residential school survivor who retains a deep knowledge and memory of the land. The act of reconnecting with their homeland is a cultural and familial healing journey for the boys, who are growing up in the city. It’s also a powerful form of resistance for the women.

A poetic exploration of the multi-generational affects of Canada's Indian Residential School system, based on the personal trials of Aboriginal playwright Yvette Nolan.

An expedition to climb British Columbia's highest mountain goes awry in the face of bad weather, a series of comic mishaps and the stubborn insistence of its leader on using antique climbing equipment.

“Kill the Indian to save the man” was the catchphrase of The Carlisle Indian Industrial School, a boarding school opened in Pennsylvania in 1879. It became a grim epitaph for numerous native children who died there. In 2017, a delegation from the Wind River Indian Reservation in Wyoming attempts to retrieve the remains of three Northern Arapaho children buried far from home in the school cemetery, on a journey to recast the troubled legacy of Indian boarding schools, and heal historic wounds. This documentary film is produced by The Content Lab LLC, with support from The Wyoming Cultural Trust Fund, The Wyoming Humanities Council, and Wyoming PBS.

The testimonies of the Mashteuiatsh Puakuteu women's committee punctuate this intimate short film about mourning and healing. Throughout the doll-making workshops, the women share their doubts and hopes and build a space filled with strength and solidarity.

A documentary recounting the kidnappings of British Trade Commissioner James Cross and Quebec Vice-Premier & Minister of Labour Pierre Laporte by the FLQ on October 5, 1970 in Quebec.

Between 1879 and 1986, upwards of 100,000 children in Canada were forcibly removed and placed into Indian Industrial Residential Schools. Their unique culture was stripped away to be replaced with a foreign European identity. Their family ties were cut, parents were forbidden to visit their children, and the children were prevented from returning home.

Documentary on the Canadian career of train robber Billy Miner, who became a folk hero in British Columbia. Locations near Kamloops and Mission are explored in present day.

In the 50 years since he carved his first totem pole, Robert Davidson has come to be regarded as one of the world’s foremost modern artists. Charles Wilkinson (Haida Gwaii: On the Edge of the World) brings his trademark inquisitiveness and craftsmanship to this revealing portrait of an unassuming living legend. Weaving together engaging interviews with the artist, his offspring, and a host of admirers, Haida Modern extols the sweeping impact of both Davidson’s artwork and the legions it’s inspired.

Today it is the city of Montreal, but 3 centuries ago the tiny band of missionary founders called it Ville-Marie, the holy city of Mary. This film goes back to its beginning and those who felt called to plant an oasis of Christianity in the North American wilderness. In an imaginative, at times almost surrealistic, way the film recalls the highborn company from France, and shows what survives of Ville-Marie in the Montreal of today.