Sadíme my máje
The Finnish modern dancer Noora Hannula dances through this documentary film in her own explosive style. Noora’s life has always been very connected to the artist environment with her grandfather, Simo Hannula, who throughout his entire life dedicated him fully to his art. Noora and her grandfather crossed paths when Noora used a picture of his dead body in her show and now we meet Noora working on her newest show: The Era of No Talent Rising, while she is trying to figure out where her own limits are.
The folkloric group "Nzale," founded in 1979 in Bangui, practices a traditional dance called "M'baka M'Bokou," which means "strength" and is a symbol of victory. It is a battle dance: each dancer wears the skin of the animal he wishes to incarnate. One dancer stands in the middle of a circle and fights the other dancers who come to confront him one after another.
Vinšujem Vám Nový rok hojný
A trip through the diversity of black and native Peruvian music. Character-driven film, one where the characters are integral to the nation itself. This movie delves into music and musicians, yet it's not strictly a musical; rather, it's a tapestry of seemingly disparate personal narratives woven together in a country also striving to define itself and sketch its identity
Karol Plicka was an important musician and composer. He recorded folk songs immediately after hearing them in musical notation to preserve them for future generations. Similarly, he records and interprets traditions associated with dance, folk song and local stories that vary from region to region in his film The Eternal Song. The short documentary presents merry-making in Slovak and Czech regions that are changing with the coming modernization and transformation of musical records.
In Africa there is a fable that explains the creation of the tides. When a hyaena challenged a mudskipper to a drinking contest to decide who should own the shore, the god Mungu tilted the earth so the sea flowed inland, and neither could win.
Terchovská muzika
Taneční zeměpis I. – Z Moskvy do Prahy
Taneční zeměpis II. – Z Balkánu do Prahy
Pascha v Jakubanoch
Svátky písní Olomouc 2007
Hudba Svetozár Stračina
Since ancient times, the Green Man has been one of the most mysterious and menacing of mythical characters. He also has a familiar face as Robin Hood , Jack in the Green and on numerous pub signs. Across the arts from comic strips to classical opera, the Green Man is now making a comeback. Where is he taking us? Writer Sir Kingsley Amis , film director John Boorman , composer Sir Harrison Birtwistle and other leading artists offer their interpretations of the mystery in this Omnibus documentary film from 16th November, 1990.
Jízda králů
Horňácká svatba
"Man in Red Bandana" is about Welles Remy Crowther, an extraordinary 9/11 hero. However, how his heroics became known is even more remarkable. Eight months after the disaster, his parents learned about how their son spent his last hour due to an ordinary object ... a red bandana. This revelation dramatically shifts their perspective on their loss. After hearing his remarkable story and how it unfolds, viewers will see how the actions of one man have touched 1,000s. This inspirational segment of the film depicts the unique, diverse and folklore ways that Welles is honored throughout the United States including in art, sports and song. Even President Barack Obama pays homage to this young man in the film. Our uplifting ending culminates in the revelation of a secret about Welles that can only be described as "perfect".
The Matica slovenská (a mostly government-sponsored cultural, academic, and archival institution) employed Karol Plicka (1894-1987) as its ethnographer, who was able to make documentary shorts from about 1926. He obtained funding from the President’s Office in 1928 to produce an hour-long documentary about village life, Through Mountains and Valleys (Po horách, po dolách). It was awarded a Gold Medal at the International Exposition of Photographic Art in Florence and received an Honorable Mention at the International Venice Film Festival in 1932.
Karel Plicka was also cinematographer of this short movie. Editor in charge was Alexander Hackenschmied. There is an extraordinary emotional charge, every shot is working on its own, such as photographs, paintings and poetic complement intertitles in this short. From the perspective of nature and the perspective is shifting to the people and their habits, work and clothes. Peculiar documentary shots underscore Ruthenians (men, women and children) who are interested in looking into the camera and the curious "eye" showing off their habits.
Martin Slivka's documentary film about Karol Plicka (1894-1987), the founder of Slovak cinematography.