Chop Thye Bee

Five troubled teens, abandoned by society and family, form a bond in a world of violence, drugs, and self-destruction, facing harsh realities of modern Singapore.

A wildlife enthusiast, Jean-Pierre Bosquet brings us on a journey to Singapore's Sungei Buloh Wetland Reserve to uncover some of the unknown nature in the midst of our metropolis city. Subaraj Rajathurai, a veteran wildlife consultant speaks on behalf of these animals and the threats they face.

An examination of the machinations behind the scenes at a real estate office. Unscrupulous salesmen try to hawk dubious real estate to suckers.

Singapore GaGa is a 55-minute paean to the quirkiness of the Singaporean aural landscape. It reveals Singapore's past and present with a delight and humour that makes it a necessary film for all Singaporeans. We hear buskers, street vendors, school cheerleaders sing hymns to themselves and to their communities. From these vocabularies (including Arabic, Latin, Hainanese), a sense of what it might mean to be a modern Singaporean emerges. This is Singapore's first documentary to have a cinema release. With English and Chinese subtitles.

As Singapore extends its lockdown amidst the Covid-19 pandemic, a work-from-home mother fights for her job while her domestic helper seizes an opportunity to do the unthinkable. But nothing is ever as they seem. A cautionary tale about 2 mothers, lives overlooked and voices mummed, /mʌm/ is a psychological drama with elements of an evocative thriller that examines Singaporeans’ symbiotic relationship with migrant workers.

The film offers exclusive and intimate insights into how and why the classically trained artist risked rejection to revolutionize the traditional Chinese ink art form in Singapore.

In 1960s Hong Kong, two neighbors form an intimate bond after making a discovery about their spouses in this visually stunning tale of unrequited love.

Keen young Raymold Avila joins the Internal Affairs Department of the Los Angeles police. He and partner Amy Wallace are soon looking closely at the activities of cop Dennis Peck whose financial holdings start to suggest something shady. Indeed Peck is involved in any number of dubious or downright criminal activities. He is also devious, a womaniser, and a clever manipulator, and he starts to turn his attention on Avila.

50-year-old Jim (Gerald Chew, "Apprentice", Cannes Film Festival 2016 Un Certain Regard) loses his high-flying job in status-conscious Singapore, but his ego and pride compel him to hide this from his wife (Amy J Cheng, "Crazy Rich Asians") and daughter. His only confidante is his best friend (Sivakumar Palakrishnan, "A Yellow Bird", Cannes Film Festival 2016 Critics' Week). Desperately clinging onto the material symbols of his past success, he unlocks a hibernating malevolent force, with sinister roots in long-buried secrets. As his dream life crumbles around him, worlds collide, the lines between then and now become increasingly blurred, and Jim descends into a waking nightmare. REPOSSESSION is a bold, genre-bending film, with an ever-evolving, haunting soundscape from Golden Horse Award-winning composer Teo Wei Yong ("A Land Imagined").

After a woman shoots a man to death, a damning letter she wrote raises suspicions.

A fallen woman seeks redemption at a Singapore rubber plantation. Melodrama.

In Singapore, a private detective and the British authorities are on the trail of a crime syndicate that kidnaps a nuclear physicist with the aim of selling him to the highest bidder.

A single dad looks to give up drinking and his bartender job in order to impress his son and find work as a magician.

After a family patriarch's passing, mother and son set off on different paths to cope with the loss. While the mother finds solace in religion and prayers, the son expresses himself through art. Unbeknownst to them, they are set on a collision course with one another, with life-altering consequences.

5 years old Yang spends an afternoon with his mother on a shopping trip. When he throws a tantrum after feeling neglected, she decides to punish him by walking away. A seemingly harmless punishment eventually becomes a pivotal childhood experience for Yang that will forever change him.

In this sun soaked adventure for the entire family, a group of five orphaned children form their own makeshift family while attempting to operate outside the rules of society. Though they must sometimes steal to survive, their loyalty to one another means that they will always have a brother or sister to count on.

This short documentary features poet N Rengarajan, a migrant worker from Pudukkottai, India who sustains a practice of poetry as a way of life while working in the construction sector in Singapore. The film, structured around three of his poems, seeks to visually mirror the rhythm and tone of his writing. Together, verse and visuals strive to draw attention to the poet's acute illuminations of the realities of migrant life.

Partitions draws on photographs, state documents, audio recordings and footage of domestic spaces and routines, to tell a story of Sindhi migration following the Partition of India in 1947. Inspired by the life of a woman who was born in Hyderabad, Sindh, grew up in Madras (Chennai) and lived the rest of her life as a Singaporean, the film juxtaposes fragmented recollections of the past with enduring practices of the present.

At various points in its history, tiny St. John's Island was where Singapore's colonial founder Sir Stamford Raffles docked his ship upon arrival, a quarantine centre for immigrants and pilgrims returning from Mecca, a penal colony for political detainees and secret society leaders, and a sleepy holiday resort. Unlike its neighbouring islands, however, St. John's was never fully developed. It occupies an in-between space, the vestiges of its history scattered around the land. Its indeterminacy stands in sharp contrast to Singapore, where land use is meticulously planned to fulfil economic and social functions. In this film, St. John's Island - otherwise known as 'Bukit Orang Salah', a nickname coined by the people who were quarantined there - becomes a site of and for reflection, prompting questions about our history, heritage and identity.

Tam, a diligent wedding venue staffer, discovers her husband’s affair on live TV. Rather than confronting him, she enlists a powerful spell master to win back his love. Tam’s daughter, Ha, pours her frustration into vivid fantasies of a brighter future abroad. Meanwhile, a mysterious House Spirit, visible only to the women, lurks beneath their cracked, leaky ceiling.