Cucapá. El origen de los montes

Picchu is a story that follows the journey of an Andean girl named Mayu and the unconditional support of her mother. The path will not be simple. Mayu will rely on her determination and her mother's teachings to overcome her fears and doubts to fulfill her destiny. Picchu reflects the reality of many children around the world.

At Archer’s Aunty Gladys’ funeral, he hears a tap on the window — it’s a bear named Jesus, who has come for Archer’s mom. “A Bear Named Jesus” is an allegory for religious interference, with an aching yet humorous look at estrangement and mourning for the loss of someone still living.

Two indigenous tribes invoke the god of love, Rudá, to come and celebrate the rite of love. They believe that this god lives in the clouds and that love is free from all prejudice.

As a young fisherman cruises along a rugged shoreline, a tiny mouse in Haida regalia appears and starts to knit a blanket. A story unfolds on the blanket as it grows longer, illustrating the ancient tale of Haida master sea hunter Naa-Naa-Simgat and his beloved, Kuuga Kuns. When a SGaana (the Haida word for “killer whale”) captures the hunter and drags him down into a supernatural world, the courageous Kuuga Kuns sets off to save him. Will the lovers manage to escape the undersea Mountain of SGaana, or will they, too, become part of the Haida spirit world forever?

For an Inuit fisherman, technology means absurdity. Floating out on a block of ice, he doesn't have any other choice to grab onto some flying fish to save himself.

The Mapuche tribe asks their Gods for help in difficult situations, including illness and drought. When the Spanish conquerers on their horses invade their country, the indigenous people think that they are aliens. The Spaniards capture and enslave many of the Mapuche tribe. Lautaro, a young captured native, realizes that these aliens are human beings without any divine power. He learns to use their weapons and organizes a resistance movement against the intruders.

Accompanied by a 10,000-year-old shapeshifter and friend known as Sabe, Biidaaban sets out on a mission to reclaim the ceremonial harvesting of sap from maple trees in an unwelcoming suburban neighborhood in Ontario.

Traditional Northwestern Indigenous spiritual images combined with cutting-edge computer animation in this surreal short film about the power of tradition. Three urban Indigenous teens are whisked away to an imaginary land by a magical raven, and there they encounter a totem pole. The totem pole's characters—a raven, a frog and a bear—come to life, becoming their teachers, guides and friends. Features a special interview with J. Bradley Hunt, the celebrated Heiltsuk artist on whose work the characters in Totem Talk are based.

Based on the shamanic rituals in Mongolia and Siberia, this is a testament to the need to reclaim the ideas of animism for planetary health and non-human materialities.

After her parents' death, Kaley must move from the reserve to the city to live with her older sister. After an argument, Kaley runs away to return home. During her journey, she meets a superhero who tells her how to hone her own powers.

Felix gets into trouble with a tribe of Indians out west, and is chased by a bear.

The big bad cats are the villains/Indians, and the little mice are the settlers going west in their little covered wagons, and the Indians are on a rampage about it. Things look dark indeed for the settlers when the likes of Buffalo Bill, General Custer and Daniel Boone are unable to defeat the attacking cats but...wait...up in the sky...here comes the singing, flying mouse...Mighty Mouse. Not recommended for Revisionists.

Marina is a girl who discovers the legends and traditions of her ancestors on a magical journey through the nature that surrounds her and takes her to Shark Island. Short film spoken in the Comcáac language.

Taqralik Partridge asks what if every language that had been lost to English — every word, every syllable — grew up out of the ground in flowers? Taqralik’s grandmother’s Scottish Gaelic and her father’s Inuktitut unfold in memories of her family, of pain, and of love.

Xóchitl is an indigenous woman who must fight for her freedom before the birth of her baby, since she finds herself trapped in an abusive relationship. She will have to face a town full of prejudices and accomplices of her abuser. However, Xóchitl has the inner strength of her lineage, which will manifest itself in her favor.

This animated short, inspired by the Mi'kmaq legend "The Stone Canoe" explores Indigenous humour. We follow Little Thunder as he reluctantly leaves his family and sets out on a cross-country canoe trip to become a man.

Toronto’s town square is flooded. The city’s infrastructure has merged with local flora. In this radically different future, people have found a connection to the past.

An unapologetic confrontation of cultural appropriation and everything that’s wrong with hipsters in headdresses.

A little girl will have to sing to the mythical goddess of water so that this valuable liquid can reach her community.

Casper the Friendly Ghost helps Little Feather go hunting.