Opalescence

A secret military project endangers Neo-Tokyo when it turns a biker gang member into a rampaging psychic psychopath that only two teenagers and a group of psychics can stop.

A mathematical play on one repeated movement. It imparts a sense of possibilities: that something simple can produce complex and unexpected patterns. As with an atom, the variety of possibilities from a base movement is potentially infinite.

A cliché hunchbacked evil scientist's assistant aspires to become a scientist himself, much to the displeasure of the rest of the evil science community.

After destroying the city of Townsville in a game of tag, a trio of superpowered little girls must redeem themselves by stopping a vengeful monkey's plot for world domination.

A mad scientist creates the band Music Brigades from body parts of dead musicians.

Dreams of the Past

Melbhattan. Melbhattan is part homage, part pastiche of the opening sequence of Woody Allen's seminal 1979 film Manhattan. Melbhattan features more than sixty black and white tableaux of Melbourne each composed to mimic images in Allen's film.

Tribute to director, screenwriter and actress Sarah Polley. A whimsical, playful film tells the story of the kinds of stories Polley tells, using humorous, simple line animation, the film comments on the messiness of life and art.

In a deconstruction of classic Hollywood codes, using repetitive single frame images, the re-editing of teenager movies produces an intense Oedipal drama.

Egglantine loves salt on her eggs. Eggbert prefers pepper. Who blinks first in this playful Easter ritual?

Set in the rich Tekken universe, Tekken: Blood Vengeance 3D follows Xiaoyu Ling, seasoned martial artist and high school student, tasked by the G Corporation to infiltrate an international school in Kyoto to gather information on the mysterious student Shin Kamiya. Before she can make any progress in the investigation, Shin is kidnapped by an unknown assailant. Digging deeper into Shin’s background in an attempt to rescue him, Xiaoyu learns about the frightening underbelly of the Mishima Zaibatsu. Jin Kazama, Kazuya Mishima… and the late Heihachi Mishima’s conspiracy that’s stained with blood.

When science gets out of hand, the consequences are disastrous.

Vinyl Scratch, or DJ-Pon3, puts on her headphones and listens to her favorite music as she stops by Sugarcube Corner Cafe on her way to school, while everything around her seems to react in time to her music.

At Eureka Experimental Hospital, a doctor plans to switch the characteristics of a chicken into the brain and a rabbit, into each other. Bugs Bunny was registered as the experimental rabbit, Number 46.

Sequence digitally photographed and animated by Pamela Turner in 2009 from Beckett's original drawings; these untitled images may have been intended for use in Life in the Atom. Also included, Every Other, is a unique version of an animated "exquisite corpse" and is a delightful study of the two artists' drawings. Beckett and Kathy Rose took turns contributing segments to a sequence, each animating 24 frames, passing their final image to the other to continue. These 336 were discovered amongst Beckett's many drawings and were digitally recorded by his biographer, Pamela Turner, in 2010. - Pamela Turner

The all powerful goddess of feet showing off her very interesting, soft and thick assets to you in every way she can imagine, while the sounds of the rave club rage on. Loaded with tons of sole scrunching, big bunching, feet waving, heel wagging, meat jiggling, toe wiggling, pad waggling, arch curling, foot furling, body bouncing, fancy dancing, sweating wetness and much much more ensues in this exciting experimental generative ai visual album.

Created by Graham trained choreographer Catherine Cabeen and Inspired by postmodern visual artist Yves Klein, Into the Void mixes visual arts, drag performance and visceral choreography to evoke the complex gender politics of Klein's work.

SPEED is the result of an artificial intelligence transforming bin footage into something beautiful in order to free the planet from pixel pollution. By video recycling trash shots into video art using the latest algorithm technology, visual art may help to understand our limited resources on earth and how to use them in a respectful manner. Every day we produce millions of clips sharing them on social media without even noticing anymore how much pixel garbage we create. At the same time, we produce every day millions of tons of plastic waste, polluting our environment without even noticing it anymore. SPEED wants to be a symbol of change as we are running out of time.

A short dance film about a mother’s relationship to her pregnancy, as she deals with fear and hope about bringing a black baby boy into the world in 2020.

After I had already begun to conduct my first cinematographic experiments in 2015, I shot between 2016 and 2019 (during my time as a student in Rostock) exclusively for this "No Budget Feature-Length Experimental Film", now titled "Transfragmentation", which was originally conceived to last three hours, based on Werner Fritsch's "Faust Sonnengesang" (2011), but now has a running time of approximately two hours. In 2015, I also began my correspondence with the Brussels-based Sound-Artist Unenthüllte, who eventually composed four twenty-minute pieces for this work and has to be regarded as my sole artistic collaborator in this sense. My cinematographic concept was clearly outlined from the beginning: The duration of each shot is exactly 1 minute. Only two elements diverge from this primary premise: The Seventeen Minute Prelude, Created In Post-Production (2020-2022), And The Slow Motion Sequences Involving My Voice-Over, Which Linger In The Heart And At The End Of The Work.