Hop Along Hang On

A little boy troubled by a paper bird - Quote : "I am alone in my gondola, I am trapped in the sky, My name's Nathan, I don't like the real"

Using simple, illuminative paper-cut puppetry, this enchanting video imagines the moment of witness that inspired Gwendolyn Brooks to write her landmark poem, “We Real Cool.”

A kinetic typography animation set to a reading of the poem "The Wings" by Sebastian Fox.

Based on the shamanic rituals in Mongolia and Siberia, this is a testament to the need to reclaim the ideas of animism for planetary health and non-human materialities.

The Mapuche tribe asks their Gods for help in difficult situations, including illness and drought. When the Spanish conquerers on their horses invade their country, the indigenous people think that they are aliens. The Spaniards capture and enslave many of the Mapuche tribe. Lautaro, a young captured native, realizes that these aliens are human beings without any divine power. He learns to use their weapons and organizes a resistance movement against the intruders.

This film visualizes humanity’s quest to relentlessly pursue goals. In the human fight for progress, the march forward cannot be stopped, even when individual people become weary and die. This animated short is based on a poem by the Chilean filmmaker and poet Juan Forch. Chilean painter Hernando León created the design.

Taqralik Partridge asks what if every language that had been lost to English — every word, every syllable — grew up out of the ground in flowers? Taqralik’s grandmother’s Scottish Gaelic and her father’s Inuktitut unfold in memories of her family, of pain, and of love.

At Archer’s Aunty Gladys’ funeral, he hears a tap on the window — it’s a bear named Jesus, who has come for Archer’s mom. “A Bear Named Jesus” is an allegory for religious interference, with an aching yet humorous look at estrangement and mourning for the loss of someone still living.

In this farewell letter to Ana (aka Anorexia), I reveal the suffering associated with this illness. I sincerely express my deep desire to regain my freedom and vitality by sharing not only my progress but also my relapses. Through the interweaving of drawings and poetry, I share this quest for reconstruction, which I hope will help raise awareness of this mental illness and bring a little hope to people affected by it and those around them.

An animated poem about the fleeting nature of happiness.

A young man opens the window of his attic room and discovers a lunar landscape which submerges him and threatens to imprison him in an eternal sheet of ice. He closes the window to escape this vision and hears from deep inside his soul the sound of a poem being sung.

Poems by some of the greatest writers of all time are brought to life through lyrical animation and readings by some of today’s most respected performers.

In a lush and lively forest lives a hedgehog. He is at once admired, respected and envied by the other animals. However, Hedgehog’s unwavering devotion to his home annoys and mystifies a quartet of insatiable beasts: a cunning fox, an angry wolf, a gluttonous bear and a muddy boar. Together, the haughty brutes march off towards Hedgehog’s home to see just what is so precious about this “castle, shiny and huge.” What they find amazes them and sparks a tense and prickly standoff.

Two indigenous tribes invoke the god of love, Rudá, to come and celebrate the rite of love. They believe that this god lives in the clouds and that love is free from all prejudice.

Musicians inspired by the Moon. Since the Apollo landings, the Moon has entered popular consciousness like never before. A journey through pop music's lunar obsession.

Marcel, your mother is calling you

La vita nuova

Un spectacle interrompu

The experimental animated film Song of the Flies (El Canto de las Moscas), translates the desolation caused by the violence of the Colombian armed conflict through the poetic voice of Maria Mercedes Carranza (1945–2003) and the audiovisual dialogue between 9 Colombian women. In 24 places, as a transit over the course of a day (Morning, Day, Night) a map of terror is drawn where massacres took place in Colombia in the 1990s. Archival images, the artists’ personal memories and the use of loops and analogue materials bring to life the landscapes ravaged by violence and build a polyphony of memory and mourning, a universal song of pain.

Through meticulous cut-up, collaging and stop motion, Nico Vassilakis makes words dance across the screen, moving our eyes in all different directions. This video poem is dynamic and colourful, and brings into question what happens when we 'see' a word - where do we distinguish between the image a word forms in our minds, and the image it forms on a page or screen?