Madama Butterfly - Teatro alla Scala
Gennaro, the son of Lucretia Borgia, lives unaware of the identity of his mother, who has married the Duke of Ferrara. After Lucretia's brother is killed by five conspirators, the fathers of Gennaro's dearest friends, Lucretia tortures the old men to death. Later, Gennaro and his companions journey to Lucretia's domain, and she sees her son for the first time. The Duke, who believes him to be her lover, poisons him, but Lucretia administers the antidote in time and saves his life. Then she schemes to poison her sons' five friends for their fathers' mistake.
One of the composer's most beguiling scores, La Favorite is Gaetano Donizetti's La favorita in it's original French form; a tale of love and war that represents a glorious mix of Italian bel canto and 19th c. grand opera. Vincent Boussard's arresting Toulouse production does full justice to this newly renewed masterpiece. Three international principals take on the work's demanding roles: Chinese tenor Yijie Shi is a 'revelation' as Fernand, the rich-toned, authoritative French baritone Ludovic Tezier as King Alphonse XI and lauded American mezzo Kate Aldrich - 'the Carmen of this generation' - plumbing the emotional depths of Leonor's music. Conductor and bel canto specialist Antonello Allemandi adds to the passionate proceedings onstage. Maestro Allemandi demonstrated full authority over the stage for the musically complex scenes, and in the arias and duets demonstrated his confidence in the singers by establishing ample tempos to support their soaring vocal lines.
Andrea Chénier, Umberto Giordano's masterpiece, a title that opens the Piermarini's 2017/2018 opera season, returns to La Scala in Milan after a 32-year absence. A highly anticipated event, not only because of the debut in the role of Magdalena by superstar soprano Anna Netrebko (thus marking her third season opener at La Scala, following 2011's Don Giovanni and 2015's Giovanna d'Arco) but also because of the La Scala debut of Yusif Eyvazov (Mrs. Netrebko's spouse, who has been keeping the Piermarini's gallery apprehensive for months now) and for the new direction signed by Mario Martone, who with Margherita Palli (composer of the sets) return to La Scala's handling of an opera by Umberto Giordano, after the success in May 2016 of their Cena delle Beffe.
In his 'new life' as a baritone, Placido Domingo has triumphed in the role of Francesco Foscari in Los Angeles, London and Vienna. Now he takes to the role to La Scala, Milan, the theatre that is the symbol of Italian opera. I due Foscari, premiered in 1844, famously one of Verdi's darkest operas, is staged by Alvis Hermanis, who made such an impact at the Salzburg Festival with "Die Soldaten" and "Il trovatore". Domingo is joined by two of Italy's most exciting singers, the soprano Anna Pirozzi and the tenor Francesco Meli, and the acclaimed Italian conductor Michele Mariotti. The Financial Times was deeply moved by Domingo's performance, calling his interpretation of the role "sublime".
Rossini: La Gazza Ladra - Teatro alla Scala
Anna Bolena - Reate Festival di Rieti
The incredible story of Lucrezia Borgia (1480-1519), daughter of Pope Alexander VI (1431-1503), deliberately used politically by her powerful family and historically slandered as a poisoner and incestuous femme fatale. But who was the real Lucrezia?
Six Italian directors explore contemporary Milan in a rich and eclectic portrait of urban life and spaces—both rooted in history and bursting with a diversity of architecture and humanity.
Lucrèce Borgia, une femme au Vatican
A reserved student wrestles with hidden feelings for his teacher. When he seeks closure, he faces the challenge of unreturned love and accepting difficult truths.
Under the celestial guidance of Matariki, Māori elder Hamo and local delinquent Jo form an unlikely bond on a road trip. As they confront past traumas and each face their demons, their shared path becomes a journey of healing, community, and reconciliation.
A First Nations boy in the Australian outback adopts an injured dingo. The two of them set off on a quest to find an emu.
Cyrano de Begerac helps an army officer woo Roxanne, the woman he loves.
Ewa is a middle-aged woman full of life, living with her father. When her father's new partner moves into their house, Ewa's deeply hidden need for romantic love is triggered.
“I'm waiting for mom and dad. The calendar ends today. Many of us will die, but not like Grandpa did two years ago, only worse.” This is the morning report of ten-year-old Daga. The girl is prepared for any threat. Unlike her parents…
Sequel to Takluk: Lahad Datu (2024).
Nina, in her teenage tremors, perceives the world as if she had no protective layer. What she would most like to feel is that she is accepted and belongs - so she goes to mass and faithfully supports the local football team. When the club's flag is desecrated, Nina comes up with an idea for a spectacular revenge that earns her the respect of the team and the heart of the boy she has a crush on.
“Carioca,” Chico Buarque’s first DVD of original songs since As Cidades (1998), features musical direction and arrangements by Luiz Cláudio Ramos and production by Vinícius França. The repertoire includes the choro-canção Subúrbio and Sempre, a track composed for the film O Maior Amor do Mundo, among others. In this work, the artist speaks about his city with the youthful spirit reminiscent of the age when he first earned his famous nickname. Voltei a Cantar / Mambembe / Dura na Queda / O Futebol / Morena na Angola / Renata Maria / Outros Sonhos / Imagina / Porque Era Ela, Porque Era Eu / Sempre / Mil Perdões / A História de Lily Braun / A Bela e a Fera / Ela É Dançarina / As Atrizes / Ela Faz Cinema / Eu Te Amo / Palavra de Mulher / Leve / Bolero Blues / As Vitrines / Subúrbio / Morro dos Irmãos / Futuros Amantes / Bye Bye Brasil / Cantando no Toró / Grande Hotel / Ode aos Ratos / Na Carreira / Deixe a Menina / Sem Compromisso / Quem Te Viu, Quem Te Vê / João e Maria
A high school senior drives cross-country with his best friends to hook up with a babe he met online.