We're Not Good At Parting

Old lovers reunite, a friendship is betrayed, a pet is killed, a runaway discovered, and a co-worker comes back from the dead in these five interconnected tales about suffering from kindness. Shot over five-years worth of weekends featuring a massive cast and crew, this ambitious, feature-length, no-budget indie shows a side of Maine not seen anywhere else (no lobstermen here, sorry) and finds bleak comedy in a backwater state being dragged into a diverse and inclusive 21st century.

A short story film in which the first story takes place at the end of the German occupation, when a resistance fighter is arrested while transporting leaflets. The second story takes place in the 1950s at a cattle shed. The final episode tells the story of a doctor terrorized by fleeing criminals.

Five stories center on a werewolf, a feudal landlord, peasants, a ghost, and a mother and her sons.

A short comedy about infidelity, drinking too much at parties, and letting go.

Featuring seven stories from seven auteurs from around the world, the film chronicles this unprecedented moment in time, and is a true love letter to the power of cinema and its storytellers.

Each of the three short films in this collection presents a young gay man at the threshold of adulthood. In "Pool Days," Justin is a 17-year old Bethesda lad, hired as the evening life guard at a fitness center. In the course of the summer, he realizes and embraces that he's gay. In "A Friend of Dorothy," Winston arrives from upstate for his freshman year at NYU. He has to figure out, with some help from Anne, a hometown friend, how to build a social life as a young gay man in the city. In "The Disco Years," Tom looks back on 1978, the year in high school that he came out of the closet after one joyful and several painful encounters

A three-part anthology about love and sexuality: a menage-a-trois between a couple and a young woman on the coast of Tuscany; an advertising executive under enormous pressure at work, who, during visits to his psychiatrist, is pulled to delve into the possible reasons why his stress seems to manifest itself in a recurring erotic dream; a story of unrequited love about a beautiful, 1960s high-end call girl in an impossible affair with her young tailor.

The seven short films making up GENIUS PARTY couldn’t be more diverse, linked only by a high standard of quality and inspiration. Atsuko Fukushima’s intro piece is a fantastic abstraction to soak up with the eyes. Masaaki Yuasa, of MIND GAME and CAT SOUP fame, brings his distinctive and deceptively simple graphic style and dream-state logic to the table with “Happy Machine,” his spin on a child’s earliest year. Shinji Kimura’s spookier “Deathtic 4,” meanwhile, seems to tap into the creepier corners of a child’s imagination and open up a toybox full of dark delights. Hideki Futamura’s “Limit Cycle” conjures up a vision of virtual reality, while Yuji Fukuyama’s "Doorbell" and "Baby Blue" by Shinichiro Watanabe use understated realism for very surreal purposes. And Shoji Kawamori, with “Shanghai Dragon,” takes the tropes and conventions of traditional anime out for very fun joyride.

At dawn, in a great classical dance conservatory, a boy falls while rehearsing some movements. Something breaks in his foot, causing sharp pain. But it's exams day and the boy refuses to quit: he tries to face his dance partner and classmates, convincing himself his body has no limits.

A compendium of three short science-fiction films, each with a decidedly feminist slant.

Jacques and Martine, an ordinary bourgeois couple, invite to dinner a friend whom they have not seen the last ten years. Since then he has become a media star and everything has to go just right at dinner.

A filmmaker is invited to an actor's house, who is keenly interested in his story. For the story to be told, the characters need to speak for themselves so they began speaking and they said

Three back-to-back anime films by three different directors make up this sci-fi trilogy three years in the making.

The year is 1940 and Pilot Officer T.B. Baird arrives straight out of flight school to join a front line RAF squadron at the height of the Battle of Britain. After an unfortunate start and a drumming down from his commanding officer, Baird must balance the struggle to impress his Group Captain, regain his pride, fit in with his fellow pilots, and survive one of the most intense air battles in history.

Xiaofan, a young girl who works at a Karaoke Club, awakes one morning in a remote forest with her body covered in blood. As she struggles to find her way out, she tries to understand the drama circumstances which got her into the situation, events mainly related to her unpredictable boyfriend. She needs to make a decision that may change her life.

Adapted from the TV and radio series of the same name, the producer of said show reads letters from three woman providing the framing story for this melodrama anthology film. The tales focus on parenting and family struggles.

Elena loves Abel, she is drowning on the anguish of being, her subconscious manifests her urges; during the funeral misfortune sets in. Laceration and calm, devotion and fear, angst and flesh.

An anthology of tales from Hong Kong.

A year after the death of his paternal grandmother at the age of 101, filmmaker Martin Villeneuve brings her back to life using a special talent.

Film version of the Neil Simon play has three separate acts set in the same hotel suite in New York's Plaza Hotel with Walter Matthau in a triple role. In the first, Karen Nash tries to get her inattentive husband Sam's attention and help save their failing marriage. In the second, brash film producer Jesse Kiplinger tries to seduce his former one-time flame Muriel. In the third, Roy Hubley and his wife Norma try and persuade their daughter, a bride to-be with cold feet, out of the bathroom before her approaching wedding ceremony.